The Electric Spec staff are taking a little time off...
Best wishes and happy holidays to you and your families!
We continue to get hundreds of submissions for each issue. Thank you, authors!
I do recommend reading Locus' Year-in-Review for lots of great info about spec fic markets. The 2022 summary is here.
I'll try to post the 2023 review here in February (when it usually comes out) 2024.
Thank you, readers!
We hope you enjoy this issue as much as we did.
I used a military veteran as my protagonist since my father-in-law, my son and I are all military veterans. As a father and Operation Desert Storm veteran, I also understand how worrisome it is when a loved one gets deployed, especially to a hostile region. I decided to tap into that worry and fear associated with the terrifying thought of “what if”. Once I got going, the rest just came together.
What I have found for myself and writing is that sometimes it is best for an idea to steep in my head a while before I try to make any sense of it. And when I get stuck, I just read more. Reading tends to unclog the blockage.
I am very grateful to the editors at Electric Spec for choosing my story.
"Of Mice and Men" was inspired by my early days as a children’s book illustrator where I got my start as an illustrator. Of course, you do lots of cute animals wearing clothes and engage in anthropomorphism. I took it to the limits here as you do with speculative fiction and put our raging rodent in armor and made him fierce. Illustrating children’s books severely limits what you can do as an artist and my passion was in speculative fiction which when I went to basically shut the door on illustrating in the children’s genre – but so be it. I’m quite content with where I am today.
The background here had to be unique and eye catching as is my calling card. Whereas the title refers to the futility of a nobler idea to the overpowering by a trite concept such as vanity - we have the banality that mice can be vanquished by men easily, but maybe all will be turned on its head and here our mouse can not only stand up to any mortal but be the better of any homo sapien on the battlefield. Will future evolution or accidental DNA manipulation in a lab undo the current status quo? Maybe not such a bad thing considering the state of the world today.
I approached the story by considering what would be the ghost’s motivation for hanging around on the physical plain. It must be more substantial than just nostalgia. I hit upon match-making with a touch of emotional blackmail thrown into the mix. I added a couple of references to non-fictional characters and actual places to assist in the suspension of disbelief and I had my story. It was great fun to write. I hope you good folk find it fun to read.
We had a spooky Halloween-influenced meeting. There was a Covid-19 scare. Boo! There were a lot of spooky horror stories among the finalists. Boo! Consequently, we had to discuss a lot of spookiness. Boo!
Authors whose stories didn't quite fit the issue should have been contacted by now. (Check your spam or junk folder.) Authors whose stories did fit the issue are being contacted this week. (Check your spam or junk folder!) Once we hear back regarding the contract we will start editing. We are excited to work with our November authors!
The bottom line for readers: the notable November 2023 issue is well in hand. I'll start telling you about it next week. Maybe we'll even have some blog entries from contributors!
As a consequence of all this, we editors have a lot to read right now. This is both wonderful and challenging.
I have some advice for potential Electric Spec authors...
For some reason, we seem to get a lot of spooky, horror, and similar stories in October. Okay, I guess it's not a total mystery why we get them: it's Halloween season! Personally, I enjoy a good halloween story very much. :) But since the November issue comes out at the end of November, Halloween season is long gone by the time we publish. Of course, we do accept macabre/horror fiction all year... Make sure it's sufficiently general.
Trying to submit seasonal stories doesn't really work because of our production schedule, although we are quicker than many other markets.
If you did want to try a seasonal story--which I don't recommend--try to hit the holiday near, or slightly after the production date.
I better get back to work reading slush! Good luck, authors!
We are working hard reading the slush pile already. Psst! I've got a secret to tell you: editors don't always read the whole story. We know authors don't like this idea. It seems unfair, right? It is unfair. Unfortunately, with hundreds of submissions for each issue, we just don't have time to read all of all the stories. :( Of course, some editors are more likely to read more of a story than other editors. And some markets read more than other markets.
This means authors need to make sure their first page is excellent! I can't stress this enough. The first page is very important. Check and double-check to make sure the first page doesn't have a lot of grammar, spelling, formatting or other obvious errors. Make sure the short story starts on page one. (Novels can take longer to start.) This will mean different things for different stories. But, after page one, a reader should at least have a guess of what the story is about. It's fine if this changes during the tale, but a story needs to seem to be about something--even on page one.
Good luck with your first page!
Critiquers should be concerned about how authors execute their vision, not about what they're writing about. When focusing on how, we can focus on the effectiveness of writing. Does the reader get engrossed, get carried away? That's what authors want. That's what readers want, too. :)
Furthermore, each author should write about what they are passionate about. Each author should follow their muse. Each author has their own unique path, experiences, and imagination--make use of them! As an editor, I've often found a story written about something I'd never before considered. Editors love that! I think readers love it, as well.
Good luck creating what you want effectively!
Thank you to all who helped make this a great issue! You are very appreciated!
Thank you to our cover artist! Thank you to all our authors! Woo hoo! We appreciate you!
Thank you so much to the entire Electric Spec editorial team! Woo hoo! We appreciate you!
Thank you especially to the readers! We wouldn't exist without you. :)
As an author who is more pantser than plotter, all I knew when I sat down to write was that protagonist Cas was salvaging his life in the aftermath of a tortured history with a god. I wanted to explore the idea of trying to escape a relationship with something that feels omnipotent--whether that’s a religion, a job, or another person. I also love concocting magic systems, and had fun researching chemical and symbolic properties of potential potion ingredients.
The genre was the final component that made this piece come together. To me, a warlock--etymologically from the Old English wærloga, meaning "oathbreaker"--fits right in with the noir setting, where we often see a morally dubious protagonist haunted by the deeds of their past. Noir also gives me the chance to write lush similes, which I'll never turn down.
My best little piece of writing advice for fiction writers is to read nonfiction. All my best short stories have been sparked or made richer by learning about things from breeding apples to bank heists to immortal mushrooms. So go forth, read, and stay curious!
When I was in third grade I was obsessed with Bruce Coville. I read everything I could find by him. And while I've aged out of his core demographic and moved on to other authors, I still have tremendous respect for his ability to write fascinating, challenging stories for early chapter book readers. When I wrote "Amber", I wasn't intentionally writing a tribute to his Magic Shop series, but that's what it turned out to be. It's a little shorter, and a little more cynical, but I can't deny the inspiration.
The boutique itself is inspired by a souvenir shop in my town. I have nothing against the shop and go there for gift cards sometimes, but I have to admit that I have no idea how they stay in business. We are not a tourist destination, so there can't be many people in the market for souvenirs. If they are hawking dangerous magical items on the side, that at least explains how they get the rent paid.
Interesting! Thanks, Clarissa! Be sure to check out all the new stories on Aug 31, 2023!
Then, as such ideas generally arrive at random moments, I had the first inkling of "Eye Contact" while brushing my teeth. At first I thought it might be a horror story about a house coming to life with nightmare body parts, but that didn't fire my interest. Then, a few days later, I wondered, "What would I do if an eyeball suddenly opened in my floor right now?" My answer came immediately: "Have a meltdown." I thought, "That's probably pretty relatable." And so, for the first time, one of my characters became neurodiverse.
The rest of the story fell into place over time, from realizing the main character's art preferences to recognizing the need for humor. Thematically, it might hit you as being "about" various things, depending on your own life experiences. I'll keep its exact personal meaning to myself, but in general, I think it's an exploration of the faces we wear when others are looking at us, how we move between them, and whether they can ever integrate into a whole.
It's one of my weirdest pieces to date, and I cherish it immensely. I'm so excited for Electric Spec to share it with you. Thank you for reading, and take good care of your giant eyeballs.
In other news, we wish associate editor Lauren Slawson best wishes as she moves on to new challenges. Thank you for all your contributions to Electric Spec, Lauren! You rock!
Wow! The editors have been working hard reading and carefully considering the slush. Thank you, Editors! We couldn't put the issues together without your excellent efforts! You are appreciated!
As I allued to here last week, writers' conferences are excellent sources of information. I strongly recommend them. A cheaper option is a local writers' group in your community. (Check you local public library!) There are also a lot of writers' groups online. Often these writers' groups are free. Members volunteer their time to help each other become better writers. I believe every author should be getting some kind of feedback from other authors. Feedback from your friends and family is often too complimentary and/or vague. Good luck finding good feedback!
Good luck with your writing!
I continue posting blogs that got thousands of hits... (Why? It's a mystery.)
Here we have 'More About Colorado Gold.' Although some of below was specific to that conferences, I still think writers conferences can be very valuable for writers. And RMFW is still awesome!
Often in critique groups, it seems like tension gets a bit mixed up with conflict. Literary conflict is something different. Conflict is when something or someone stops a character in a story from reaching his/her goal; it can be an external or internal obstacle. The reader has to know what the goal is for this to work. I would say tension, then, is a result of conflict. The reader wonders, "Will the character overcome this conflict?"
How, then, do writers create tension? In a nutshell, the author has to evoke questions for the reader and not answer them right away.
how-to-evoke-tension suggestions from around cyberspace include utilizing:
As a writer, I recently sold a 42-word story! Talk about challenging! How do you even tell a story in 42 words?
I've noticed when submitting there are a lot of markets that only want 1000-words. It's also quite challenging to tell a story in only 1000 words. Editors may have a different perspective...
If you've read Electric Spec, you know we don't often accept stories under 1000-words. We don't often find effective stories of that short length in the slush pile. We don't often accept stories over 5000-words either. This is because editting such a long story is more work.
So, bottom line: 2000-words to 4000-words seems the sweet spot for Electric Spec story length in recent years. It's long enough to tell a good story but not so long that it scares off editors. :) Good luck!
Authors and Artists, thanks for submitting!
Readers, thanks for reading!
Thank you to our cover artist! Thank you to all our authors! Woo hoo! We appreciate you!
Thank you so much to the entire Electric Spec editorial team! Woo hoo! We appreciate you!
Thank you especially to the readers! We wouldn't exist without you. :)
Psst! If you're interested, there's a link to a secret sneak peek of the new issue: here.
It's only good for a limited time...
All colors absorb light reflecting a single hue back to the observer, except black. Black absorbs all light. It rarely occurs in nature, and only then in minerals. I never use black paint, instead I use mixtures of umber, acra and phalo blue which look dark, but unlike black draws the viewer into the painting.
In my work, I make details as intrinsic a part of the painting as the focal point. By emphasizing the details that form the whole, I emphasize the mood. Since emotion is shaped by the totality, my pieces focus on emotion. And life is neither emotionally, nor visually simple.
We had a fun discussion on the pros and cons of ambiguous-ending stories. Do you like them or dislike them? Different editors had different opinions.
Oddly, we had a bunch of ghost stories that made it to hold-for-voting. Sadly, we could only choose one ghost story. It's curious how stories for a particular issue seem to have similar themes or topics. For example, this time we had ghosts and last time we had a bunch of twins/triplets stories. We are seeing more stories of high fantasy mashed up with other stuff; I've been enjoying those. We hardly had any hard SF this time. (Weird!) We are seeing fewer stories with a political axe to grind (Thank goodness!).
Next week I'll start bragging about our new stories! And, hopefully, we'll start hearing directly from our new authors!
Wow! We are grateful for the abundant assortment of stories we've received for the marvelous May 2023 issue of Electric Spec. Thank you!
Reading slush, we are as busy as bees buzzing spring blooms... Bzzz!
I've been reading so much I do have some tips. These are suggestions.
Next week I'll stalk about the production meeting right here!
Did you know it takes 8 editors to put together an issue? You can read more about the editors here.
Some editors read slush stories every week. (Like me!) Some editors wait until the submission deadline has passed and do all their reading in one two-week blitzkrieg.
We all have to finish reading in time for the Production Meeting at the beginning of the month. The senior editors have to rank all the final stories. And, then, the wrangling really begins as we decide what final stories make the cut. Phew! Sometimes the friendly collegial 'discussion' gets very heated.
If you submitted: Thank you! We appreciate you!
Next week I'll impart more behind-the-scenes info.
Consider: there are worse things than death. I'll leave that for the author's imagination.
If you are going to kill off your darlings, make an effort to make the reader care about the character(s). An effective writer's trick is the 'Save the Cat.' Show the character saving a kitten or puppy or baby and reader will care more about them. Making the character an underdog also works, for example, being bullied, or being diagnosed with cancer, or your_idea_here. Another trick is show the character is necessary/important. For example, the character is killed but his/her/their baby is sitting alone in the next room... Dark! Dramatic! The reader is hooked!
Good luck with your lethal, or nonlethal, story!
Today, though, I want to encourage writers to read. All writers, or aspiring writers, should read regularly. Read in your genre. Read outside your genre. Read short fiction. Read long fiction. Reading will improve your writing. The more you read, the better you'll write. As you read, think about what's working and what's not working. Then you can translate it into your writing.
Of course, the best resources for reading are libraries. Support your local library! Do this by checking out books (and obviously returning them on time), buying 'retired' books at the library bookstore, contributing to fundraisers, voting for local library-related ballot measures and other activities. Plus, librarians are amazing! They can help you find the perfect book, or do research or your_task_here.
Good luck with your reading! And your writing, too, of course!
I don't know anything about the person or persons who ran it, but I am deeply grateful for all their work over the years. It was a great resource for writers. Thank you, Ralan!!! You rock!!!
Those of you who have seen the updated submission page or our blog will know that Electric Spec does not accept machine-generated or assisted content--meaning stories or artwork. We don't have space in this letter to review all the pros and cons of the various ways automated tools are impacting the creative landscape. Yet we can encapsulate our reasoning in two basic points:
1. As anyone who has read the recent news about Clarkesworld magazine knows, machine-generated stories can be produced in such quantity so quickly that they flood the submission process. We simply do not have the time to sift through so much material.
2. We believe the most critical function of creativity is about human connection. An artist reveals something of their inner self--their soul--with their creation and communicates their perspective, imagination, and uniqueness with each person they touch with their work. No matter how deftly it imitates human creativity, machine-generated content lacks that essential quality.
So as you read this issue's stories, think about how they allow you to touch the life of each author.
Hopefully, all this will end up being a minor kerfuffle...
Keep reading Electric Spec for human-centric stories written by humans!
Witches!
I've been a witch fan for a very long time, so while I wasn't at all surprised to find myself writing a story about a coven of witches, I was slightly dismayed that they turned out to be such assholes.
I've written other stories about good, kind witches who are excellent role models, but these three arrived, if not wicked, then definitely ruthless, selfish, and opportunistic.
While my protagonist, Sandy, has a magical gift, they don't particularly align themselves with witchcraft, but do feel envious at the feeling of belonging they believe they might find in a coven. (Though that isn't always the case, as poor Mona discovered to her cost.)
I didn't know it when I started writing the story, but I was exploring some ideas and feelings around femininity and feminine power, which as a feminist I have always championed, but as someone who now identifies as nonbinary, never strongly related to.
I wanted to write witches who were powerful and frightening, but not in the old misogynist mode that so many witches were cast in. They're not bad because they are powerful women, they are powerful women and they're bad. That's what I was aiming for, anyway.
Small town drama!
That all emerged as I was writing, but my starting point was the idea of a witch running a seaside tearoom and lording it over the locals. Evil, but in a kind of petty, mundane way.
The setting was influenced by the small town I grew up in, where there seemed to endless feuds about which pasty shop was the best, or where you got your haircut.
I thought it would be interesting to take these powerful supernatural beings and put them in this very normal place with limited horizons, where a new cafe opening seems like reasonable grounds for murder.
Seaside noir!
The third ingredient was a bit of film noir pastiche. Once I had the idea for the tearoom coven, I needed a protagonist to discover their schemes.
Initially I thought about making them a real private detective or supernatural investigator (I definitely didn't want to go down the witch hunter route because misogyny). Perhaps even an especially dogged health and safety inspector from the council.
But then I realised it would be much, much funnier to have a dreamer who had done an e-learning course in private investigation (they're real!) and felt equipped to take on the case.
I also thought it would be a fun subversion if they were a disaster bi (like myself) who was already in love with the femme fatale, who in fact goes looking for her rather than waiting for the dame in question to come waltzing into their office.
Once I had those details Sandy appeared more or less fully-formed. It was very enjoyable writing from their point of view because they think they're in Brighton Rock or The 39 Steps, but actually they're in a Point Horror book.
I do hope they ditch Debbie and get their thumbs back.
And, last but not least: thank you readers!
I wrote “Duet for a Soloist” as part of a series of short stories set in the same fantasy world, a world where everyone has a magical bond with an instrument they call their Harmony, and they use their Harmonies to create Resonance, which gives strength to the Phoenix who carries the world. “Duet for a Soloist” is the fourth of these stories to be.
I wrote my first story set in this world, “Dissonance,” more than ten years ago for a creative writing class in college. In 2016, “Dissonance” was published by Abyss and Apex. By that time, I written a second story, “Harmonies for Cadence,” which was published by the Voyage YA Journal in 2021, and I was working on an epic poem about the mythology of the world, “A World in Seven Flames,” which appeared in the 2020 anthology Twilight Worlds, the Best of New Myths Volume II.
I’ve always loved the concept of interconnected standalone novels set in the same world, along with the idea of writing short stories in the same world as longer works. Back in college, and to this day, I approach many of my writing projects with this in mind. But when I wrote this first story, and even the second story, I didn’t intend for them to become a broader series of connected stories. I thought of “Dissonance” as a single story, a story and a world I loved, yes, but I didn’t have ideas for more. When I wrote a second story, “Harmonies for Cadence,” I viewed it only as a companion to “Dissonance”: “Dissonance” was about a girl who seemingly had no Harmony, while “Harmonies for Cadence” was about a girl who seemingly had too many Harmonies. But once I wrote that second story, the gears in my head started turning, and the project suddenly seemed much bigger. I had a whole world to explore, and I had so much freedom to do it.
The benefit to writing connected but standalone short stories, I discovered, is that there is always more to explore. Because each story is so short and focused, there is always more to the world, tucked around the edges of stories and waiting to be uncovered, or not even present in earlier stories. Over the years, my world building has shifted, and if I look back at “Dissonance,” I find elements of the world building that I might recognize as inconsistent with what I’m writing now, but are in fact simply a different way of looking at the same aspect of world building. It is so fun to just be able to play around in this world, creating it more fully with each story. In addition to the four pieces that I’ve had published now, I have seven other stories in various stages of revision and submission, and ideas for many more stories. My goal is that all of these stories stand alone, showcasing different pieces of the world and different moments in these characters lives, but I also eventually hope to put these stories together into a collection that will reveal a larger story of this world at this point in time. I’ve even been working on a novel, though that’s set five hundred years after the short stories, when the world is very different. This means that while much more of the world building is nailed down in the novel, I still have so much to explore in the time of the short stories.
“Duet for a Soloist” specifically came about as part of a mini-arc of stories about kids in this world who don’t fit in, but unlike the characters in “Dissonance” and “Harmonies for Cadence,” they don’t find a way to fit in and instead decide to build an orchestra of their own. I’m also revising a story about Po, the deaf boy Nina meets in this story who inspires her to take action. I’m also working on stories in this mini-arc about other characters who feel disenfranchised from the world, because of disability, sexuality, class, and so on, who will come together and bring their own unique experiences and come together to try to build a better world for everyone.
I hope you enjoy reading “Duet for a Soloist” as much as I enjoyed writing it. You can find links to my other Phoenix world stories and more background on the world and the other stories on my website, www.jameyannefuller.com, and I hope I will have more of these stories to share with you soon.
The differences between the various Plains tribes can be great, but one common denominator is a shared mythology around the menace of "the little people." From tiny tricksters to predators that would eat both wayward children and unwary warriors alike, these dwarf-like creatures are believed to have once been a grave threat to mankind's survival--so much so that the various tribes were forced to unite against them in a Great War. By the end of this costly conflict (which predated the arrival of the White Man to North America), the tribes of men were victorious, and the little people were more or less wiped out.
But what if there were survivors?
The near-genocide of an entire race is a heavy burden to bear for anyone. What if that burden were to rest upon the shoulders of an Indigenous culture that would eventually suffer a similar fate at the hands of the White Man?
Speculative fiction is full of tales of vampires and werewolves roaming about the modern world. It's time Native American myths and legends had their day in the literary sun.
The artwork “Synth” depicts an artificially created Synthetic Person staring intently at the viewer with one eye fixed and focused and the other eye taking measurements, data, and scientific readings. A wavey blue marble background of liquid or gel intersects with the Synthetic, as do light-infused wires and small cables.
As Bio-Engineering, AI, CRISPR, and Cloning technology become increasingly advanced and sophisticated, will the definition of “human” change? That is for the viewer to decide.
Thanks, Barbara Very interesting!
Be sure to check out
the new Electric Spec issue on February 28, 2023!
Having long looked up at a starry sky and wished that benevolent aliens would invite me to explore the galaxy, I waited. But no invitation came. Finally it occurred to me that just because wishes can’t come true in three dimensions, doesn’t mean they can’t come true in two.
So, armed with a yearning in search of satisfaction and a prompt to write about aliens, I set to work. Not that I didn’t need to write and re-write the story ad nauseam—and also to get generous feedback from several writing groups...
And, of course, I often cried because it was the worst story ever written. And, of course, I sometimes crowed that it was the best story ever written. Funny, huh?
Indeed. That’s what saved the day: humor. I first laughed at my ego. Then I laughed at my dejected alter ego. And, before I knew it, my alter ego and his twin brother began acting like real wise guys and making "What the Buck!" a story worth telling.
In a nutshell, I laughed my way to the end—and I hope you will too!
It's always intriguing to see the variety, or lack thereof, in hold-for-voting story themes/topics we get for a particular issue. This time there were multiple apocalyptic and post-apocalyptic world stories. Read into that what you will. As editors, we were not feeling it for the post/apocalyse.
Curiously, we had more than one finalist story featuring twins...
Next week, I'll start blogging about our exciting new issue right here!
At the meeting we also had a discussion about AI-generated prose and art. Bottom line: don't submit this to Electric Spec. We will be amending our submission page to reflect this.
We have been having trouble with authors not receiving our rejection or acceptance emails. Please check your spam and junk folders.
All editors will contact their authors with the good news and contracts by the end of this week. All rejections have been sent out. Thus, if you submitted within the Feb 2023 issue window and don't hear from us by the end of this week...possibly your email software shunned our message. :(
Take care and stay warm!
Collette Fisher grew up on a farm in eastern Iowa, got degrees from Michigan State University (German and math) and University of Wisconsin-Milwaukee (library science). She worked in the library of the chancery office of the Archdiocese of Freiburg, Germany for 41 years, and lives with her husband in Titisee-Neustadt, Germany. She has published "Blue Sunset", inspired by Spoon River Anthology and The Martian Chronicles, electronically and has had stories published in Fiction River, Pulphouse, Penumbric Speculative Fiction, Alien Dimensions, 4 Star Stories, Fabula Argentea, The Lorelei Signal, Dark Horses, Wyldblood Magazine, and other magazines and anthologies.
She says: I encourage all writers to keep submitting while continuing to write new stories. You never know who will love which story you have written. It could indeed be the next one you write that is the one everyone will remember. At a workshop in 2018 I asked two successful writers how many rejections I should "collect" for a story before I gave up and just published it myself. One writer said "50", and the other said "75". I have decided to follow this advice.
Thanks for the advice, Collette! And welcome aboard!
Really savvy authors know about Locus Magazine, a monthly print 'zine covering the science fiction and fantasy field since 1968. It publishes news of the science fiction, fantasy, horror, and young-adult publishing field. At the end of every year they ask other editors about their zines. Here are some of the responses Electric Spec Editors gave for 2022:
Showing is when the author uses descriptions, actions, and dialogue to let the reader experience the story for him or herself. Different markets look for different things. Electric Spec doesn't really publish stories that are all telling. Check out any of our published stories, with showing, to see what I mean!
Good luck showing us your story!