29 July 2011
27 July 2011
26 July 2011
Generally, the slush at ElectricSpec is very good. However, we editors can tell when we get a story from someone new to writing. There are a number of common room-for-improvements we see:
- Possibly the most obvious is using non-said or non-asked dialogue tags. Don't ask me why only "said" and "asked" are allowed in dialogue tags, but that's the way it is. (If anyone knows, please share.)
- Another common issue is all telling and no showing. I know like a hundred years ago this was the fashion, but when was the last time you read something published that did this? Telling is summarizing a story and we still do this in our everyday lives. But the current fashion in fiction is to write immediate, have the reader experience the story as it happens (a bit weird when you consider the another current fashion is past tense.)
- Finally, a common room-for-improvement we see is nothing happens, usually because the protagonist doesn't act. As an editor, this one is particularly disappointing. You get all excited about the big idea or the world-building and the problem set-up and then ...nothing. Often this is linked to a mild or missing conflict: who or what is stopping the protagonist? Generally speaking in stories we publish the protagonist has to do something to try to solve the problem. The protagonist doesn't have to succeed, but they have to try.
So, double-check your stories. You don't have any of these issues, do you?
24 July 2011
19 July 2011
Writer's Knowledge Base, The Search Engine for Writers. The Writer's Knowledge Base (WKB) is a searchable collection of articles that are highly relevant to writers. The articles are diverse and cover such topics as the craft of writing, getting published, promotion, etc. Notice the search engine only covers topics related to writing. If you do a search you won't accidentally get anything weird--like porn. (Why do so many innocent searches lead to porn?)
A little backstory...Elizabeth Craig supplies the links for the WKB. Elizabeth is a published author who monitors over 1500 websites for great articles on writing and then posts the links on Twitter. The WKB then archives the links for us writers to access to our heart's desire.
Does anyone else know of any neat writers websites? Please share!
14 July 2011
Congratulations, Mr. Sawyer!
12 July 2011
One of the best teachers I've ever had has a thing about grimaces. He says you should never use the word grimace in your writing because it doesn't mean anything. I would say a grimace is a frown caused by disgust. I looked it up in various dictionaries and they say a grimace is a facial expression, often ugly or contorted, that indicates disapproval, pain, etc. or a sharp facial contortion expressing pain, contempt, or disgust., etc. So, regarding grimaces, I guess: Caveat scriptor.
However, I think this points to a larger issue: the evolution of the english language. There's no question our language has evolved and is evolving over time. How much of this should we use in our writing? For example, in my work I would use "five finger discount", but not "index finger discount". Most people know the former but only a certain subset of folks know the latter (although we could probably figure it out!). Certainly, there are genre considerations here. YA should use a lot of slang. Techno- or geek-thrillers should also use a lot of jargon.
But, IMHO, we can go too far. 2MI can be 2M2H. IKR?
I think we should avoid text-messaging "words" in fiction.
What do you think?
05 July 2011
Another important point is every character should have unique dialogue. If I'm honest, many of my characters talk like I do in my first drafts. So, when I revise, I have to get rid of this. Ideally, each character's dialogue is so unique you wouldn't even need a dialogue tag. In a long work, I keep a cheat-sheet of slang or special unique words for each character. For example, one character might use a lot of single-syllable words, another might not use contractions. Good luck with your dialogue!
How about you? How do you deal with dialogue?