Thank you, authors! Thank you to our artist!
Thank you to the whole Electric Spec team!
Thank you, readers!
We hope you enjoy this issue as much as we did.
Thank you, readers!
We hope you enjoy this issue as much as we did.
I've always loved dragons, ever since I first picked up a copy of Dragonsong by Anne McCaffrey. At some point I started to develop my own idea of what dragons are - less lizard and more air elemental, great spirits of magic and mystery. These dragons are hoarders, true, but also curators and archivists; their collections are specific and lovingly tended. They are shapeshifters, and choose to be somewhat humanoid in their dealings with humans, as that is more convenient for whatever meddling they want to get up to. They bring magic into the world by their very existence (in much the same way that good stories do).
Of course, dragons are their own mythology, and they are regarded differently throughout the world. In western folklore they are often seen as terrible beasts who steal virgins and burn crops and eat livestock. In eastern folklore they are more likely to be friendly or helpful spirits. In either case they come into the epic tale, bringing a might and magesty that you don't find with pixies or dryads or even unicorns, for the most part. Dragons have bigger tails, erm, tales. The Aurelian is a creature of epic battles, mischief, and an age of history beyond human scope... and yet she dips a wing into this handful of pages about Rukmini, who wants nothing more than a peaceful life as a librarian and researcher.
Stories, like dragons, can shift their shapes unexpectedly. But as humans, especially as authors, we also have choices in how we shape our own stories, whether we tell them as epic adventures or quiet reflections. We may not always control the narrative, but we can choose our focus, and sometimes the details we latch onto make all the difference between tragedy or comedy, laughter or tears, loss or learning. May you curate your library brilliantly, whatever shape your stories take.
“Gilmore” is essentially the product of a good prompt gone bad. I was participating in the NYC Midnight 500-word micro-fiction challenge, and the prompt called for a comedy that involved a dozen eggs and washing a dog. I immediately thought of how washing my own dogs is a chore—for all of us—and how, at times, I could swear they time their shaking to get me the most soaked. As a writer who is most comfortable in the speculative world, the idea came to set the story in a post-apocalyptic world on a spaceship. The narrator’s voice flowed somewhat naturally in my head, and I saw him surrounded by all these animals with differing personalities and idiosyncrasies. And then I thought, “The animals MUST be in charge. Because, truly, we are doing a crap job taking care of this planet.” Over time, I expanded the story from its original 500-words but still saw it as a flash piece. I have ideas for additional short pieces about these characters and this world. Maybe even a novel down the road. Who knows? Here’s to Laika and her revenge!
We had an interesting discussion at the meeting about tone. You may or may not have noticed the tone of Electric Spec. If not, feel free to read some of our many FREE stories! The bottom line is: Electric Spec has a specific tone and it is not Grimdark. In fact, it might be the opposite of Grimdark! Anyway, different markets have different tones.
Please submit your art appropriately--for your best chance of success!
We'll start blogging about the new issue soon. Stay tuned!
Next week I'll tell you what happened at the Production Meeting.
We are reading the stories in the slush pile. Different editors have different processes. Some like to read a few stories every week. At the opposite extreme, some like to power through many stories in one sitting. Obviously, in the first scenario each story gets a lot of individual attention. In the second scenario, it's easier to compare stories with one another. In all scenarios your story will have a better chance if it grabs the reader right away.
Of course, editors have their own idiosyncrasies. Personally, I'm not excited about stories over 5,000 words because they're extra work for us in terms of editing and formatting, etc. Each editor enjoys different genres. I enjoy time travel tales and quantum fiction. But, don't worry, we all enjoy good stories.
Bottom line: if you submitted a story: Thank You! And Good Luck!
Many of the Electric Spec editors have been, or are, members of Rocky Mountain Fiction Writers (RMFW).
We are excited about the 2024 anthology "Without Brakes, Fingers Crossed" which will be published September 7, 2024 and will include a story by the fabulous Paolo Bacigalupi!
Read all about it on the March 8 RMFW blog,
A woman walks into a bar in New Taichung, Callisto…
Mirjana settled in at the Jammed Neck Ring, where a human bartender served. His braided red-blonde beard reached his belt. As she sat, he asked, “Perhaps you would like to try Quevedo Reposado Tequila?”
A group of New Mexico professional SFF authors, under the banner of Turquoise Apocalypse, meet once a month to critique. The quote above is from my novel that’s currently in search of a literary agent, but when it was under critique, Rebecca Roanhorse (Between Earth and Sky Trilogy) took issue with the scene above. “Would they really have tequila on the moons of Jupiter?”
Fair point. Tequila is made from blue agave, which takes an average of ten years to mature before it can be harvested for tequila production. It needs mineral-rich soil and a semi-arid climate that’s not excessively hot. The highest quality blue agave is grown in the state of Jallisco, Mexico where the altitude is around 5,000 feet, a major contributor to the necessary mild clime.
So, Rebecca had inspired me to write about the fictional Quevedo dynasty: centuries-long growers of agave and distillers of tequila. And Liquor Royalty. In the background of “Family Roots, Family Thorns,” the Quevedo family packed up the business when Earth’s climate made growing agave naturally beneath the skies impossible. Instead of going underground with climate-controlled greenhouses to scratch profit from a dwindling earth market, the Quevedos struck out for the Outer, where the market was untapped. Some genetic tweaking with the agave gave it maturity in two years.
And so the story begins with trouble in the dynasty, when the father chooses an heir to the fortune. And genetic engineering isn’t confined to the crop. It's employed in bizarre and contemptible ways during this brother-against-brother family war. And the effects stretch beyond what either brother predicted.
So, enjoy a shot of Quevedo Tequila, “…a little sunshine makes all the difference.”
Thank you, readers!
We hope you enjoy this issue as much as we did.
Back when I was in college, I studied French. Now that I've been out of college for a number of years, I wanted to pick up the language again. There's a magazine that specializes in easy articles in French for native English speakers. Each issue focuses on a specific region of France or overseas French territory. One issue focused on Réunion, an island in the Indian Ocean. It featured an article about the postal carriers. Because Réunion is so remote, the mail carriers there walk their entire routes, almost a hundred miles a week.
I found this fascinating. The article focused both on the rigors and dedication of the postal carriers as well as the natural beauty of the land and the connection the carriers have to the people they serve. Me being me, I immediately thought of Fairy and what a postal carrier in some of the wilder regions of Fairy might encounter. I also remembered the dedication of my local postal workers during the pandemic. I wanted to honor them with something a little lighter, because many of my stories focus on heavier topics such as loss or loneliness. I'm pleased with how "Neither Snow nor Rain nor Gloom" turned out.
Without further ado, let's take a sneak peek at the piece:
So, anyway one of our editors is currently working with one of our authors on a story ending. We'll see what they come up with...
What's your preference for a story ending?
Authors should hear back from editors with a yay or nay this week. (Many of these emails have already gone out.) Please check your spam or junk folders. If you got an acceptance, please email us back ASAP because the February issue has a short turn-around. Once we hear back, we will start editing stories. This may involve multiple back-and-forths with authors.
After we get a final story version with the author, the story still has to go for proofreading. And, then, we pass the story off to the tech team.
We also add the authors' and artist's bios to the website and write the Letter from the Editors. And hopefully, we'll get some fun blog entries to post right here later in the month.
If everything goes smoothly, the authors and artist will get paid on February 27, 2024. We will publish on Feb 28--we haven't missed a deadline yet!
Check back here next week for more info about the fun new issue!
In the meantime, here are some takeaways from our recent slush pile...
The submission period for the fabulous February 2024 issue of Electric Spec has passed. If you submitted: Thank You!
The editors are all hard at work doing their reading. Stay tuned for more info later in the month.
Stay warm!