23 October 2014
21 October 2014
We are working hard behind-the-scenes getting ready for the production meeting. We haven't quite gotten through all the slush but we're working on it. I've started reading the hold-for-voting stories and when I do so, I write a one sentence summary of each story so I can remember it for the production meeting.
In general, this is a very helpful exercise. If you can't express your story in one line...you may have a problem. For example, in our most recent issue we had stories that can be described via 'What happens to girls who get it on with fairies.' and 'A Hawaiian steampunk murder mystery.' These single lines make the stories sound intriguing, right?
In my own fiction, I recently sold a story which can be summarized by the line 'An astronaut's synesthesia saves the mission.' On the other hand, I've been working on a story which is not working (yet). It's line is: 'A robot gets Alzheimer's.' When I express it in one line, I can see that it's a setup for a story but not a complete story. Ah ha! I need to answer the question: what happens when the robot gets Alzheimer's? I should go work on it.
In the meantime, what's your line?
14 October 2014
Our submissions page says A note on our editorial policy: before publication we may edit the story for length or readability. However, we always remain true to the spirit of the story.
Some authors are scared away by this. Don't be. Obviously, we edit for spelling and grammar. The most common other edits are cutting extra words and lines. Many authors repeat themselves. Sometimes authors go off on tangents that don't relate to the story at hand.
Sometimes authors have pov shifts--we fix these with as few word changes as possible.
Sometimes we alter the spacing of prose on the page. For example if something is very important we might give it its own paragraph.
Once in a while we don't feel the title does justice to the story. We might tell the author: we think the essence of the story is this. Can you come up with a less generic title?
Electric Spec editors do not write any part of your story. We have never changed the essence of any story and we never will. If we didn't like your story we wouldn't have bought it.
And, bottom line, any change has to meet with the approval of the author.
07 October 2014
As I peruse all the interesting stories, I can't help thinking writers are amazing. They create people and worlds out of nothing but their imagination. Wow. Think about that for a second. There was nothing...and then, bam!, there was something. And fictional characters are known around the world and throughout time. Think of your favorites; maybe they include Gandalf the Grey, Bilbo Baggins, Paul Atreides, Arkady Darell, Sookie Stackhouse, Harry Dresden, Ender Wiggin, or Tyrion Lannister... The list goes on and on. And I bet your friends know and love the characters, too. So, I'll say it again: writers are amazing.
If you are a writer: thank you! Thank you for working hard to create stories to spark readers' imaginations and dreams.
Hurray for writers!
30 September 2014
Over the last decade we've received hundreds (thousands?) of stories of men killing their wives and/or girlfriends. In recent years these are often flash fiction pieces where the characters are introduced and then, bam!, the woman's dead. Sadly, after reading these I think, "Eh." I've seen it before, and, frankly, I don't care about any of the characters. And thinking up a unique way to kill off the woman doesn't help.
Consider bucking the trend and writing a macabre piece that doesn't involve murder. :)
In your story if you want to kill off your woman, make me care. How do you do this? You create a three-dimensional murderer and murderee, with good and bad characteristics, loves, hates, and desires. Real people want something(s) and so should murderers (and I'm not talking just murder). The murder should arise as a consequence of their characters. The protagonist's character should not consist solely of murderer.
Is this hard to do in flash fiction? Yes. Very. It's difficult to do in 5,000 words, too.
But no one ever said writing was easy. Or, if they did, maybe they deserve...
23 September 2014
Short fiction is an art form, and, frankly, you can do anything you'd like. That's part of the beauty and allure of short fiction.
However, if you want to be published in Electric Spec:
- You must have at least one protagonist. Another name for protagonist is 'main character.' I can't stress this enough. If you don't have a protagonist the reader has no one to identify with.
- You must have at least some showing. This means you cannot have all telling. Telling puts a layer of author between the reader and the story. The reader wants immerse him/herself in the story, to go on an adventure, not think: this is a clever author.
- You should very probably have dialogue. It's very difficult to have a protagonist and showing without any dialogue. It can be done, if there's only one character total in the story for example, but it probably shouldn't be.
- You must have a speculative element. We aren't called Electric Spec for nothing.
- Something needs to happen. Another way of putting this is: something needs to change in the story.
17 September 2014
The take-away from the workshop was: when writing, you must know your destination. In a novel you should know the ending of your large story arc and you should know the destination for each of your chapters. But it's totally fine to figure out your chapter destinations as you go along.
IMHO, as a short story writer you should know your final story destination when you start writing. Personally, I've written myself into a lot of corners and tangents when I didn't know my destination. Don't do that! :)
So, I ask you: What is your destination?