30 September 2014

earn your death

We're looking for some good macabre stories for our noteworthy November issue of Electric Spec. Macabre can evoke the grim and ugly aspects of death, but we tend to focus on the associated emotional facets. Perhaps it would help to think of it as suggestive of the allegorical dance of death.

Over the last decade we've received hundreds (thousands?) of stories of men killing their wives and/or girlfriends. In recent years these are often flash fiction pieces where the characters are introduced and then, bam!, the woman's dead. Sadly, after reading these I think, "Eh." I've seen it before, and, frankly, I don't care about any of the characters. And thinking up a unique way to kill off the woman doesn't help.
Consider bucking the trend and writing a macabre piece that doesn't involve murder. :)

In your story if you want to kill off your woman, make me care. How do you do this? You create a three-dimensional murderer and murderee, with good and bad characteristics, loves, hates, and desires. Real people want something(s) and so should murderers (and I'm not talking just murder). The murder should arise as a consequence of their characters. The protagonist's character should not consist solely of murderer.

Is this hard to do in flash fiction? Yes. Very. It's difficult to do in 5,000 words, too.
But no one ever said writing was easy. Or, if they did, maybe they deserve...
Good luck!

23 September 2014

tips from the slush pile

We, the Editors, have started going through the slush pile for the notable November 2014 issue of Electric Spec. Thus, I've got some tips for authors...

Short fiction is an art form, and, frankly, you can do anything you'd like. That's part of the beauty and allure of short fiction.
However, if you want to be published in Electric Spec:

  • You must have at least one protagonist. Another name for protagonist is 'main character.' I can't stress this enough. If you don't have a protagonist the reader has no one to identify with.
  • You must have at least some showing. This means you cannot have all telling. Telling puts a layer of author between the reader and the story. The reader wants immerse him/herself in the story, to go on an adventure, not think: this is a clever author.
  • You should very probably have dialogue. It's very difficult to have a protagonist and showing without any dialogue. It can be done, if there's only one character total in the story for example, but it probably shouldn't be.
  • You must have a speculative element. We aren't called Electric Spec for nothing.
  • Something needs to happen. Another way of putting this is: something needs to change in the story.
To summarize, if I read a story from the slush pile and it doesn't have a protagonist, some showing, some dialogue, a speculative element, AND change, I will reject it.

17 September 2014

what's your destination?

I recently attended a workshop taught by the fabulous fantasy author Carol Berg. See the excerpt from her new novel Dust and Light in our last issue of Electric Spec here. The workshop was about plotting a novel without outlining. It turns out Carol is not an outliner! If you've read her excellent and complicated novels this will come as a surprise to you. It was a surprise to me.

The take-away from the workshop was: when writing, you must know your destination. In a novel you should know the ending of your large story arc and you should know the destination for each of your chapters. But it's totally fine to figure out your chapter destinations as you go along.

IMHO, as a short story writer you should know your final story destination when you start writing. Personally, I've written myself into a lot of corners and tangents when I didn't know my destination. Don't do that! :)
So, I ask you: What is your destination?

09 September 2014

short story cheat sheet

We hope everyone's still enjoying the awesome August 31, 2014 issue of Electric Spec. Tell your friends! :)

Editor Betsy and I recently taught a workshop on how to write short stories. I'm not sure I said everything I meant to say, so I thought I'd compile the list of bullet points here, in, well, bullet points.

Short Story Cheat Sheet:

  • Inspiration:How should you start? Write what you're passionate about. Notice this initial concept could be a person/character or an idea/plot topic.
  • Protagonist:Every short story must have a protagonist. Your protagonist needs to be a sentient being with something to lose. Your protagonist needs to have a problem in the beginning (ideally, the first 250 words) of the story.
  • Conflict:Every short story must have conflict. When your protagonist acts to solve his/her/its problem something or someone needs to oppose him/her/it.
  • Plot: Thus, the simplest possible story plot is: A protagonist has a problem and acts to solve said problem. Something/one opposes the protagonist--causing conflict. The protagonist thinks he/she/it will fail--dark moment. The protagonist tries again and either succeeds (hurray!) or fails (aw!).
    This is also called the external story arc.
  • Emotion:A good story needs to impact the reader's emotions. How do you do this? The reader needs to empathize with, essentially become, the protagonist. This is achieved through your characterization of the protagonist. Do not describe the physical characteristics of your protagonist (you want the readers to imagine themselves). Instead, show the protagonist through his/her/its thoughts, feelings, words and deeds and through the words and deeds of other characters in the story as they react to the protagonist.
    It's hard to evoke emotion in the reader unless you really torture your protagonist, i.e. give them a significant problem and make it seem like they truly won't succeed. The dark moment is when the protagonist and the reader thinks the protagonist will fail.
    Make sure to resolve your story. The reader needs to know if the protagonist has succeeded or failed in his/her/its actions.
  • Change: Something about the protagonist him/her/itself needs to have changed as a result of the events of the story. This is the internal story arc.
  • So what?When you finish your story, you need to ask: So what was the point of this story? What happened? If there was no point, if nothing happened, you need to work on it some more.
    Honestly, it can be difficult to get the distance from your work to ask this question effectively. Consider asking your friends, family, critique partners, "What happened?" If they can't answer you...back to work.
Good luck with your short stories!

31 August 2014

Thank you, Zoe!

We'd also like to sincerely thank our cover artist Zoe Frasure! A fun fact about Zoe's work: we used her art in the marvelous May 31, 2014 issue as well. :) Nice work!

We're live!

We're live! Check out the new issue of Electric Spec! Thanks go out to all our authors, to our assistant editors Chris Devlin and Nikki Baird and to the whole technical team at Hardlight Multimedia! None of it could have happened without all of you. Special thanks to author Carol Berg for sharing her new novel with us.

And, of course, thank you readers! We wouldn't exist without you.
Huzzah!

28 August 2014

very soon attractions!

Wow! It's almost here: the awesome August 31, 2014 issue of Electric Spec.

We really pride ourselves on presenting readers with unique fiction. In the upcoming issue we have stories about: Elvis and the apocalypse (did you know these were related?), an ancient severed head causing a lot of trouble, a back-to-school sci-fi/fantasy spoof, what happens when girls get it on with fairies, and a Hawaiian steampunk murder mystery. Are you intrigued? I am and I've read them all already. :)

One of our favorites authors, Carol Berg, is sharing an excerpt from her brand-new novel Dust and Light. It begins with: Coroner Bastien's not-quite-a-smirk was immensely irritating.
"Constance sent word we've another mystery."

Exciting!

Check it all out on August 31, 2014!

26 August 2014

Coming Attractions!

We are getting down to the wire for the awesome August 31, 2014 issue of Electric Spec! We'll be showcasing 5 wonderful stories:
  • "The Bog Man" by David K. Yeh
  • "The King Must Die" by Bo Balder
  • "Kites and Orchids" by George S. Walker
  • "Sci Fi High" by Clint Spivey
  • "When the Moon is Waning" by Larisa Walk
All these stories are exceptional. The editors are grateful that authors keep sending us such good stories. Thank you, authors! (Keep it up!)

It looks like we have some exciting other features as well. Here's a hint: Carol Berg.
I'll give you some more coming attractions on Thursday August 28.

Be sure to check out the new issue on August 31!

21 August 2014

even more from our authors

I have really been enjoying hearing directly from our authors. It's been a blast. Another fun story we're publishing in our August 2014 issue of Electric Spec is "Sci Fi High" by Clint Spivey. He wanted to tell us some...

Thoughts on Young Adult Fiction
by Clint Spivey

YA gives writers an interesting opportunity. While ten thousand authors are all chasing the same nickel in a world where readers dwindle due to distractions, YA flourishes. It seems parents, who may not even read themselves, see the value in encouraging it in their children, and with good cause. But what does this mean to writers? Do we strive to please parents, the ones likely buying the fiction? Or do we seek to try and give an accurate picture of the world to our ultimate goal, the dear reader.

I ask this because, through work-shopping a recent story, set in a high school world of monsters, robots, angels, and inter-dimensional beings, I found myself being criticized for language and themes that were too mature for the story’s teenage characters. While I appreciated all of the advice I received, and ultimately followed it since it helped get the story published, I found myself conflicted.

My own high school experience, completed some seventeen years ago, was full of drugs, drinks, sex, curse words, and crime. This isn't to say I engaged in these acts, sex almost never, but these things were all around my fellow students and myself. Drugs from pot to meth and even LSD were available on campus if one knew the right person. Knives were visible, probably guns, though I never saw any. I know many people who were having sex regularly. Our on site day care for teen mothers attests to that. This wasn't some school in a terrible place, either. But the very school where the guy who first wrote, ‘A long time ago in a galaxy far far away…’ attended.

I don’t believe YA fiction for high school students ought be filled with sex, drugs, and gangs. But do we do our readers of this group a disservice by treating them with kid gloves? While reading, surrounded by reality replete with the dangers mentioned above, do they smell a phony only trying to get their parents to make a purchase? I admit I’m not well read in YA, but after writing the aforementioned story, I figured this was an interesting discussion to begin.

19 August 2014

more from our authors

One of the stories we're proud to present in our upcoming awesome August 2014 issue of Electric Spec is "The King Must Die" by Bo Balder--and it's not a fantasy, which you may be thinking. This is one of the most unique stories I've ever read.
Bo would like to tell us about:

My Experience in Writing "The King Must Die"
by Bo Balder

It was one of these rare moments of inspiration – I woke up at 5 in the morning with most of this story in my brain. I couldn't get back to sleep as long as the story was forming. I tossed and turned, feverishly imagining more, fleshing it out, until I gave up, got out of bedand wrote a brief outline. The actual writing, later that day, was as feverish and unusually smooth. I'd been to Vegas once, so imagining and looking up what it looked like in the seventies was easy. I've always loved Elvis and his music, so that wasn't hard either. The title is from Mary Renault's novel about Theseus in ancient Greece. In the novel, kings die to ensure their people's health and prosperity. I don't know where the frogs came from, I really don't. They were just there in the story from the beginning. Maybe somebody else will have an explanation what metaphor they are, but as a writer I think you should leave these symbols alone and just be grateful they appeared to you at all… Of course the story needed revision, but the essence was there from the beginning. It's special to me because of its strange birth, and I'm glad it's found a home!

12 August 2014

from our authors

At the recent production meeting we came up with the idea to let some of our authors 'talk' to the blog readers directly. Thus, I am happy to introduce to you author Larisa Walk; we're going to publish her Fantasy "When the Moon is Waning" in our August 2014 issue. So, without further ado, take it away Larisa!

One Writer's Inspirations
by Larisa Walk

People often ask writers about the sources of our inspiration. It is not an easy question to answer, because the ideas often come from many sources: dreams, something heard on the news, nature, another writer's book or story that triggers an A-ha moment, a conversation overheard while having a cup of jasmine tea at a tea house, mythology, or seemingly out of nowhere at all. That latter one is a gift, especially when the story comes to you from its beginning to its end, all but wrapped in shiny paper with a pattern of peach-colored roses and a matching bow.

I can identify my two of the most frequent sources of inspiration: Russian history and mythology. They inspire me not only because I was born and raised in Russia, but because there is so much conflict and mystery in them. And to me conflict and mystery are what makes a satisfying story.

Take the fact that Russia lived under the Mongol domination for 200 years. Immediately questions rise up like bubbles in a boiling pot of water: How did those people survive? What was their life like? Was there a resistance movement? Was there nothing but hatred toward the oppressors or were there stories of love between the Mongols and the Russians? After five years of research of both English and Russian sources, I wrote a novel that answers those questions: A Handful of Earth.

Then there is the Russian fairyland where each character has a dominion over a certain part of people's lives. The domovoi keeps an eye on the house; the dvorovoi rules over the yard and cares for the animals that live there; and the bannik looks after the bath house. This, of course, brings more questions, more mystery, and more inspiration. From here the writer's imagination takes over, and the crafting of a story begins.

07 August 2014

notes from the Production Meeting

The editors of Electric Spec had our Production Meeting this week. Approximately 6 beers and 2 scotches were consumed. We had a large number of very good stories in hold-for-voting, so it was tricky to narrow down the field to 5. Eventually we prevailed, however, and authors are being emailed the good (or bad) news as we speak. Hopefully all the hold-for-voting authors will hear back from us by the end of this week.
When we accept a story we send along a contract. Once the author accepts the contract we start editing the story. Things move pretty quickly this month since we're publishing the next issue on August 31.

Here are some tips based on our story discussion:

  • A strong voice is important but other things are important as well, namely, a plot
  • Make sure your story is speculative fiction. Macabre fiction, in particular, can be tricky here. For example, if a story contains a mysterious blurry figure, is it a ghost or an illusion? If it is a ghost you've got speculative fiction. If it's ambiguous...maybe not.
  • It's probably not a good idea to include tampons in your story. Editors are susceptible to the ick factor like everyone else.
  • We don't like super long (over 5000 words) stories. They're a pain to edit.

Other take-aways from the meeting: we're going to modify our webpage to indicate that we've been taking longer to get through slush. :(
We're going to ask authors if they'd like to contribute to the blog.
We were thinking of doing something special for our ten-year anniversary (next year), but we're leaning against it.
I guess that's all the highlights. We'll start previewing coming attractions next week.

05 August 2014

check back Thursday

Behind the scenes at Electric Spec we are in the final stages of preparing for the Production Meeting for the August 2014 issue. This involves ranking the stories in hold-for-voting. And then changing our minds and re-ranking the stories. And then changing our minds.... Ugh.

Check back on Thursday this week and I'll let you know how the meeting went.
Happy Tuesday!

30 July 2014

behind the scenes

We're working hard behind the scenes at Electric Spec preparing for the production meeting next week. I thought I'd give you a little peek behind the curtain...
We try to be objective when choosing stories to go in hold-for-voting. I even have a kind of check-list I use. Some items on the list include:
    Does the story have the following within the first 2 pages:
  • speculative fiction?
  • protagonist?
  • a problem?
  • is it hooky? am I intrigued? drawn in?
  • is the writing reasonably good? --meaning it's NOT distracting me.
  • does the author have a unique voice?
    Does the story have the following by the end:
  • the protagonist acts?
  • something happens?
  • things are resolved?
Note not all these things are required--but if they're there, that story will get in hold-for-voting.

After stories are in hold-for-voting the editors rank them in numerical order. I then compile the total score of each story for the production meeting. The total score is just the sum of the individual editor's rankings--so a lower score is better. For example, if all three editors think a story is #1 among those in hold-for-voting it gets a total score of 3. And incidentally that story would be in the issue. (We've never had a story get a score of 3.) Notice, with all these numbers we're trying to be objective here as well.

However, when I decide on my personal rankings I'm not objective. I do take into account if I like the story or not. I don't know if this is good or bad, but it's how I do my rankings. Generally, each editor's favorite story, their #1, does make it into the issue.

Next week I'll let you know what happens at the production meeting.

21 July 2014

perfection not required

I've passed along a lot of tips from the slush pile over the years. Unfortunately, these tips tend to be a list of 'what not to do' rather than 'what you're doing right.' So, what are you doing right?

First of all, if you started writing a story and actually finished it: Kudos to you! This is not an easy task. You should be proud you've created something from nothing. I think this is especially true today when we have sooo many other things clamoring for our time and attention.
Second of all, if you submitted your work and subjected it to possible rejection: Kudos to you! This is not an easy task. Everyone at Electric Spec is a writer and knows rejection stings. The trick to learn is: don't let it sting too much.

The vast majority of the stories we receive have an appealing protagonist with a problem who works to solve said problem. They often have neat or horrifying creatures and beautiful and/or intriguing worlds and/or fascinating science. These stories grab us. They emotionally manipulate us (good!). They have realistic and compelling dialogue. If you read the 'zine you know this. :)
So, hurray, for authors!

The vast majority of stories we receive are not perfect, however. That is totally fine. We don't expect perfection. We are not perfect. A few grammar issues or misspellings are no problem.
I would say the most common reason we don't publish a story is: the author hasn't quite transferred the story to the page. We ask questions like: What is this story about? Who is the protagonist? What happens in the end? It's not always easy to answer these questions after reading a story. What's the easiest way to avoid this problem? Ask a friend or family member to read your story and then ask them what it was about.
Another reason we don't take a story is: we've read or published several similar stories previously. A story can be well-written but if there's nothing fresh or new or unique about it, we probably won't take it.

We should finish with slush for the next issue within the next two weeks. So, keep an eye on your in-box if you haven't heard back from us yet. We'll have the Production Meeting for the awesome August 2014 issue at the beginning of August. And then I'll start blogging some previews of coming attractions!

14 July 2014

slush pile notes 2

Today is the deadline for submissions for the August 2014 issue of Electric Spec. Get those stories in and good luck!
We've been making some progress on getting through the slush pile, so here are some more tips in no particular order...
  • Put your story hook in the beginning of your story. I strongly recommend it appear on page 1. There's a school of thought that recommends you start fiction with the ordinary world. This can work, but you don't want to bore the reader. I think readers, including editors, have less patience now than they used to. If you have the cool reveal that your protagonist is a god in the middle of the story, readers might not get that far.
  • Seriously consider avoiding Urban Fantasy creatures including vampires, zombies, werewolves, etc. It is very difficult to put a fresh spin on these. We'd love to see some creatures from more obscure mythologies. Are there any interesting fables in your ethnic or cultural background?
  • Don't use non-said or non-asked dialogue tags. You can use different verb tenses of say and ask but use anything else at your own peril. Why? It pulls the reader out of the story. Can you really moan, sigh, hiss, grunt words? No-ooooo-ooooo.
  • Speaking of which, writing out screams of horror is rarely effective. Gaaaahhhhhhh! In general, macabre fiction is difficult. It should be spooky or creepy rather than bloody. Bloody horror is more suited to visual media.
  • Keep market in mind. Over the past nine (!) years we've created a specific Electric Spec 'brand.' In particular, our stories must have a speculative element. Our stories have dialogue. Our stories have protagonists. In our stories something happens. Our stories are mostly showing rather than telling. Our stories have a resolution. We like unique fresh stories.
I guess that's it for now. Thanks for reading.

08 July 2014

slush pile notes

Once again it seems we are behind with our slush pile. Apologies. If you submitted for the August 2014 issue rest assured we will get back to you. Eventually.
Here are some miscellaneous comments related to the slush pile...
Of course, the only rule of writing is there are no rules to writing. :)

  • Please do not give a synopsis of your story in the cover letter. It gives me the idea that you think your story is confusing. If your story is confusing, explaining it in the cover letter won't help.
  • Please do not use giant fonts or weird formatting in your story. It's distracting and it makes me think you are an inexperienced story-teller. (Along those same lines, don't tell me this is the first story you've ever written.)
  • Please do not submit stories of more than 7000 words. This is outside our word limit and honestly, if you can write a story of ~7400 words are you sure you can't find 400 words to cut? If I was going to give one overall tip for everyone it would be: make your story shorter. Cut everything that doesn't need to be there.
  • It is not recommended that you use sentences of more than 100 words. Can you say 'run on'? Related to this: generally, don't repeat a word multiple times within a sentence.
  • Generally, a story needs to have a protagonist.
  • Generally, a protagonist needs to do something in the story. If no one does anything, it's not really a story, IMHO.
  • Don't start your story with the protagonist waking up. Don't start your story with the protagonist dreaming. Don't start your story with the protagonist opening the front door.
  • Don't write a story about real-life political figures or other famous people.
Do send us your submissions by July 15, 2014 for the August 2014 issue. Recall the submissions guidelines are here.
Good luck!

01 July 2014

endings

Oh, come on, you knew "endings" was coming. :)
The end of a story is the most important part. The end has to tie everything together and should address the beginning in some way. Most importantly, the end has to evoke an emotional response in the reader. I'm not kidding. The end has to make the reader feel something. Maybe it's only satisfaction that everything was wrapped up or 'Huh, interesting idea,' but it has to be something.

One of my fellow RMFW members wrote a very interesting (long) blog post lately about emotion: Emotional Barrier in Fiction: The Most Important Barrier For You To Cross (Part One). When I wrote the story that was my first pro sale, I was sobbing at the end as my protagonist sacrificed herself for her family. Was sobbing and sale a coincidence? I think not.

The tricky thing about evoking emotion in the reader is you have to make the reader care about the protagonist. I took a creative writing class last Fall and the young students tended to go right for death, dismemberment, rape, etc., before we cared about the characters. The teacher said they didn't "earn" the drama. How do we make the reader care? I think the author has to care.
What do you think?

Good luck with your emotional endings!

24 June 2014

middles

Recently, one of my writing groups was discussing how we approach a story. Most folks had at least an idea about the beginning and the ending. I didn't hear a lot of enthusiasm, or even planning, about middles. I'm not surprised. Are you? In my own writing, too often middles become muddles. :( Unfortunately, as an editor, if I get lost in a muddle, that leads to rejection.

Luckily, short fiction is easier, in some ways, than long fiction. In the beginning, you must hook the reader; you must set up the story problem. In the middle, you must make things worse for the protagonist(s). The story problem gets even more dire. Also in the middle, you must set up the protagonists with the tools to succeed--even as it looks like they will fail. Piece of cake, right? Ha!

How you do this is totally up to you. If you have to write a muddle and then rewrite it, so be it. I have personally rewritten many a muddle. Having some one else read your work may help you identify muddles. "What happened here, in the middle?" Please don't send us your muddle. :)

Good luck with your middles!

In other news, the deadline for the awesome August 2014 issue of Electric Spec is approaching. Submissions need to be in by July 15 for consideration. Thanks!

10 June 2014

beginnings

As we begin work on the next issue of Electric Spec I find myself thinking about beginnings… (This may also have something to do with the fact I'm starting a new novel.) There's a lot of talk in the writerly cybersphere about how to write. Do you plan everything out? If so, you're a plotter. Do you plan very little out, write by the seat-of-your-pants? If so, you're a pantser. A long time ago I learned I do have to do some planning when writing a short story. If I don't my stories meander all over the place, only arriving at their destinations by a very circuitous route or by accident. Not good. I could usually whip said stories into an actual story with the help of my critique partners but it did take a considerable amount of time. Also, not good.

Often as I read slush, I wish our aspiring authors had critique partners (or better critique partners). I wish I could tell the author: 'your story doesn't start until page 3' or 'your beginning and your ending must relate to each other.' Story beginnings are crucial. If I'm not hooked on page one, I usually won't make it to the end of the story. Show me what your story is about on page one.

I suggest authors think more about their story before they begin. What, exactly, is this story about? Who is it about? What's the problem? What's the resolution? What's different at the end of the story? What emotions do you want to evoke in the reader? You don't have to write these answers down, but you should know them.

Good luck!

03 June 2014

the latest issue

I hope everyone's still enjoying the new issue of Electric Spec. In addition to the excellent stories by Barton Paul Levenson, Mark Webb, Kathryn Yelinek, Jason Sturner, and Melinda Brasher, we have some other interesting items… In passing I mentioned Editor Betsy's interview of fantasy author Brian McClellan. Check it out to find out what inspired his world, McClellan's writing style, how he does research, how he plans his books, and other tidbits.

Also in this issue, Editor Dave shares a flash-y story, "Forgetting." How many words do we need to tell a story? What's flash fiction? I forget…. :)

In this issue we also have an interesting article about movies from our longtime columnist Marty Mapes. If you love speculative fiction and movies, I highly recommend you read his columns over the years. This time, he discusses "Under the Skin." Have you seen it? Do you agree or disagree with Marty's take?

We welcome any and all comments about the issue.

Now, off to work on the upcoming awesome August 30, 2014 issue!
Send in your stories!

02 June 2014

Hurrah!

Discerning readers deduced we went live with the latest issue of Electric Spec on June 1, 2014! Hurrah!
If you were one of the folks waiting for the issue with bated breath, our apologies for not publishing on May 31 as advertised. :( Sometimes technology is a hindrance instead of a help.

A resounding Thank you! goes out to our authors, our artist, our columnist, the technical staff and our associate editor, Nikki Baird! We really appreciate everyone's contributions.

31 May 2014

technical difficulties

Unfortunately, we're having technical difficulties.
We're working to resolve them but it's possible the issue might not go live until June 1. :(

27 May 2014

more coming attractions

We're entering the home stretch now for the upcoming May 31, 2014 issue of Electric Spec.

In "Girl with the Crooked Spine" by Jason Sturner we have an unusual fantasy about a unique girl and a misfit boy who meet in the Field Museum in Chicago. Let's just say: adventures ensue. The editors thought this was one of the most unusual fantasies we've read in a long time.

In "A Learned Man" by Melinda Brasher we have another unique fantasy. This one is inspired by "La Leyenda de Bolsa Salgado," an El Salvadorian folktale. Is he, in fact, a learned man? We'll let you read it and decide for yourself.

I'm told we're also including a 'Spec Fic in Flicks' column by our own Marty Mapes. He's writing "An Alien Perspctive on the Human Condition." I can't wait!

Check it all out May 31, 2014!

20 May 2014

good titles

We're still working hard on the marvelous May 31, 2014 issue of Electric Spec. I thought I'd take a little time today to brag about our science fiction story in the issue.

This month we'll be publishing "Khuminay and the Axe-Wielding Psycho" by Barton Paul Levenson. As you might have guessed from the title, there's a creature named Khuminay and there's at least one murder via an axe. Just that little bit sounds dramatic, doesn't it? :) It is dramatic. I highly recommend you check it out on May 31.
And, yes, this is a good title.

Interestingly, we've published Levenson before: "The Boogie-Woogie, Time-Traveling, Cyborg Blues". This is also a very good title! Clearly, Levenson has a way with titles. Of course, you have to have a good story to back up a good title, and luckily Levenson delivers.

Also coming up in the next issue is a special interview with author Brian McClellan. McClellan writes epic fantasy, specifically, The Powder Mage Trilogy. The first book was Promise of Blood. Wow, very dramatic title! Editor Betsy will be asking him about several things including his brand-new book The Crimson Campaign.
I can't wait!

13 May 2014

first preview of coming attractions

We, The Electric Spec Editors, are working hard on the Marvelous May 31, 2014 issue. Among other things, we have two fun unique urban fantasy stories: "Showdown" by Mark Webb and "Between the Covers" by Kathryn Yelinek.

In "Showdown" an older Australian woman discovers her helpful neighbors are even more helpful and unusual than she suspected. When some other folks object to these neighbors, the woman helps them out and a showdown ensues. Is that sufficiently cryptic for you? :) Well, I can't give the story away! Trust me: you'll want to read it!

In "Between the Covers" we have a story that takes place partly on Earth and partly on another very interesting world. The challenge here: what do you do if your memories of yourself aren't reliable? Again, trust me: you'll want to read it to find out what I'm talking about!

Huzzah for these authors! You can read about them and other authors on our Authors page

Of course, we'd like the opportunity to celebrate you as an author in the future…
Submit your story!

06 May 2014

production meeting May 2014

Well, we had a productive production meeting last night. :) Yes, it was on Cinco de Mayo and we did enjoy some Mexican food and lots of beer. Editor Betsy warned us she might fall on the floor--but luckily this didn't come to pass. Even so we managed to get business done. We are in the process of writing all the folks in hold-for-voting with the good or bad news. The authors receiving good news will also be receiving their contract. The sooner you send the contract back, the sooner we can get your story ready for publication.

Some thoughts on the stories we considered… We had a lot of fantasy in this bunch; it was a little odd. Also curiously, we had more than one gargoyle story. What's up with that? Is there a gargoyle meme floating around?
I don't know if it's good or bad but we had a number of repeat authors in hold-for-voting. Since we don't look at the author name when we're considering the stories, I guess kudos to those authors.

Of course, before we got down to business we had to have a gab-fest about various speculative fiction stuff. I recommended Kristin Cashore's novels to my fellow editors. We had a lively discussion of George R.R.Martin's work which moved on to HBO's incarnation of it. Like many, we expressed our concerns about how rapey it is. Bottom line: it's too rapey.

Don't worry: this is related to Electric Spec business. One of the stories in hold-for-voting this time had an attempted rape of a little girl. It got into hold-for-voting because the girl is saved. But, ultimately, we decided it was too much. Please recall our submission guidelines say We do not consider ..stories with over-the-top sex or violence. Considering two of the Editors have little girls at home, I think it's safe to say we will never publish a story in which a little girl gets raped or even almost raped. Or, for that matter, a little boy. Or anyone else. Bottom line: no rape.

The marvelous May 31, 2014 issue will have several excellent stories! Check back this month as I entice you about them and other aspects of the issue. Thanks for reading. :)

29 April 2014

rejection

We, The Editors of Electric Spec are getting ready to make the final selections for the marvelous May 31, 2014 issue. This is always a very difficult task. All the stories in hold-for-voting are publishable, so if we don't pick your story it's because of things like issue balance and the like.

All the editors (and tech folks for that matter) here are writers so we know what it's like to have a story rejected. It's rough. Personally, I got two rejections today and one of Friday. Ugh. Even after decades of writing I still get a quick sword-to-the-heart feeling when I read "Thanks, but no thanks." We've all been there.

Thus, if we have to reject you or if you didn't make into hold-for-voting: take heart. Writing is a noble pursuit; it's worth all the heartache. Try to remember the joy of creating new characters and worlds and the fun of sharing stories with family and friends. Writing is one of mankind's greatest endeavours.

And there's always the next issue...

22 April 2014

working...

We, the editors of Electric Spec, are hard at work behind-the-scenes getting ready for the Marvelous May 31, 2014 issue! Stay tuned for exciting tidbits about the upcoming issue throughout the month of May.

In the meantime, did you know science fiction is an area of scholarly study? Did you know there's an esteemed open access online forum in science fiction studies called "deletion"? Well, there is! You can find it here: www.deletionscifi.org.
And Episode 4 just came out: The New! The Now! The Fantastic!: Artistic and Scholarly Innovation helmed by Marleen S. Barr, noted for her foundational work in feminist science fiction criticism. This episode has a thematic focus on women’s creative practice intersecting with the science fictional, the authorial and the scholarly.

Check it out!

15 April 2014

pet peeves

Today is the submission deadline for the May 31, 2014 issue of Electric Spec! Of course, after said deadline we're still accepting stories for the August 31, 2014 issue.
We've been trying to get through the mounds of fiction in the slush pile. (Thank you for submitting, by the way!) We're in much better shape than we were a month ago. Hopefully, we're doing a better job getting back to aspiring authors quickly.

Here are some thoughts motivated by the slush pile. Please note these are my personal pet peeves; they tend to engender strong negative reactions. Other editors may have others…

  • Don't be racist/sexist/homophobic. In fact, don't be any kind of "-ist" in your story. This is a huge turn-off and may (probably will!) result in an automatic rejection.
  • Don't proselytize. If I, as a reader, think you're trying to convert me…it may result in a knee-jerk rejection.
  • Don't campaign. This is why we recommend you stay away from politics in stories you submit to us. I have a strong negative response to stories with political agendas of any kind.
  • Don't bad-mouth groups of people, e.g. all lawyers are scum-sucking vermin. If a reader happens to disagree with the author's opinion ==> automatic rejection. One of my pet-peeves is scientist characters as one-dimensional losers and/or villains. Actually, you can easily avoid this by not creating one-dimensional characters. :)
Of course, I understand the most important component of a story is conflict and an author may intentionally chose to create a character that behaves in a negative manner of this sort. There is a little more leeway in character actions and dialogue, etc. than there is in the author's message. Am I contradicting myself? A little bit.

No one ever said writing was easy. Good luck!

08 April 2014

Fantasy sub-genres

I got into a bit of an argument lately with an industry professional about the difference between contemporary fantasy and urban fantasy. The professional said urban fantasy had to occur in a city. That was not my understanding. For example, I thought Charlaine Harris' Southern Vampire (Sookie Stackhouse) series was considered urban fantasy and it definitely doesn't occur in a city. What I learned in grad school was urban fantasy is fantasy that occurs on contemporary Earth. The pro in question would say urban fantasy is a sub-genre of contemporary fantasy. I would say the sub-genres in fantasy are not well-defined.

To my mind there are two major types of fantasy: fantasy that takes place on some version of Earth OR fantasy that takes place on a so-called "secondary", i.e. made-up imaginary, world. This second type of fantasy is often called high or epic, sometimes it's called heroic or medieval fantasy or sword and sorcery fantasy. The quintessential author here is J.R.R.Tolkien, with George R.R. Martin also hugely successful. Epic or high fantasies often involve a quest, so sometimes are called quest fantasy.

Bridging the gap between these two types of fantasy are fantasies involving a portal. Often the portal goes from Earth to the secondary world. C.S. Lewis' Chronicles of Narnia are a great example of this.

Back on Earth (also called the primary world), we can have superhero fiction or historical fantasy or weird fiction or science fantasy or insert_your_favorite_here.

What about fairytale fiction? It could occur on the primary world or a secondary world, so this one depends on the story.

Have I confused you? Sorry. The bottom line here at Electric Spec is we don't care what sub-genre your story is. Just send it in!

01 April 2014

tips from the slush pile

Happy Spring! Around here it finally feels spring-y. I hope it's the same where you are, or will be very soon.
We've been working hard to catch up on slush here at Electric Spec. Something that struck me recently is: authors need to be aware of market. Over the last nine (!) years we have created a specific 'zine. Consequently, as a potential author you should read at least a couple stories to know what we like. Every market is unique and if you submit a story incompatible with it your story won't get accepted no matter how good it is.

So, here are some tips about what we like with the caveat that this is not an exhaustive list:

  • Science fiction, fantasy, and/or the macabre! This is a requirement. We don't take non-speculative fiction.
  • You must have one or more specific characters. Requirement. He/she/it can be anything from a giant space butterfly to an ogre to insert-imaginative-idea-here. The character is who the reader identifies with. The character must have something to lose. We should probably know who/what the character is by the end of the first paragraph, definitely by the end of the first page.
  • Something should happen. I going to say this is also a requirement. There must be an external plot. Again, this should be evident by the end of the first page. Ideally, your character(s) should also have an internal plot/arc but this is not required.
  • You should show us what happens, not summarize or tell it. This generally means there should be dialogue. Put the reader in the scene. If you have no dialogue your story probably isn't for us.
  • Your story should have an original unique idea, concept, character, world, technology or something else. This means you need to read speculative fiction. You need to know that a man killing his wife/girlfriend has been done. The witch with a heart of gold has been done. The robot prostitute has been done. Vampires have been done.
  • Related to the above, your story needs to have a non-cliche opening. Do not open your story with the main character waking up. Do not open your story with a dream. Do not open your story with the protagonist riding in a car. Do not open with your character looking in the mirror (for that matter: never have your character look in a mirror or other reflective surface).
  • We enjoy genre mash-ups. We enjoy humor. We enjoy irreverent stuff (but nothing political).
  • We'd like to see more:
    • fresh epic/high fantasy--this would be epic/high fantasy with some kind of twist
    • macabre fiction--spooky rather than bloody
    • fresh urban fantasy--note this is probably not vampires, werewolves. Give us some other kind of creature.
    • hard science fiction--SF based on extrapolation of actual science
    • a unique voice--this is a huge hook when we get it
I guess that's it for tips for now.
Good luck with your writing!

25 March 2014

deep in slush

I hope you're still enjoying the marvelous March 15, 2014 issue of Electric Spec. I know I am. What's your favorite story or article? So many choices…

Unfortunately, our late publication of this issue means we are a bit behind with the upcoming marvelous May 31, 2014 issue. Thus, we are neck-, no, eye-deep, in the slush pile. What does this mean to you, our potential authors? It means we are a bit behind in letting you know if you advance to hold-for-voting or if you need to try again with another story. Sorry. :(
However, please do not email us and ask what the status of your story is. Despite having five(!) editors, we simply do not have the human resources to deal with queries about your queries.
Please also follow our submission rules outlined here.
Thanks! Following these rules makes things move along more efficiently.

Here's a little reminder of upcoming deadlines:

  • We close to submissions for the May 31 edition on April 15, 2014. Note: this is coming up!
  • We'll email all potential authors with a no-thanks or a hold-for-voting by approximately May 1, 2014.
  • We'll have our production meeting around May 1, 2014.
  • We'll email hold-for-voting authors by very approximately May 7, 2014.
  • We'll edit stories for the May 31 issue from approx May 7 through May 31, 2014.
  • We go live with the next issue May 31, 2014! :)
Of course, after April 15, 2014, we are accepting submissions for the August 2014 issue.

Happy Spring!

18 March 2014

Huzzah!

No doubt discerning readers have already gleaned the marvelous March 15 2014 Electric Spec issue is live! A resounding Thank you! goes out to our authors, our artist, the technical staff and our associate editors, Chris Devlin and Nikki Baird! We really appreciate everyone's contributions. Did you notice we're starting our ninth year of publication? So, can I also say: Nine years! We rock!

One highlight of the issue I didn't brag about earlier is the Inteview with Mark Lawrence by Editor Dave. Of course, Lawrence is famous for his novels The Prince of Thorns, King of Thorns, and Emperor of Thorns. Check out the interview to find out who inspired the evil Jorg, what's the scoop on the post-apocalyptic setting, the value of short story writing, and Lawrence's new series.

Huzzah!

11 March 2014

More enticements

It's almost here! The marvelous March 15, 2014 issue of Electric Spec. We just have to wait until Saturday…

As promised, here's some more enticements about what's to come. We have a very intriguing SF story, "Digital Rapture" by Charles Ebert. This raises the question: what is a person? What's a soul? A consciousness? Are we merely software? Could we run on another platform?

We also have "Butcher's Hook" by Van Aaron Hughes which is nice combo of horror and SF as you may have guessed from the title. And I have to say, it's pretty horrifying. What's the worst thing that a person could do? What's the worst thing that could be done to them?
Here, at Electric Spec we really enjoy multi-genre combos. Send us some!

We also have an urban fantasy "The Nightmare of Red O'Leary" by Vanessa MacLellan. I do love urban fantasy. Somehow the combination of our modern world with fantastic elements is very fun. The fun is evident in this story about a Red Cap fairy. Can you imagine how a Red Cap would manage in our world?
As of Saturday, you won't have to imagine!

Be sure to check out the new issue this weekend!

05 March 2014

Enticing details about the forthcoming issue

Wow. Our March 15, 2014 issue of Electric Spec threatens to be our best ever! Here are some enticing details...
We have a steampunk story, "The Family Tree" by Daniel Kason, in the next issue. Steampunk is a fascinating sub-genre of speculative fiction.
Wikipedia says, "Steampunk is a sub-genre of science fiction that typically features steam-powered machinery, especially in a setting inspired by industrialised Western civilisation during the 19th century." I believe the term was coined as a reaction to cyberpunk.
Kason's story is steampunk set in the present-day, which is an excellent twist on the genre.
We'd love to see more steampunk in subsmissions...

We have cover art by Ron Sanders. Readers may not know this about Sanders, but this will be the fourth time we've used his work. About the piece for the March 15 cover, Exodus, he says it is "Ethereal and philosophic." It sounds intriguing, right? Check it out!

Earlier, I blogged about Fiction Inspired by Fiction. More specifically, we'll be featuring "This is Just to Say" by Timothy Mudie. Be sure to read how Mudie turns this classic poem into a speculative fiction short story. Very nice! Also in the Fiction-Inspired-by-Fiction category we have my own "A Sea of Stars" inspired by Shakespeare's The Tempest in Editor's Corner. Does it work or not? You decide. :)

We have more stories and an exciting author interview also in the issue. I'll blog about them next week!

25 February 2014

originality via specificity

If you're a reader of Electric Spec you know we enjoy original stories. I mentioned recently we had some stories in hold-for-voting that seemed to be based on similar memes, so how did we chose between them? We chose the more original, more unique, more specific stories. The protagonist in a story should be the only possible protagonist that could be the actor in that story. This should be reflected in how he or she is described. Do not use height, weight, hair color, eye color, skin color, clothing. Use unique qualities. Similarly, avoid obvious metaphors, like the crack of dawn--they're too cliched. Do use similes and metaphors; they should be unique to the character(s), e.g. the yawn of dawn for a not-morning person.

The world in a speculative fiction story should be extremely specific, as well. Don't use bland adjectives like pretty. (World-building is a great place to use similes or metaphors--again, they should be unique.) Don't use any generic nouns. For example in your story don't use 'a guitar', use 'a Fender Jag-Stang,' or whatever's appropriate. Also, don't explain, never explain.

I'll get more specific about the next exciting issue of Electric Spec (coming March 15, 2014) starting next week!

18 February 2014

Fiction Inspired by Fiction

Fiction has a long history of being inspired by other literary works. This is true even in the speculative fiction realm. For example, one of my favorite novels of all time (no pun intended), To Say Nothing of the Dog (1997) by Connie Willis, was strongly inspired by Three Men in a Boat (To Say Nothing of the Dog) (1889) by Jerome K. Jerome. Interestingly, Jerome's novel is also mentioned in Robert Heinlein's Have Space Suit--Will Trav el (1958). As another example, I recently read Triggers (2012) by Robert J. Sawyer which seems to have been influenced by Arthur C. Clarke's Childhood's End (1953)--I'll let you read for yourself to see why I say this.

You may be wondering why I mention all this. Well, I'll tell you: our upcoming marvelous March 15, 2014 Electric Spec issue has two stories inspired by other famous literary works. One was inspired by William Carlos Williams' poem "This Is Just To Say". One was inspired by William Shakepeare's play "The Tempest." Of course, any story inspired by something else must stand on its own two feet; it must make sense whether you're familiar with the other work or not. If you are familiar with the reference work, it can add some lovely layers and complexity.

However, be careful not to let the other work overtake the story. In an early draft of the Tempest-inspired story the author was too slavishly following the plot of The Tempest. Readers raised important questions like 'Why is the Cal[iban] character so bad? Why's he trying to hurt the hero?' Once the author looked at the story with fresher eyes, it became clear the story could lose some of The Tempest influences and be stronger for it.

We'd enjoy reading more fiction-inspired fiction in the slush pile...

11 February 2014

tales from the production meeting

We had the Electric Spec production meeting for the March 15, 2014 issue recently. Folks with stories in hold-for-voting should have heard from us, or will hear very soon. If you made it into hold-for-voting you should congratulate yourself, no matter what happened.

We'd especially like to thank our Associate Editor Nikki Baird who helped us read stories. Thanks, Nikki! You rock! :)

At the meeting we had a spirited discussion about stories and what makes a story good. (Okay, we also had buy one get one free drafts.) Once a story makes it to hold-for-voting the competition is fierce.
Some thoughts:

  • One thing that makes a story really good is an emotional payoff, a resolution, at the end. This is hard to do without a clear protagonist; readers want to know who to root for. This protagonist needs to have a clear problem at the beginning of the story, needs to act to resolve it, needs to be changed at the end of the story. If things aren't different at the end of the story or if they're different because of another character's actions it is not as satisfying.
    Note: if one or more people die at the end of the story, it's difficult to make this satisfying.
  • The beginning and end of the story need to speak to each other and be consistent with the title. More specifically, the first paragraph should at least hint at the main story problem. The last paragraph should at least hint at the main story resolution. The title should reflect the core of the story (without giving it away) and not be peripherally related to it.
  • Authors, try not to be dazzled by a really neat world. In speculative fiction authors must create a new world, be it spooky, fantastic or futuristic. The world-building needs to serve the needs of the story, not replace the story. (See point one, above.)
  • Be original! If readers can guess what will happen in your story, it's not optimal. How do you avoid this? Read! At Electric Spec we definitely strive for originality.
  • Do not be political in your stories, at least for Electric Spec. It's not that we don't want to offend anyone, it's more that we don't agree amongst ourselves. And, ultimately, all the editors have to agree on a story in the end.
Yes, writing is hard. Good luck!

Stay tuned in the coming weeks for more info about the new issue!

04 February 2014

memes

Soon, we will have our production meeting for the next issue of Electric Spec and I'll give you an update about that. Stay tuned.
In the meantime, it occurs to me we have more than one story in hold-for-voting involving utilizing sentient creatures as food sources. This seems to be a rather odd coincidence--especially since these stories were submitted during the American holiday season including Thanksgiving, Hanukkah, Christmas, Kwanzaa and New Years. (!)

Furthermore, it's not the first time we've had such coincidences. The meme 'meme' is an intriguing idea. Wikipedia says, A meme is an idea, behavior, or style that spreads from person to person within a culture. A meme acts as a unit for carrying cultural ideas, symbols, or practices that can be transmitted from one mind to another through writing …or other imitable phenomena. Supporters of the concept regard memes as cultural analogues to genes in that they self-replicate, mutate, and respond to selective pressures.

Very cool idea! Our culture has definitely evolved over the years and possibly memes were the mechanism.
What do you think? :)

I think I will not be asking our authors what they did over the holidays...

28 January 2014

writing resolutions

We are working hard on the fabulous February 2014 issue of Electric Spec which will be published March 15, 2014. We have a lot of good stories in hold-for-voting so it promises to be another excellent issue. Stay tuned for more info about it in coming weeks.
Of course, we're currently accepting submissions for our marvelous May 2014 issue.

A lot of my writer friends have been telling me about their writing resolutions and goals for 2014. They are very impressive including such goals as finishing novels, publishing novels and the like. Wow! They also say sharing their goals makes them feel more accountable and hence more likely to complete their goals. I absolutely wish my ambitious writer friends the best of luck in achieving their 2014 goals.

I must admit, however, I'm not a fan of grandiose goals or resolutions, writing or otherwise. I prefer small daily assignments such as: write something new every day and every time you get a rejection, submit the piece somewhere else right away. I like assignments I can definitely complete. I guess I'm more like the turtle than the hare. But everyone's process is different. Go with what works for you.

How about it? Did you make a lot of writing resolutions and goals for 2014? Feel free to share in the comments.

Good luck with your writing in 2014!

21 January 2014

Narrative Prompt Story Glove

Rest assured we are working hard behind the scenes on the upcoming fabulous (March 15, 2014) issue of Electric Spec.

In the meantime, one of the founders of Electric Spec, Renata Baron Hill, suggested we blog about the Narrative Prompt Story Glove. It's used for brainstorming new stories. You can see a nice picture of it here: instagram.com/p/gXprv3jFgO.

Here are some highlights:

  • Grabber: Begin with an opening or sentence that hooks the reader.
  • Conflict: What problems or dilemma does the main character face in the story?
  • Action: Move the story along. What are 2 or 3 events that happen while trying to solve the conflict?
  • Solution: How is the conflict of the story finally solved?
  • Takeaway: Wrap it all up. What did the main character learn or how did his/her life change?
Good luck with your new stories!

14 January 2014

editorial miscellany

There's only a little more than 24 hours left until the deadline for the next issue of Electric Spec. Get those stories in! (And good luck!)

The editors are at differing levels of slush-pile completion. Consequently, some potential authors have gotten prompt responses and some have not gotten prompt responses. Editors are assigned stories randomly so don't read anything into this. The bottom line here is we will get back to you. Please do not email us for an update.

It turns out one of the editors has a book deadline at the end of February 2014, so we will be postponing the publication of the next issue to March 15, 2014. This is one-time-only publication postponement. The following issue will still be May 31, 2014. If you're interested in behind-the-scenes info, the production meeting is being pushed to the second week of February. :)

What else? We need art submissions for the cover. Please email us some art! See the info here: www.electricspec.com/submissions/submitting-art. We are also looking for an author interview. If you or someone you know has a speculative fiction novel coming out in the beginning of 2014, please let us know. I recommend you send an email to submissions at electric spec dot com, with the subject line: POTENTIAL INTERVIEW. Thanks!

Finally, a couple comments from the slush pile:

  • Don't randomly kill people. You wouldn't believe how many stories we get with murders. I suspect authors are shooting for macabre, but macabre is more spooky, more about subversion of reality and less about gore.
  • Don't start your story with pages of description. This might work for some markets, but not ours. Go ahead, check out our published stories, I dare you. :) Do any of them start with pages of description? No.

I hope your 2014 is going well and you're still on track for your writing-related resolutions.

07 January 2014

Asimov on 2014

Greetings! This is another friendly reminder that the next submission deadline for Electric Spec is January 15, 2014.
We are considering delaying the publication date until March 15, 2014. If we decide to do so, I will definitely let you know here.

Professor Emeritus James E. Gunn passed along the following very interesting predictions of 2014 by Isaac Asimov. It's getting a lot of interest on Huffington Post and elsewhere so I thought I'd pass it along even though it's long. I do love The Good Doctor. :)
Enjoy!

August 16, 1964
Visit to the World's Fair of 2014
By ISAAC ASIMOV
[T]he New York World's Fair of 1964 is dedicated to "Peace Through Understanding." Its glimpses of the world of tomorrow rule out thermonuclear warfare. And why not? If a thermonuclear war takes place, the future will not be worth discussing. So let the missiles slumber eternally on their pads and let us observe what may come in the nonatomized world of the future.

What is to come, through the fair's eyes at least, is wonderful. The direction in which man is traveling is viewed with buoyant hope, nowhere more so than at the General Electric pavilion. There the audience whirls through four scenes, each populated by cheerful, lifelike dummies that move and talk with a facility that, inside of a minute and a half, convinces you they are alive.

The scenes, set in or about 1900, 1920, 1940 and 1960, show the advances of electrical appliances and the changes they are bringing to living. I enjoyed it hugely and only regretted that they had not carried the scenes into the future. What will life be like, say, in 2014 A.D., 50 years from now? What will the World's Fair of 2014 be like?

I don't know, but I can guess.

One thought that occurs to me is that men will continue to withdraw from nature in order to create an environment that will suit them better. By 2014, electroluminescent panels will be in common use. Ceilings and walls will glow softly, and in a variety of colors that will change at the touch of a push button.

Windows need be no more than an archaic touch, and even when present will be polarized to block out the harsh sunlight. The degree of opacity of the glass may even be made to alter automatically in accordance with the intensity of the light falling upon it.

There is an underground house at the fair which is a sign of the future. if its windows are not polarized, they can nevertheless alter the "scenery" by changes in lighting. Suburban houses underground, with easily controlled temperature, free from the vicissitudes of weather, with air cleaned and light controlled, should be fairly common. At the New York World's Fair of 2014, General Motors' "Futurama" may well display vistas of underground cities complete with light- forced vegetable gardens. The surface, G.M. will argue, will be given over to large-scale agriculture, grazing and parklands, with less space wasted on actual human occupancy.

Gadgetry will continue to relieve mankind of tedious jobs. Kitchen units will be devised that will prepare "automeals," heating water and converting it to coffee; toasting bread; frying, poaching or scrambling eggs, grilling bacon, and so on. Breakfasts will be "ordered" the night before to be ready by a specified hour the next morning. Complete lunches and dinners, with the food semiprepared, will be stored in the freezer until ready for processing. I suspect, though, that even in 2014 it will still be advisable to have a small corner in the kitchen unit where the more individual meals can be prepared by hand, especially when company is coming.

Robots will neither be common nor very good in 2014, but they will be in existence. The I.B.M. exhibit at the present fair has no robots but it is dedicated to computers, which are shown in all their amazing complexity, notably in the task of translating Russian into English. If machines are that smart today, what may not be in the works 50 years hence? It will be such computers, much miniaturized, that will serve as the "brains" of robots. In fact, the I.B.M. building at the 2014 World's Fair may have, as one of its prime exhibits, a robot housemaid*large, clumsy, slow- moving but capable of general picking-up, arranging, cleaning and manipulation of various appliances. It will undoubtedly amuse the fairgoers to scatter debris over the floor in order to see the robot lumberingly remove it and classify it into "throw away" and "set aside." (Robots for gardening work will also have made their appearance.)

General Electric at the 2014 World's Fair will be showing 3-D movies of its "Robot of the Future," neat and streamlined, its cleaning appliances built in and performing all tasks briskly. (There will be a three-hour wait in line to see the film, for some things never change.)

The appliances of 2014 will have no electric cords, of course, for they will be powered by long- lived batteries running on radioisotopes. The isotopes will not be expensive for they will be by- products of the fission-power plants which, by 2014, will be supplying well over half the power needs of humanity. But once the isotype batteries are used up they will be disposed of only through authorized agents of the manufacturer.

And experimental fusion-power plant or two will already exist in 2014. (Even today, a small but genuine fusion explosion is demonstrated at frequent intervals in the G.E. exhibit at the 1964 fair.) Large solar-power stations will also be in operation in a number of desert and semi-desert areas -- Arizona, the Negev, Kazakhstan. In the more crowded, but cloudy and smoggy areas, solar power will be less practical. An exhibit at the 2014 fair will show models of power stations in space, collecting sunlight by means of huge parabolic focusing devices and radiating the energy thus collected down to earth.

The world of 50 years hence will have shrunk further. At the 1964 fair, the G.M. exhibit depicts, among other things, "road-building factories" in the tropics and, closer to home, crowded highways along which long buses move on special central lanes. There is every likelihood that highways at least in the more advanced sections of the world*will have passed their peak in 2014; there will be increasing emphasis on transportation that makes the least possible contact with the surface. There will be aircraft, of course, but even ground travel will increasingly take to the air*a foot or two off the ground. Visitors to the 1964 fair can travel there in an "aquafoil," which lifts itself on four stilts and skims over the water with a minimum of friction. This is surely a stop-gap. By 2014 the four stilts will have been replaced by four jets of compressed air so that the vehicle will make no contact with either liquid or solid surfaces.

Jets of compressed air will also lift land vehicles off the highways, which, among other things, will minimize paving problems. Smooth earth or level lawns will do as well as pavements. Bridges will also be of less importance, since cars will be capable of crossing water on their jets, though local ordinances will discourage the practice.

Much effort will be put into the designing of vehicles with "Robot-brains"*vehicles that can be set for particular destinations and that will then proceed there without interference by the slow reflexes of a human driver. I suspect one of the major attractions of the 2014 fair will be rides on small roboticized cars which will maneuver in crowds at the two-foot level, neatly and automatically avoiding each other.

For short-range travel, moving sidewalks (with benches on either side, standing room in the center) will be making their appearance in downtown sections. They will be raised above the traffic. Traffic will continue (on several levels in some places) only because all parking will be off-street and because at least 80 per cent of truck deliveries will be to certain fixed centers at the city's rim. Compressed air tubes will carry goods and materials over local stretches, and the switching devices that will place specific shipments in specific destinations will be one of the city's marvels.

Communications will become sight-sound and you will see as well as hear the person you telephone. The screen can be used not only to see the people you call but also for studying documents and photographs and reading passages from books. Synchronous satellites, hovering in space will make it possible for you to direct-dial any spot on earth, including the weather stations in Antarctica (shown in chill splendor as part of the '64 General Motors exhibit).

For that matter, you will be able to reach someone at the moon colonies, concerning which General Motors puts on a display of impressive vehicles (in model form) with large soft tires*intended to negotiate the uneven terrain that may exist on our natural satellite.

Any number of simultaneous conversations between earth and moon can be handled by modulated laser beams, which are easy to manipulate in space. On earth, however, laser beams will have to be led through plastic pipes, to avoid material and atmospheric interference. Engineers will still be playing with that problem in 2014.

Conversations with the moon will be a trifle uncomfortable, but the way, in that 2.5 seconds must elapse between statement and answer (it takes light that long to make the round trip). Similar conversations with Mars will experience a 3.5-minute delay even when Mars is at its closest. However, by 2014, only unmanned ships will have landed on Mars, though a manned expedition will be in the works and in the 2014 Futurama will show a model of an elaborate Martian colony.

As for television, wall screens will have replaced the ordinary set; but transparent cubes will be making their appearance in which three-dimensional viewing will be possible. In fact, one popular exhibit at the 2014 World's Fair will be such a 3-D TV, built life-size, in which ballet performances will be seen. The cube will slowly revolve for viewing from all angles.

One can go on indefinitely in this happy extrapolation, but all is not rosy.

As I stood in line waiting to get into the General Electric exhibit at the 1964 fair, I found myself staring at Equitable Life's grim sign blinking out the population of the United States, with the number (over 191,000,000) increasing by 1 every 11 seconds. During the interval which I spent inside the G.E. pavilion, the American population had increased by nearly 300 and the world's population by 6,000.

In 2014, there is every likelihood that the world population will be 6,500,000,000 and the population of the United States will be 350,000,000. Boston-to-Washington, the most crowded area of its size on the earth, will have become a single city with a population of over 40,000,000.

Population pressure will force increasing penetration of desert and polar areas. Most surprising and, in some ways, heartening, 2014 will see a good beginning made in the colonization of the continental shelves. Underwater housing will have its attractions to those who like water sports, and will undoubtedly encourage the more efficient exploitation of ocean resources, both food and mineral. General Motors shows, in its 1964 exhibit, the model of an underwater hotel of what might be called mouth-watering luxury. The 2014 World's Fair will have exhibits showing cities in the deep sea with bathyscaphe liners carrying men and supplies across and into the abyss.

Ordinary agriculture will keep up with great difficulty and there will be "farms" turning to the more efficient micro-organisms. Processed yeast and algae products will be available in a variety of flavors. The 2014 fair will feature an Algae Bar at which "mock-turkey" and "pseudosteak" will be served. It won't be bad at all (if you can dig up those premium prices), but there will be considerable psychological resistance to such an innovation.

Although technology will still keep up with population through 2014, it will be only through a supreme effort and with but partial success. Not all the world's population will enjoy the gadgety world of the future to the full. A larger portion than today will be deprived and although they may be better off, materially, than today, they will be further behind when compared with the advanced portions of the world. They will have moved backward, relatively.

Nor can technology continue to match population growth if that remains unchecked. Consider Manhattan of 1964, which has a population density of 80,000 per square mile at night and of over 100,000 per square mile during the working day. If the whole earth, including the Sahara, the Himalayan Mountain peaks, Greenland, Antarctica and every square mile of the ocean bottom, to the deepest abyss, were as packed as Manhattan at noon, surely you would agree that no way to support such a population (let alone make it comfortable) was conceivable. In fact, support would fail long before the World-Manhattan was reached.

Well, the earth's population is now about 3,000,000,000 and is doubling every 40 years. If this rate of doubling goes unchecked, then a World-Manhattan is coming in just 500 years. All earth will be a single choked Manhattan by A.D. 2450 and society will collapse long before that!

There are only two general ways of preventing this: (1) raise the death rate; (2) lower the birth rate. Undoubtedly, the world of A>D. 2014 will have agreed on the latter method. Indeed, the increasing use of mechanical devices to replace failing hearts and kidneys, and repair stiffening arteries and breaking nerves will have cut the death rate still further and have lifted the life expectancy in some parts of the world to age 85.

There will, therefore, be a worldwide propaganda drive in favor of birth control by rational and humane methods and, by 2014, it will undoubtedly have taken serious effect. The rate of increase of population will have slackened*but, I suspect, not sufficiently.

One of the more serious exhibits at the 2014 World's Fair, accordingly, will be a series of lectures, movies and documentary material at the World Population Control Center (adults only; special showings for teen-agers).

The situation will have been made the more serious by the advances of automation. The world of A.D. 2014 will have few routine jobs that cannot be done better by some machine than by any human being. Mankind will therefore have become largely a race of machine tenders. Schools will have to be oriented in this direction. Part of the General Electric exhibit today consists of a school of the future in which such present realities as closed-circuit TV and programmed tapes aid the teaching process. It is not only the techniques of teaching that will advance, however, but also the subject matter that will change. All the high-school students will be taught the fundamentals of computer technology will become proficient in binary arithmetic and will be trained to perfection in the use of the computer languages that will have developed out of those like the contemporary "Fortran" (from "formula translation").

Even so, mankind will suffer badly from the disease of boredom, a disease spreading more widely each year and growing in intensity. This will have serious mental, emotional and sociological consequences, and I dare say that psychiatry will be far and away the most important medical specialty in 2014. The lucky few who can be involved in creative work of any sort will be the true elite of mankind, for they alone will do more than serve a machine.

Indeed, the most somber speculation I can make about A.D. 2014 is that in a society of enforced leisure, the most glorious single word in the vocabulary will have become work!

31 December 2013

fictional dialogue better than real dialogue

Wow! The submission deadline for the Fabulous February 2014 issue of Electric Spec is approaching: January 15, 2014. Yes, that is just over two weeks away. If you're submitting: good luck!

I had some folks disagree with me about my comment from last week that fictional dialogue should be better than real dialogue, so let's talk about it some more. (Pun intended. Doh!) Fiction is supposed to be realistic, right? Realistic, yes. Real, no.
Have you ever taken the time to listen to folks talking around you, say, in a crowded place? Take a moment and do so. You'll hear a plethora of "um", "like", "so", "well", "yeah", and the like. :) Try transcribing it. Very little actual information is imparted. Probably several people talk with similar jargon, dialect, and vocabulary.

Dialogue should impart information and create character. Re. info: This is done by having one character tell another character something he/she does not already know. Do not use any "As you know, Bob's". Re. building character: This is also done by having each character utilize unique voice/jargon/dialect/vocab. Ideally, each character's dialogue is so unique you wouldn't need a dialogue tag.

Speaking of dialogue tags… You don't need more than one dialogue tag per paragraph. (Of course, you would never have more than one speaker per paragraph.) You should only use forms of "said" and "asked" in tags--because they're invisible to the reader. You don't need to tag all dialogue if there are only two people in the scene. You do need to somehow tag all dialogue if there are more than two people in the scene--this can be accomplished by the uniqueness mentioned above. You can also use what some people call "beats," small physical actions. Facial expressions also work here. But be careful with punctuation! I'm not talking about using beats as dialogue tags.
For example: "Hubba, hubba," he grinned. <--is not correct.
"Hubba, hubba." He grinned. <--is fine.

Good luck with your dialogue and everything else in 2014!

18 December 2013

the last Notes from the Slush Pile of 2013

I hope everyone's enjoying the holiday season. Here at Electric Spec we are going through the slush pile as part of our holiday celebrations. ;) Here are some things to keep in mind if you want to sell your story:
  • Do have correct spelling and grammar.
  • Do grab the editor with an intriguing or dramatic opening and/or title.
    Consider including:
    • An odd juxtaposition of people and/or events, e.g. The Emergency Sock.
    • Some telling narrative. Sometimes the first line of an excellent story is the author telling the reader something, e.g. Dying is so inconvenient.
    • A unique voice. (For an example here, read something by Connie Willis.)
    • A unique world (this is spec fic, after all).
    • A problem or conflict on the first page.
  • Do write a story that makes sense. Have a friend to read your story and then ask them what happened. If they can't tell you: rewrite.
  • Do create well-rounded characters. All characters should have both good and bad qualities.
  • Do write good dialogue. Reading dialogue out loud can help identify where it's awkward. Keep in mind fictional dialogue should not be the same as real-life dialogue. -->it should be better.
  • Do have a resolution to your story. Something has to be different at the end of your story.
  • If you include violence, earn it. By this I mean the reader needs to care about a character to care about their death or him/her committing violence. Think about the opening of a movie: if the first scene is someone being killed do we care about the victim or the murderer? Probably not. Violence for violence's sake isn't interesting.
  • Your suggestion here.
I welcome further suggestions in the comments.
Happy holidays!

11 December 2013

Narnia's Secret Code

Like most folks I assumed C.S. Lewis' Chronicles of Narnia were an allegory of the Christian gospels. Scholar Michael Ward makes a very compelling case that Lewis' Narnia books instead evoke the influence of each of the seven medieval planets in his book Planet Narnia: The Seven Heavens in the Imagination of C.S. Lewis.

The seven medieval or classical planets were the Sun and Moon and the five non-earth planets of our solar system closest to the Earth: Mercury, Venus, Mars, Jupiter, and Saturn. Notice these form the seven days of the week: Sun-day, Moon-day, Saturn-day, and in Latin: 'Martis' (Mars, Tuesday), 'Mercurii' (Wednesday), 'Iovis' (Jupiter, Thursday) and 'Veneris' (Venus, Friday).
Neat!

Each of these heavenly bodies was believed to have certain attributes, and Ward says that these attributes were de liberately used by Lewis to furnish elements of the stories of each book:

  • in The Lion the Witch and the Wardrobe the child protagonists become monarchs under sovereign Jove
  • in Prince Caspian:The Return to Narnia they harden under strong Mars
  • in The Vouage of the Dawn Treader they drink light under searching Sol
  • in The Silver Chair they learn obedience under subordinate Luna
  • in The Horse and His Boy they come to love poetry under eloquent Mercury
  • in The Magician's Nephew they gain life-giving fruit under fertile Venus
  • in The Last Battle they suffer and die under chilling Saturn
What do you think? Agree? Disagree?
I think I've got some rereading to do!

03 December 2013

what's your favorite?

By now I hope you've realized the new November issue of Electric Spec is out.

Eric Del Carlo brings us a story about a boy who flies in "At Wave's Ebb." In "A Page of Skulls," Tony Peak tells a dark tale of a dark and magnificently strange world. On the lighter side, Fredrick Obermeyer's "The IUD that Landed in Grandpa's Backyard" show us the humorous side of first contact. "Discarded" by Miranda Suri is an artistic urban fantasy with a dash of crime. And, finally, our debut author Steve Rodgers shows his stuff with an exciting backwoods cyber-thriller, "Cortex." For our special features, our spec-tacular movie critic Marty Mapes takes a look at "hard" science fiction movies making a comeback at the box office. Huzzah!

We also have a very interesting Editor's Corner entry from Editor/Author Betsy Dornbusch on "Gender Equality in Science Fiction and Fantasy Fandom and Industry." Huzzah, again!

What's your favorite? They're all so good, I can't decide. :)

26 November 2013

urban fantasy coming Nov 30

The next fabulous issue of Electric Spec is almost here! I'm excited, how about you? The final two stories I'd like to brag about are two urban fantasies: "Discarded" by Miranda Suri and "At the Wave's Ebb" by Eric Del Carlo. Both of these are set on contemporary Earth and have speculative elements.

In "Discarded" modern art comes to life to help (or not) a man come to terms with his issues. Why's it titled "Discarded"? You'll just have to read it and find out. We've published Suri before. You can find her story "The New Arrival" here.

In "At the Wave's Ebb" an unusual man also has to come to terms with his issues. How's he unusual? What issues are these? Again, read it to find out. :) We've also published Del Carlo before. Check out his story "A Crowd of Possibilities" here.

A couple weeks ago I was remiss in not linking to Fredrick Obermeyer's previous story for us. Check out "The Coincidence Factory" here. We actually have another Obermeyer story, "Birth of a New Day" here. Clearly, we like Obermeyer. Hopefully, you do too.

Please check out all the new stories on November 30 2013!

Thank you in advance to all the behind the scenes folks and all the contributing authors. We couldn't have done it without you. Huzzah, for you! :)

19 November 2013

a high fantasy coming Nov 30

Among our excellent new Electric Spec stories coming out on November 30, 2013 is "Page of Skulls" by Tony Peak. This story has some horror elements, but I'd say it's high fantasy. What is high fantasy, you ask? High fantasy is usually set in an imaginary totally fictional or "secondary" world. High fantasy does not occur in any version of our real "primary" world.
We published a high fantasy story from Peak before. Check it out here while you're waiting for the new issue.

Of course, the subdivisions of fantasy literature are many. Closely related to high fantasy is epic fantasy. Epic fantasy is fantasy that is defined by the epic nature of the characters, plot, and/or themes. Notice most epic fantasy is also high fantasy. Famous examples here include the classics The Lord of the Rings, The Chronicles of Narnia, A Song of Ice and Fire.
Interestingly, we don't get a lot of high or epic fantasy stories. Think about submitting one, if you've got one or an idea for one.

Probably the most popular kind of fantasy these days is urban fantasy. I said the other day that urban fantasy is a fantasy set on contemporary planet Earth. Notice it definitely does not have to be set in an urban area--this is a common misconception. Urban fantasy takes place on our world; it just has fantasy element(s) added to it. Next week I'll discuss a couple urban fantasies we'll be publishing in the next issue.

Check back then! :)

13 November 2013

rural science fiction

I'm not sure how it happened but the marvelous new November 2013 issue of Electric Spec has two stories, which for lack of a better term, I'm going to call rural science fiction.
They are:
  • a scary near-future story "Cortex" by Steve Rodgers which will make you think differently about video games and
  • a hilarious present-day (?) story "The IUD that Landed in Grandpa's Backyard" by Fredrick Obermeyer.
Both stories take place in rural areas and have characters that are not, shall we say, classically educated. The characters have distinctive dialogue with lots of regional slang. I'm not sure I've ever come across this sub-genre before but I know you all will enjoy the stories.

It raises the interesting question of sub-genres. Last year I got my M.F.A. in Writing Popular Fiction and extensively studied the different genres and sub-genres associated with speculative fiction. One very popular sub-genre now with readers and writers is urban fantasy. Urban fantasy is not necessarily what it sounds like, however; it doesn't have to be set in an urban area. Urban fantasy is set on the contemporary Earth and fantastical elements are just added in.
Hhm. Based on the concept of urban fantasy, maybe the stories in question should be classified as urban science fiction...

You'll have to read them on November 30, 2013 and decide for yourself. :)

05 November 2013

the November 2013 production meeting

Our production meeting got off to a rocky start as our regular meeting place was packed and asked us to wait for a long time for seating. Ugh. So, we left and went to another place down the road where margaritas and beers were buy one, get one free. Huzzah! Suffice it to say, this is our new regular place. :)

We, The Editors, try to be as objective as possible with our story selection. Thus, before the meeting we each rank the stories in hold-for-voting on a numerical scale. Interestingly, our pre-meeting rankings were very different this time. It didn't bode well... But when we discussed the stories we ended up with just five that were 'still in the mix', five stories that we all enjoyed, were original, and showed a mastery of craft. Viola; the stories in the issue! We've never had such a harmonious meeting. I'll blog more about the stories a little later in the month. Purely by coincidence (we don't consider the query letters or author names in our objective rankings), four out of five authors were folks we've published before. I don't know if that's good or bad, but it does seem to indicate we like what we like. Also in the issue Editor/Author Betsy will have an interesting essay in Editor's Corner. We've also got some neat art in the works. As we close out our eighth (!) year at Electric Spec, it promises to be another excellent issue.

We'd like to thank our awesome Associate Editor Nikki Baird for her help with the infamous slush pile: Thanks, Nikki!

So, what's next for the November 2013 issue? All the authors who submitted by the October 15, 2013 deadline have been contacted with a yay or nay. If you haven't heard from us, we probably didn't get your story. :( Once we hear back from the 'yay' authors, we start editing their stories and setting up the new issue on our Content Management System. Once we edit the stories, we send them back to authors for their approval, or if needed, for rewrites. Rinse and repeat as necessary. And then it magically all comes together by the end of the month...

31 October 2013

scary stories

To tide you over until we publish our next Electric Spec scary story, check out: 12 novelists tell their scariest bite-size stories.

Happy Halloween!

30 October 2013

working...

We, The ElectricSpec Editors, are working hard behind the scenes. I'll post an update about the new issue next week.
In the meantime, Happy Halloween!

22 October 2013

and yet more notes

One we thing we love here at Electric Spec is originality. We want to read your original unique stories. Since there are no new stories this can be a bit tricky. For now, I'm going to focus on 2 different aspects that can impart originality:
  1. What you write.
  2. How you write it.
By "what you write" I mean the external plot. For example, vampires are not original. Men killing women is not original. What would we like to see? Epic fantasy that does not involve a quest. Macabre that does not involve killing people. Another avenue to originality is a mash up of two (or more) genres.
Note: ideally this external plot is echoed in the main character(s) internal plot arc. Think about what character can best tell this story; which character would have the most to gain or lose. I hate to use TV examples, but here I go: On the new show "Masters of Sex" the protagonist is an impotent shame-filled man who cannot seem to enjoy sex. This is the man who is studying sex. Would another character be as compelling? I think not.

How you write your story can make a rather tired plot fresh again.
In general, authors should be as specific as possible, especially for nouns. Don't refer to 'a guitar', refer to 'a Gibson SG' (or whatever is appropriate). Create a unique world. Always paint your story picture through the protagonist(s) lens. Descriptions should be from the character(s) perspective. Adjectives like 'beautiful' are relatively meaningless; how is it beautiful to the character?
If you've noticed I'm using the words 'character' and 'protagonist' a lot here, this is no accident. A unique character can make a tired plot fresh. A little girl assassin was fresh (the first time we saw it).

Another way to impart originality in the 'how you write' vein is voice. This concept is more difficult to pin down but it is the combination of vocabulary, sentence length, paragraph length, tone, and all the other writerly tools used to create a story. I've blogged about voice before here:V is for Voice and here:Spec Fic Tools II: Voice.
Good luck creating your unique story.

In the coming weeks I'll start blogging about the new November 2013 issue. Stay tuned for that. :)

21 October 2013

read for our future

Just a heads up about a great lecture by Neil Gaiman in The Guardian last week: Why our future depends on libraries, reading and daydreaming.

16 October 2013

more notes from the slush pile

By now, the deadline for the neat November issue of Electric Spec has passed. But, never fear, you can still submit--for the fabulous February 2014 issue.
We have started working behind the scenes on the November issue. We've been reading a lot of slush. I have some tips. I freely admit these are for our market. I apologize because many of these I've given in years past but apparently they're still needed. Thus, without further ado...
One Editor's tips:
  • Do proofread your piece for spelling and grammar issues. We do not expect your piece to be perfect, but we do expect it to be readable. Note: MSWord's spelling and grammar tools are not sufficient.
  • Do use forms of said or asked for dialogue tags. I'm not kidding. I went to a writers conference last month and I asked every professional literary agent and editor I met about this, and they all agreed: said or asked only. They also said it's even better if you can give dialogue without needing a tag, i.e. use distinctive vocabulary or cadence or other unique ways of speaking for each character.
  • Do include a speculative element integrated into your story. If we can't find a speculative element, we won't be publishing it even if it's a very good story. If it seems like you stuck on the speculative element after the fact, we won't be publishing it. How can you tell if it's "stuck on"? If you take the speculative element out, the story should fall apart.
  • Do include originality. Please try to put a unique twist on your story. I can't tell you how many stories we've read where a man kills his wife or girlfriend (or wife and girlfriend). I can't tell you how many vampire stories we've read. I can tell you it is extremely difficult to write a fresh vampire story.
  • Do write the story only you can write. (Yes, this is related to originality, above.) What are you passionate about? What intrigues you? Put it in a story!
  • Do have a protagonist.
  • Do have conflict.
  • Do have a story resolution. This can be a success or a failure. This can even be the emergence of a new conflict. The point is: something must change.
I guess that's it for now. Back to the slush pile for me...

08 October 2013

notes from the slush pile

We are starting to work hard behind the scenes on the neat November issue of Electric Spec. Personally, I've been reading a lot of slush... Here are some thoughts in no particular order.
  • Re. the cover letter:
    • Don't tell us to go to your web page to learn more about you. In general, don't order us to do anything. It makes us grumpy.
    • Don't write a looong cover letter. We don't care what happened to you in the 1980s, or the 1990s, for that matter. If you have dozens of publications, just pick the top five or so and emphasize those. When we pick your story we will ask you for a bio for our Authors page.
    • Do give us your name, the title of your story, and its word count. The genre would also be nice. Although if you get the genre wrong...this is not a plus.
    • Do not give us a summary of the story. If we can't tell what it's about, a summary in the cover letter isn't going to help you.
  • Re. story length:
    • IMHO, it is really, really difficult to tell a story in less than 1000 words. Despite the current popularity of flash fiction, I've almost never seen it done well.
    • At the opposite extreme, while we do accept stories up to 7000 words... Does your story really need 7000 words? As an editor, I get pretty tired around about 5000 words. In the vast majority of cases, stories that contain 7000 words only need ~5000 words. Please carefully consider this.
  • Re. format:
    Do follow our formatting rules: here. The main points are:
    • rtf format
    • in an attachment
    • double-spaced
    • 12 pt font
    • not a weird font. We like Times New Roman or Courier.
That's it for now. Good luck with your writing. We look forward to reading your story! :)

01 October 2013

Ocean at the end of the Lane

I read an interesting book recently, The Ocean at the End of the Lane by Neil Gaiman. In Ocean the nameless adult protagonist returns home to Sussex for a funeral, wanders onto his old neighbors' property and recalls a childhood adventure. It's a beautifully-written engrossing, terrifying adventure to be sure.
For a fantasy, there are some delightful references to modern science such as wormholes, alternate dimensions, the Big Bang and the like. Neat! But ultimately for this reader it was a sad story, seeming almost autobiographical, even while describing mythical powerful creatures.

All in all, I'm not sure I got this book. The protagonist seems to be remembering his childhood to gain some secret power/weapon/knowledge but he immediately forgets. Moreover, the reader's told he has remembered and forgotten it before. Apparently the protagonist--and by extension all adults (?)--are doomed to ignorance and powerlessness. Or...?

What do you think this book is about?