One of the things that always interests me about writing fiction, is the way that you make stuff up and sometimes the characters and the ideas take on a life of their own. You think you’ve written something the way it should be, only to find that you have to go back and explore it some more.
I wrote a story about a young man called Siggy, who meets a woman called Ellie. They fall in love, and she shares with him a fantastic secret: she has stumbled upon a mechanism for travelling between different versions of reality, between worlds that are subtly or dramatically different from our own, depending on how far you go along a mysterious path called the Way.
That story -- called Once There Was a Way* - ends sadly. Siggy has a wanderlust, and showing him the Way is like giving him the keys to the sweetshop. He can’t resist using it without Ellie, only to get lost in parallel worlds, forever searching for the version of reality he left behind, the one with his lover in it.
I always thought the concept of the Way lent itself to a series of stories, and sure enough I wrote others. One -- called Hard Times in Nuovo Genova -- is due to be published this summer by the magazine Intergalactic Medicine Show. What I didn’t realise at first was that the story of Siggy and Ellie hadn’t been fully told. I left Siggy wandering the Multiverse, searching in vain for the Ellie he left behind. But what about Ellie?
That thought led to my story, Sigmund Seventeen, the sad tale of what Ellie did after she lost Sigmund. (Warning: Spoilers!) What both stories show is a truth that lies at the heart of much science fiction: whatever the powers and possibilities that become available to us, through technology or otherwise, our fate is often determined by the flaws that lie within us. In Once There Was a Way, Sigmund loses Ellie because he always wants to look around the next corner and suspects the grass is greener, and so fails to see that what he already has. In Sigmund Seventeen, Ellie risks wasting the endless possibilities available to her in a doomed search to replace the man who got away.
Both these stories, indeed all my stories set on the magical path called the Way, are at heart about this truth: what we get out of life is largely determined by what we are able to bring to it. There’s no magical or technological fix that can make us what we are not.
*If you want to read the sister story, Once There Was a Way, it is included in the short story anthology Flicker, out now from FillesVertes Publishing.
Very interesting! Thanks, Chris.
Check out all the stories in 2 days!!!
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