29 August 2017

from Author Stehman

We're excited to share some comments from author Jeff Stehman about his upcoming tale "A Familiar and Her Wizard."

I'm a member of the Codex Writers Group, and as with most of my flash fiction, this story was written for one of our internal contests. We're given 54 hours to write a story based on at least one of five prompts. We're not allowed to do any writing on a contest story before the prompts are given, but we can contemplate what kind of story we'd like to write. In this case, I got myself in a whimsical "wizard's tower" mood.

When the prompts were posted, "Who is the satellite?" jumped out at me. The question implies two characters (at least in flash fiction). Who else is in a wizard's tower? A familiar. What kind of relationship could a wizard and familiar have such that it's unclear who is the satellite? Oh, yes, this could get whimsical.

Usually we're well into day two of a contest before I have enough of a story in my head to start writing, but this one gelled quickly, and I was typing words within a few hours.

Another prompt was the delicious "How dark can you go?" While I didn't embrace that one, it did inspire me to add a hint of sinister to Maggie. She obviously loves her wizard, but by the end we know there's more to her than cuddles and sunbeam naps. If only we knew what that more was...


Thanks, Jeff! Very interesting!

24 August 2017

from Author Phillips

Author Roderick Phillips gives us some enticing hints about his upcoming fantasy "Karda Burns."
I speculate on the nature of gratuitous evil, and also on the loneliness--for elf and man--of being lost in one way or another in the often harsh urban landscape. The story takes place almost entirely in darkness, shot through with emotions colored the pensive blue of reflection and the electric blue of pain and ferocity.
Thanks, Roderick! Very interesting!

Be sure to check out this story and the rest of the Electric Spec issue on August 31, 2017!

22 August 2017

from Author Dawson

We're excited to present some remarks from author Robert Dawson about his upcoming story "Ada: Or, The Limits of Logic."

As everybody knows, Ada Byron (later Lovelace) designed software for Charles Babbage's Analytic Engine, or at any rate wrote about it. But, as just about everybody knows, the Engine never got built. How frustrating! Her life went downhill, with uncooperative racehorses reputedly making things worse. She died of cancer in her thirties.

One of my goals in writing "Ada: Or, The Limits of Logic" was to imagine her as a romantic heroine - that didn't take a great deal of imagination. Another was to imagine a world big enough to allow her to do the great things that she probably dreamed of - swashbuckling, and with plenty of opportunities for women. And a third was to root it in reality as well as I could.

Ada's own family background needed little work. Her father, Lord Byron, really did flee the country after a series of scandals - and probably was the father of his half-sister's child. She had an affair with a tutor at seventeen, and tried to elope with him.

It's easy to imagine the man she did marry a couple years later -- William, Baron King -- as some "tenth transmitter of a foolish face" and intellectually far below her. Au contraire: I was fascinated to learn that, later in life, he became a Fellow of the Royal Society, an honor that was not given out lightly even to the nobility. A few years after their marriage, he was created "Earl of Lovelace and Viscount Ockham." "Lovelace" was after an extinct title that had been in Ada's family, but why the insignificant village of Ockham in Surrey? The apparent tip of the hat (or coronet) to the philosopher and logician William of Ockham (1287–1347), the inventor of the principle known as "Occam's Razor", seems too good to be a coincidence, and does suggest some interest in logic. William, in my story, is a combination of the anonymous tutor and Ada's eventual husband.

As for Martha, Mr. Rumbolt, and the redoubtable Mrs. King - I couldn't find them, so I had to make them up myself. I hope you like all of them.


Thanks, Robert! Very interesting!

15 August 2017

behind the scenes production

We're working hard on the awesome August 31, 2017 issue of Electric Spec. Last week we had our production meeting. Things went pretty smoothly; our current group of editors has definitely figured out how to make issue decisions. Editors do advocate for their favorite stories and usually end up editing them if they're successful.
If your story made it into hold-for-voting you should have heard back from an editor with a thumbs-down, if relevant. We're still sending out a few of the thumbs-up. Thumbs-ups get a congratulations email with a contract and a request for a bio and some optional wise words for the blog. Stay tuned for these wise words right here in August.

Once we hear back from authors about the contract, we start the hard work of actually editing the stories. This can be as simple as a few minor grammar/spelling suggestions all the way to a rewrite. Of course we don't ask authors to change story essences. We wouldn't have bought the stories if we didn't think they were good. Editing is all about making the story the best possible version of itself. Editors work with authors to make this happen.

The final stage of production is creating the web pages for the issue. We've gotten a pretty good handle on this as well over the years. All that's left is final author approvals and publication. Yay! We relish the new issue, appreciating and savoring all the great new stories.

Of course, then, the whole process begins again, starting with slush...

Check out the new issue on August 31 2017!

08 August 2017

slush tips: speculation

I believe the Electric Spec Editors have recently finished with slush. Please note we rarely keep a story longer than a hundred and thirty-five days because of our quarterly production schedule. Each issue accepts submissions for approximately ninety days (three months). Our production schedule then takes approximately forty-five days (a month and a half). This means if you sent us your story within the ninety-day August-2017-issue submission window, you should have heard 'No, thanks,' or 'We're going to hold this for voting,' from us by now. If you haven't heard, resubmit.

One unique thing to speculative fiction is some kind of speculative element. Every story we hold-for-voting has a speculative element. By speculative element I mean an element of fantasy, science fiction, and/or macabre horror. This could be characters such as: elves, witches, vampires, werewolves, secondary-world royals, aliens, robots, AIs, ghosts, murderers, etc. Or, it could be situations, e.g. what would happen if we got immortality? Or, it could be setting, e.g. outer space or a spooky haunted mansion. The point is: there must be some kind of speculative element. If not: rejection. Sorry, not sorry.

Once in a while we get a story in which we can't tell for sure if it has a speculative element, e.g. alternate histry (is it alternate enough?). Those we just have to take on a case by case basis. Those sometimes cause arguments at the production meeting.

Anyway, rest assured we are working hard on the awesome August 2017 issue. Stay tuned for more info!

01 August 2017

slush tips: plot

We are still in the thick of it behind the scens at Electric Spec. We're still reading slush. Sadly, we can't give 'no thanks' authors critiques. So here I continue to give some tips I wish I could give authors directly.

A crucial story element especially for speculative fiction is an external plot. Notice this is genre-dependent. Mainstream or literary fiction might not necessarily have an external plot. I'd be surprsied if it didn't have an internal plot associated with it, however. This would be some kind of internal change in the character. Good speculative fiction should also have an internal plot.

So what is external plot? This is what I'm calling: the character has a problem, the character accepts or rejects the call to action, the character does something resulting in something being different in the external world. The external world difference can only be with regard to the character, that's fine. So, the bottom line for authors is: if I read your story and nothing is different at the end...I am most likely going to pass. :(

Another tip: it's very difficult to have a successful external plot without any dialogue. So if your story has no dialogue it is a red flag for me. If you don't have dialogue you are probably telling a story rather than showing a story. That's a perfectly effective way to convey a story--but not how we convey stories at Electric Spec.

We are accepting submissions for our final issue of 2017. Send us your stories!

25 July 2017

slush tips: character

We're working hard behind the scenes at Electric Spec. FYI we will be a little slower finishing up slush than usual. We will be a little slower getting back to hold-for-voting authors than usual. (Sorry!)

IMHO the most crucial element of a short story is character. Every genre of short story must have at least one character. The character has a problem. This can be a very small problem, such as a pimple or an exploding water balloon, or a very large problem such as an exploding universe. Then, the story is the character acting to solve the problem (or refusing the call).

There's a lot of debate about whether a character has to be sympathetic or not. I say, nope, the character doesn't have to be sympathetic. But the reader must be able to empathize with him/her/it. The reader must be able to put themselves in the character's shoes (or whatever). This is because a story is really a collaboration between the author and the reader. And, in general, the goal of a story is to evoke an emotional response in the reader. How do we engage the reader? By creating a realistic character.

Stories that make it into our hold-for-voting pile have characters that grab our attention. This can be achieved by a unique perspective/way of thinking, unique experiences, an especially dire or relateable problem, or insert-your-neat-idea-here. There are as many ways to create an effective character as there are writers. When I finish a story, if I can answer the question 'Who was the character and what do I think of him/her/it?' it's a very good sign. If not...

18 July 2017

in the thick of it

The deadline for the August 2017 issue has passed. (We are accepting subs for the next issue--November 2017.) If you got your story in: THANK YOU!

Wow! We editors are in the thick of it, working hard on the awesome August 2017 issue of Electric Spec! We're currently carefully going through the slush pile. If you're not familiar with the terminology, slush pile refers to the stories authors send us. We are very grateful for the slush pile. For each issue of Electric Spec we get hundreds of stories submitted so it's a big job to go through them all. There are five editors that work their way through these submissions, and stories are assigned randomly to said editors. Each editor then decides to reject or hold-for-voting their assigned stories and send the author a relevant email.

Since we publish four issues a year this means we never take longer than three and a half months to decide on a story. Thus, if you ever send us a story and don't hear back within three and a half months something went awry. (Frankly, you should just send it in again. Querying us just slows down the whole process.)

Once we get through the slush pile we make ranked lists of the stories in hold-for-voting, I compile a ranked master list, and then is...The Production Meeting. I'll tell you more about that in August. Next week stay tuned for more slush tips. In August we'll start bragging about the upcoming issue with, hopefully, some author blog posts.

11 July 2017

tips from the slush pile

The submission deadline for the Awesome August 2017 issue of Electric Spec is approaching: July 15, 2017.

In the meantime, we've started going through the slush pile in earnest. Thus, I have some tips:

  • Do proofread your story. We don't reject automatically for a few grammar, spelling errors...but if there are a lot of errors we probably will.
  • Do show your story, rather than tell it. To be honest, this is a market-dependent issue. At Electric Spec we do want some showing. Showing is being in the 'now' of the story. Often it involves dialogue and/or in-the-moment thoughts and/or actions.
  • Do have a story resolution. This is also market-dependent; some markets prefer ambiguous endings. We do not. We prefer something to have changed.
  • If you have death in your story, earn it. I can't tell you how many stories we get where a male creature kills a female creature. If I don't identify, emotionally connect, with one of these characters as a reader...who cares if he/she/it dies? Not me.
  • Do write with a unique voice. Voice is tricky to define but involves everything: subject, tone, word choices, sentence lengths, punctuation, plot, characters, similes and metaphors, everything. Your fiction should be unique to you.
  • Do be creative. We'd love to see more mash-ups of traditional fantasy/sf/horror tropes, steampunk, magical realism, nonlinear chronologies, liminal fiction, your_creative_idea here.
Get those stories in!

04 July 2017

Celebrate!

I'm a believer in celebrating small victories. I just finished a chapter! Woo hoo! So, if you just submitted a story for the awesome August 2017 issue of Electric Spec, if today is a holiday, or if insert_your_achievement_here ...Celebrate it!

27 June 2017

summer pages

Welcome to summer! When a writer's fancy turns to ...pages. ;)
Summer can be filled with opportunities for writers. Yay! Summer can also be filled with distractions for writers. Boo! One writer friend of mine recently completed some pages while on vacation. Kudos, to you, writer! Another of my writer friends has to deal with her kids out of school in the summer. She has to be very organized to get her pages done. Kudos, to you, writer!

Whatever your personal situation, good luck producing pages!

The submission deadline for the next issue is fast approaching: July 15, 2017. Send us those summer pages.

20 June 2017

summer reading

It feels like summer here in the U.S. Rocky Mountains and in summer my thoughts turn to ...reading. It's probably a legacy from having summer vacations off of school, but I've always done extra reading in the summertime. How about you?

I made a list of books I'd like to read and consulted my local library. Lo and behold, they had most of them. I picked many of them up and have been happily reading ever since. (And, yes, libraries are awesome--but that's a post for another time.)

If you are frugal like me, there's another excellent source of free fiction. Yes, you guessed it: Electric Spec. We have twelve years of super stories posted! They are all still there. For example, one of our first stories, ever, was "Stanley Kubric Channels Cheech and Chong" by Bruce Golden.
Check out the archives! (And let me know of any bad links.)

Send us your story, and who knows? Maybe someone will read it online in summer 2029!

13 June 2017

toot toot!

We aren't ones to toot our own horn, but Electric Spec is pretty popular. (Okay, so now, apparently, we are ones to toot.)
We've had a few different hosters so I don't have stats for our entire run of the ezine. But, so far this year, we've had approximately 29,183 visits and 95,989 hits. W00t! This is neat because it means authors and artists get eyes--and we're all about getting recognition for our authors and artists. And sharing awesome creative content, of course! We love our readers.

As an indicator of the ezine's popularity, I do have the stats for the blog's entire run. And they're pretty nice:
Pageviews all time history: 586,531.
I also love that we're international. Check out the graphic below:


Send us your stories!

06 June 2017

issue zeitgeist

I'm still enjoying the marvelous May 2017 issue of Electric Spec and I hope you are, too. :)
Even after twelve years, it's a little remarkable to me that each issue seems to achieve its own unique zeitgeist. I'd say the zeitgeist of this new issue is competition. We have two stories "Northwest Regional" and "Corporate Robo Renegade Piston" which are explicitly about competition. The other three stories also have competitive elements of the 'good versus evil' variety. Even Nikki's review has a 'love versus hate' dichotomy.

Of course, art isn't created in a vacuum... Is competition in the air in our human zeitgeist? I think it is. I'm happy that authors can capture that zeitgeist and use it in constructive ways.
And I'm grateful that we at Electric Spec can share the results of that creativity with the world at large.

We're accepting submissions for our awesome August 2017 issue. Send us your stories!

31 May 2017

Live, we are!

Wowsa! It's here! We're live with the brand new issue of Electric Spec!
Thanks to the authors, our artist, all the editors and behind-the-scenes folks! Huzzah for you! You rock!

Thanks also to the readers! You rock! We wouldn't exist without you.

What's your favorite story?
I'm still pondering...

30 May 2017

Cover Art!

The marvelous May 31, 2017 issue of Electric Spec is almost here! As a sneak peek, here's our cover art by
Brian Malachy Quinn: may 2017 cover
Evocative, right?
Check it all out tomorrow!

23 May 2017

more attractions

You've already heard about Mark Salzwedel's speculative fiction tale "The Axe" and Maureen Bowden's fantasy "The Dratt is Coming" but we have some other marvelous stories in our May 2017 issue of Electric Spec.

Nicholas Sugarman will be sharing "Corporate Robo Renegade Piston" which puts a totally new spin on corporate competition! We'll also feature "Justice Enough" by Eric Lewis, a fascinating look at justice in a fantastic world. Finally, there's "Northwest Regional" by John Sunseri, another fantastic competition, like none you've seen before...
Hmm, I may be sensing a trend here. :)

As usual, we'll showcase some fabulous original art. There will also be a fun entry in Editor's Corner from Nikki Baird.

Be sure to check it all out May 31, 2017!

16 May 2017

from Author Bowden

We will be publishing a fantasy "The Dratt is Coming" by Maureen Bowden in our next issue. Maureen was kind enough to say a few words about her inspirations and motivations...

Hello, Electric Spec readers,
My story, "The Dratt is Coming", is a product of my love of history and mythology. The protagonist, Gwenllian, the orphaned child of Prince Llywelyn ap Griffith and Eleanor de Montfort, was dumped in a monastery by Edward I. I decided to rescue her, transport her seven hundred and thirty years to the present day, and give her a life. The Dratt can be interpreted, if you wish, as a metaphor for any one of the many scourges that threaten us in the precarious twenty-first century. I've also drawn a comparison between the murkier aspects of the Internet and the Trojan Horse. I hope you enjoy my story and I hope it makes you laugh. That’s my main purpose in writing.
Love, Maureen.


Thanks a lot, Maureen! We appreciate your contribution.
You can read "The Dratt is Coming" starting May 31, 2017 at Electric Spec.

09 May 2017

from Author Salzwedel

One of our marvelous May 2017 stories will be "The Axe" by Mark Salzwedel. Here's what he has to say about it...

"The Axe" is one of my rarer attempts to write humorous speculative fiction. There was an illustration on the Hit Record site asking for people to write about an axe-wielding character. I used that as a prompt and wondered what it would be like to receive a magic axe that had been passed down for generations in secret.

I have been fascinated with time-travel for quite a while now. I have been playing around with a variety of theories I've read about. They have me teetering between the multiverse option and the conservation of matter and memory/immersion considerations. In "The Axe," I opted for memory retention but immersion. Let me explain the possibilities:

One of the enduring problems of time travel theory we often refer to as The Grandfather Paradox. If you go back in time and kill your grandfather, would you poof out of existence? Would you go on existing without a grandfather in your past, either in this universe or another you created when you modified history?

The multiverse explains quite a few of the paradoxes. When you go back in time, you don't go back into your history. You go back into a history in which you popped out of existence in your pre-travel present and appeared as an older man to the you native to that time. If you go back prior to your birth and kill your grandfather, it doesn't matter because the one who provided the DNA for your parent still lived long enough to bear children in the timeline you left. Important to note: you will have created a timeline in which you really ruined your grandmother's life.

Other theorists have suggested that on returning to the past, you would simply enter the awareness of yourself at that earlier time. It's sort of a memory transplant. The earlier you suddenly is aware of his or her future life. Instead of creating a new universe, you go back in time like a do-over. This is called immersion, because you enter the past as yourself at that time, not as a new visitor. Some theorize that going into the past leaves you gradually or instantaneously with no memory of your future. In that case, traveling to the past is useless, because you are unlikely to do anything differently.

I'm working on a non-sequential novel called "Time Bump." In that universe, time travel paradoxes are common, and you create a new timeline every time you enter the fourth dimension. It defies another time travel paradox, which is often called "first cause." In the story, the main character starts time traveling because a much later version of himself time traveled, making him so invaluable in the future that he was rescued from the shorter-term future when he was about to get killed. In rescuing him, his future saviors create a "time bump," or a paradox that causes him to start time traveling in the past.


Very interesting, Mark. Thanks!
You can read "The Axe" at Electric Spec starting on May 31, 2017.

02 May 2017

production meeting

As promised here's what happened at the recent Electric Spec production meeting...
First of all, the meeting got postponed because of a blizzard in metro-Denver! Yikes! When we finally got together the snow had already started melting, the sun was shining, and we were all glad to get out of the house. All the editors had finished reading slush and had ranked their stories from top to bottom. I compiled a list of story totals and sent it out. A few stories we all really liked. We started at the top of the ranked totals and discussed. It took very little time to pick out five stories and some art work for the issue. Editors end up editting stories that were at or near the top of their individual ranked lists. We discussed some other Electric Spec business and that was about it for business. Easy-peasey.

We also had a discussion about rejection. All the editors are creative people and understand what's involved in submitting creative work. As creators we well know the disappointment of rejection. That's part of the gig. As editors we're sad we can't accept everything. So, if your story was rejected, you can take a little solace in knowing your story was publishable. It just wasn't a good fit for this particular issue. We empathize. Rejection sucks! But good luck in the future.

Folks who had stories in hold-for-voting (and you know who you are because you received an email already) should receive an email today or very soon with the decisions. If we selected your story, you will also receive a contract. Please look over the contract and other info in the email and get back to us soon. Once we receive the signed contract back, we'll start editting.

And we do edit. Authors need to be able to take some feedback. We do not rewrite your story. We make suggestions. In our twelve years of existence I think one time the editor and the author couldn't agree on story edits and we went our separate ways.

We also ask for bios, webpage links, etc. which we post on the Electric Spec website under Links. We've been asking creative folks for comments for this blog (Right here!) as well. Please consider telling us about your creative process!

So, stay tuned right here. I'll start blogging about the upcoming marvelous May 31, 2017 issue next week!