30 July 2019

l’arrière de la scène

Hi there! The Electric Spec Editors are hard at work on the awesome August 31, 2019 issue. I thought I'd give you a look l’arrière de la scène ...

We've finished reading slush for this issue. I think everyone who submitted has received at least one email. If you haven't heard from us, it's possible your story was lost in cyberspace. (Sorry!)
Now, we're working on the hardest part of the issue process: picking the stories. Generally, all the stories that get into hold-for-voting are publishable. So, if you've made it in there: congrats! Each editor ranks the stories in hold-for-voting from best to least-best.

I must admit, this process is subjective. Up until now, I try to be very objective; a good story is a good story. But when you have several good stories how do you pick between them? I think you have to be subjective. For this particular editor what goes into this ranking?

  • Number of words. Stories between 1500-words and 4500-words are my favorite length.
  • Less ick factor. If I'm grossed out or feel horrible after reading a story, I'm less likely to pick it.
  • Less common genres. If the story is from a genre we get rarely, I'm more likely to rank it higher. What would be an example of this? Steam-punk. Any of the obscure genres I blogged about in the last month.
  • Beautiful writing. This will entice me no matter what.
  • A very grabby opening paragraph.
  • Quantum physics and/or time travel. My favorite genres involve quantum physics and/or time travel. So, they do tend to end up higher on my list.
  • Don't offend me. Anything sexist or racist will be at the bottom of my list.
If your story doesn't match up with the above list too well, don't worry! There are a bunch of other editors...

Next time: I'll tell you about the Production Meeting!

23 July 2019

entre bastidores

As you know, we closed submissions for the awesome August 31, 2019 issue of Electric Spec July 15, 2019. Consequently, we are working on the issue entre bastidores. We received many, many lovely speculative fiction stories. Thank you for sending us your stories!

All the editors are currently going through slush and sending out rejection emails or notices of hold-for-voting.

Here are some recent sugestions I've gleaned:

  • Do send us your file as an attachment in the correct format (rtf).
  • Do send only one story at a time.
  • Do include a brief cover letter.
  • Do proofread for grammar and spelling issues. A few mistakes aren't a big deal, but a lot of mistakes will get you rejected.
  • Do obey our word-ount rules, namely, 250-words to 7,000-words. A further tip: it's difficult to tell a story in less than a thousand words. Another tip: a story with more than 5,000-words makes editors tired; if your story is over 5,000-words make sure you need all those words!
  • Grab the reader (aka the editor) on the first page. Short stories don't work with 250-plus words of setup--at least at this market.
  • Do set the scene on the first page. As a reader, I don't want to be confused about where we are and/or who or what is there.
That's it for now. Next time, more entre bastidores!

16 July 2019

fabulism

The deadline has passed for the awesome August 2019 issue of Electric Spec. If you got your story in: Thanks! If you didn't get your story in: consider submitting for the notable November 2019 issue. :)

In our continuing series of obscure sub-genres of speculative fiction, today we consider fabulism. Fabulism is a form of magical realism in which fantastical elements are placed into an everyday setting. If you're thinking that sounds like magical realism, I agree. Some people consider fabulism to be a type of literary, rather than genre, fiction. In this context, Gulliver's Travels, Alice's Adventures in Wonderland, and Life of Pi would be considered fabulist.

In my graduate studies of popular fiction the consensus was fabulism is a bridge between fairy tales and magical realism. Magical realism is more real than fabulism. Fabulism is more real than fairy tales. Make of all that what you will.

Bottom line: send us your magical realism, your fabulism, or your fairy tale. We enjoy them all!

What's your favorite obscure sub-genre of spec fiction?

09 July 2019

Fairy Tales

We've all read fairy tales and know they often involve fairies (!), dwarfs, dragons, gnomes, goblins, and other similar fantastic folk. "Wait a minute," you're saying. How does this differ from fantasy? Doesn't fantasy involve stuff like gnomes, trolls, elves and the like? Yes, it does.

Fantasy, or fantastic fiction, is any kind of fiction with fantastic (not realistic) elements. It's worth noting fantasy is not based on reason or rationality. There should be some element of irrationality, such as magic.

Epic fantasy is sub-genre of fantasy with some element of epic-ness: setting, plot, or similar. Often it involves the whole good versus evil battle. Often there's a quest. High fantasy is differentiated from this by focusing a little more on character than on plot. Often there's one main protagonist. Both epic and high fantasy usually involve a secondary world--an imaginary world. Not our modern planet.

Fairy tales, then, have many similar elements of epic and high fantasy. Fairy tales are also called magic tales or wonder tales and are based in myth and/or folk tales. The main thing that differentiates fairy tales from other fantasy is the element of fable, namely, a moral lesson. There's a huge literary trove of fairy tales from Cinderella, to the Little Mermaid, Snow White, Ali Baba and the Forty Thieves, etc. Consequently, there have been many fun modern riffs on all aspects of these tales.

Consider sending us your fairy tale before the upcoming July 15, 2019 submission deadline for the awesome Auguest 2019 issue of Electric Spec.

02 July 2019

magical realism

Magical realism is another genre that's a little difficult to pin down. One possible definition is: modern-world fiction with magical or fantastic elements added. Often it's quite liminal, just on, or over, the boundary of the fantastic. Sometimes, the prose itself can be distorted or unreal in some way, e.g. utilizing nonlinear time.

Traditionally, its goal has been to make the reader question reality, to make some point (often political or social) about reality. I think this intention is crucial for something to be classified as magical realism. Of course, the most famous magical realism novel is One Hundred Years of Solitude by Gabriel Garcia Marquez. Latin American literature has a rich history with magical realism.

How do you create it? One way is to create a story with a very detailed realistic setting and let the strange invade. This strange could be fable or folk tale brought to life. Alternately, it could include supernatural powers such as telepathy or telekinesis. You begin to see how this could be difficult to differentiate from straight fantasy.
What do you think? What is magical realism? What's the best way to create it?

Consider sending us your magical realism story before July 15, 2019 if you want to get in our awsome August 2019 issue!

25 June 2019

slipstream fiction

There's a relatively new genre of speculative fiction called 'slipstream.' Author Bruce Sterling is credited with first defining it in 1989, It is a contemporary kind of writing which has set its face against consensus reality. It is fantastic, surreal sometimes, speculative on occasion, but not rigorously so. It does not aim to provoke a 'sense of wonder' or to systematically extrapolate in the manner of classic science fiction. Instead, this is a kind of writing that simply makes you feel very strange; the way that living in the late twentieth century makes you feel, if you are a person of a certain sensibility. Supposedly, slipstream falls between speculative fiction and mainstream fiction, so it's a sort of spec-fic 'lite.'

On the other hand, authors John Kessel and James Patrick Kelly say it's less about genre, rather, cognitive dissonance is what slipstream is all about. I've read quite a bit of fiction by Kelly Link that is considered slipstream. It's lovely. :) What do you think? What's slipstream? Who does a good job with it?

Whatever it is, we'd be happy to get some at Electric Spec. The deadline for the amazing August 2019 issue is July 15, 2019!

18 June 2019

similarities and differences: short stories and novels

I'm judging a novel contest right now while working on Electric Spec slush. So, I've been noticing the differences between short stories and novels. And, no, I'm not talking about the obvious one: length. :) In some ways short stories are similar to novel chapter ones and in some ways they're very different.

Today's short stories must grab the reader on page one. It's even better if they grab the reader in paragraph one, or, ideally, line one. There are myriad ways to grab the reader, some of which I mentioned here last week, including unique voice, engaging character, dramatic problem, etc. The pace of a short story often builds until the end of the story, the climax, and then relaxes in a short denouement.

Today's novels must grab the reader by the end of chapter one. Chapter one usually begins by setting the scene, introducing main character(s), building the world a little. The pace of chapter one usually increases until the end. Thus, ideally, chapter one ends with a dramatic cliffhanger. Obviously, what this cliffhanger is depends on the genre. In a murder mystery, for example, usually it's a body drop.

An effective writerly trick in both is an initial sentence of telling. For example, It was the best of times.... Another effective writerly tool in both is referencing other literary works either explicitly or implicitly. Literature has a long tradition of self-reference.

Whatever you're currently writing: good luck with it!

11 June 2019

so many stories...

We've started working on the awesome August 2019 issue of Electric Spec. I've been reading some of the many stories we've received. Wow! It seems like we're getting more and more really good stories! Thanks! Thus, instead of a list of 'don't do' from slush, I have a list of 'do do.' :) In your story:
  • Do start with a unique voice.
  • Do start with an engaging character.
  • Do start with a dramatic problem.
  • Do start with some amazing world-building.
  • Do start with some intriguing and realistic dialogue.
  • Do start with your_awesome_idea_here.
Thanks for sending us your stories! And keep them coming!

04 June 2019

Hurray for us!

We're still enjoying the fabulous May 31, 2019 issue of Electric Spec! Hip, hip, Hurray!
How about that nice cover art, huh?

What's your fave story? Tar? Krarg the Barbarian vs. the Afterlife? A Mouthful of Mushies? Zhai Chengda's Wife? Kill Screen? Pride Goeth Before A Fall? Garder L'Equilibre?

We enjoyed them all and hope you did, too!

31 May 2019

from Author Rodenhausen

On May 31, 2019 we will be featuring Evan Rodenhausen's excellent story "A Mouthful of Mushies." Here's what he has to say about it:

Let’s talk about how lazy I am.

Every day, without fail, I think about writing. I think about it while I’m at work, I think about it while I’m going for a run, I think about it while I’m reading. I think about it with the same fear and reverence that I imagine inhabits the minds of the devoutly religious. It is, in a sense, a religion for me.

And yet, I come to it with reluctance. Writing is a daily habit for me, but that doesn’t mean it’s easy or even compulsive. Not so much the act of writing itself—once I’m in the zone, fuggedabout it—but the commitment to sitting down for one or two or three hours and putting words on a page and banging out a story. I have to hype myself up, give myself space, build up the mentality like I’m laying the foundation of a house. Maybe it’s fear of failure, or a sense of incompetence, or just a side-effect of my constantly restless mind.

But I like to think it’s laziness.

It’s the same thing before I go for a run, or write a paper, or meet someone for dinner. I find all of these things fulfilling and enjoyable—but why do them when I could nothing! And so we come to this story, “A Mouthful of Mushies”, which the editors at ElectricSpec have so graciously agreed to publish. Change is hard. Laziness can creep into your life under the guise of habit or routine—I like to run the same five-mile loop four days a week, go for dinner at the same three or four places, and write about the same sorts of people (men) in the same sorts of situations (despair).

See where I’m going with this? You can be active, you can be social, you can go through the routine and the self-hype and sit down and write for two hours every day and still be lazy. If you’re not growing, I feel, you’re being lazy.

And that’s fine. Sometimes you want to be lazy, sometimes it’s good for you to be lazy. But when I handed a friend another story of mine about another dude in another bummer of a situation filled with vague supernatural elements he said, “It’s fine, but why don’t you try something different?”

“What do you mean?” I said.

“I don’t know. Write about women. Something different.”

Ok then. I don’t think “A Mouthful of Mushies” is a great story by any means, but I do think it’s solid. More than that, I’m proud of it. It forced me to try something new, put me in a foreign land, and made me grow. Writing, as much as any other formative influence in my life, has shaped who I am today. But like your parents or your hometown or your life experiences, they shouldn’t limit you. You should grow with them, learn from them.

This story is for Ryan Flynn, who made me a better writer without even realizing it.



Very interesting! Thanks, Evan!
Check out "A Mouthful of Mushies" and the other stories now!
Electric Spec.

We're Live!

The marvelous May 31, 2019 issue of Electric Spec is live! Woo hoo!

Thanks so much to all the authors!

Thanks so much to all the Electric Spec staff.

And, especially, thanks so much to all the readers!

Woo hoo!

30 May 2019

from Author Johnston

On May 31, 2019 we will be featuring Andrew Johnston's excellent story "Kill Screen." Here's what he has to say about it:

The Twilight Zone is perhaps my favorite show of all time, and time has only magnified my appreciation for it. There's a simplicity in the show that's often absent in comparable genre anthology shows, including its own revivals. Absent the effects and production values of movies (or for that matter, modern prestige TV), The Twilight Zone sold itself on the fundamentals of live visual storytelling, especially writing and acting.

A great example of this dynamic - and one of my personal favorite episodes - is "A Game of Pool," starring Jack Klugman and Jonathan Winters in, to quote Rod Serling, "the story of the best pool player living and the best pool player dead." This is a thirty minute program with few distractions - two actors, one simple set, a plot that's laid out in its entirety within the opening minutes. From that point on, everything is presented through dialogue and camera angles, and the creators needed nothing else.

If you're going to steal, steal from the best. "Kill Screen" is one of several stories I've written that are based on Twilight Zone episodes, and is one of my favorites. It is not a direct one-to-one adaptation, nor is it meant to be. The aesthetics of an arcade are very different than those of a pool hall, and they attract very different crowds. "A Game of Pool" was a quiet, isolated match between two men with that isolation adding to the suspense, whereas "Kill Screen" uses the growing crowd and chaos to generate a different sort of tension.

"Kill Screen" is also one of my longer stories, mainly because as I wrote it I found myself bringing more and more outside references. Aside from being a Twilight Zone homage, it is also a love letter to retro video games. Some of those references are obvious - the cabinet itself, with its deadly legacy, is a reference to the 1980 game Berzerk, and the antagonist bears more than a slight resemblance to recently disgraced arcade icon Billy Mitchell. As I wrote it, though, I had a hell of a lot of fun dreaming up colorful figures for Jimmy's list of victims, who constitute a Cavalcade of People Who Take Video Games Too Seriously (a list that includes Jimmy himself, though he's too egotistical to acknowledge that).



Very interesting! Thanks, Andrew!
Check out "Kill Screen" and the other stories on May 31, 2019!

28 May 2019

from Author McKeever

On May 31, 2019 we will be featuring Tim McKeever's excellent story "Pride Goeth before a Fall." Here's what he has to say about it:

I don't know about you, but I find that there are few things more pedantic than reading an author's description about his own composition, inspiration and intent. You often end up with a self-congratulatory piece that is more about revisionist history than the true creative process. I offer Poe’s The Philosophy of Composition as a case in point. In an effort to avoid pomposity -- which I've already failed to do by using the word pomposity -- I generally shrug off questions about the creative process. Why be a jerk when you don’t have to?

And yet here we are.

I tried to explain Pride Goeth before a Fall to a colleague at work. I've done similar things in the past, and it always goes the same way. I start by explaining the tenants of hardboiled crime and what writers were doing in the 40s with detective fiction. People are generally interested and might even be familiar with The Maltese Falcon or The Big Sleep. I tell them that I like the style and borrow from it. By way of explanation I might explain the scene of the story, in this case an upper class brothel hidden in an ordinary suburb. This may elicit a few questions or comments, and the conversation progresses. After some further niceties, I casually mention that my main character is a demon. Moments later I'm alone at the water cooler.

Belial as a main character in a hardboiled story sounds ridiculous when you say it out loud. I get that, but stick with me. The heroes of hardboiled crime are men and women that do the right thing in an uncaring world that doesn't acknowledge their efforts. This style of storytelling avoids simple solutions of clear morality, looking instead at the complexity of the human condition. The best outcome may not always be a fairy tale ending, but it’s better than the alternatives presented by the narrative. Hardboiled heroes are real people with real problems. They fight their personal demons, but try to do what’s right. Who better to tell that story than a demon himself?

The rest fell into place with the usual sort of influences: TV, film, books, media, popular culture. If you have a character you like, build the rest of the story from your own interests. It really is that simple. If it connects with you, it will connect with someone else. Beg, borrow and steal to create something unique. Poe would like you to think it's more complicated than that, but take a look at his personal history. Is there any wonder he wrote the works that he did? If a literary great couldn't escape his influences, what hope do the rest of us have? In the end, my message is a simple one that doesn't require a rambling essay with a shot of self-aggrandizement.

Put simply: shut up and write.



Very interesting! Thanks, Tim!
Check out "Pride Goeth before a Fall" and the other stories on May 31, 2019!

21 May 2019

from Author Foster

One of the excellent stories we'll be featuring on May 31, 2019 is "Krarg the Barbarian vs. the Afterlife" by Luke Foster. Luke sent us some thoughts...

Comedy is a funny thing, no pun intended.

I've written and drawn comic strips and comic books for almost 11 years now, and most of them were comedies. Comedy and comics have gone hand-in-hand for almost a century, and they will continue to do so as long as comics are made.

But writing prose comedy is a much different beast. Instead of relying on visuals to help sell (or, in some cases, be) the joke, you need to work with the reader's imagination and really have a knack for language to make the laughs come to life. Writers like Douglas Adams, P. G. Wodehouse, and even Robert B. Parker had a real aptitude for writing and comedic timing, and not only were they gifted with those skills, but they made it look effortless, too. That, in many ways, takes just as much talent.

As much as I love comedy, this is actually the first humorous prose piece I've written. When I'm working in this medium, I tend to lean towards crime, horror, and other, darker genres. This story, though, just had to be a comedy. The moment I was given the challenge "write a story about death that isn't negative or grim" was the moment Krarg the Barbarian was born. I may not be Adams, Wodehouse, or Parker, but I hope you get as many laughs reading this story as I did writing it.


Very interesting! Thanks, Luke!
Be sure to check out this story and all the others on May 31, 2019.

14 May 2019

from Author Knighton

We're pleased to feature the excellent story "Zhai Chengda's Wife" by Andrew Knighton in the may 31, 2019 issue of Electric Spec. Andrew tells us...

The Inspiration Behind Zhai Chengda's Wife:

One of the toughest things we can do for something we love is to acknowledge its faults. Whether it's tolerating your partner's snoring or recognising that eating a whole cheesecake will expand your waistline, it's tough to accept that there's bad mixed in with the good. But when it comes to writing fiction, acknowledging those problems gives us a chance to grow.

I love steampunk fiction, and I'm terribly aware of one of its biggest problems - that it's very Eurocentric. As a genre, it's usually focused on the achievements of the western world, particularly Britain, to the exclusion of other societies. There's nothing wrong with stories set in London, Paris, or for the more adventurous the Wild West. But steampunk can be so much more, and thinking about that inspired me to reach further afield for a setting.

Historically, China has been responsible for many of the world's great inventions, from gunpowder to the printing press, and that makes it a natural location for a steampunk story. Inspired by the industrial achievements of Song Dynasty China, I created a world in which the Chinese Empire has made great leaps forward, including airships and rocketry, and is dominating its neighbours. Not everyone wants to bow down before a great power, and a nation on the borders is intent on resistance. But when your opponent is a military giant, more subtle forms of resistance are needed, and so a tale of spies and diplomacy begins. This is the story of Zhai Chengda’s Wife.

Many details in this story are extrapolated from real life. From the military manuals to the political conflict, everything has its roots in something from our world. This isn't a story about the world as it was, but perhaps it's a world as it could have been. And if it adds to the variety of those steampunk unrealities, then I'll consider my work well done.


Thanks, Andrew! Very interesting!
Be sure to check out this story and the others May 31, 2019!

07 May 2019

May 2019 Production Meeting

We, the Editors of Electric Spec, had our in-person Production Meeting recently. Yes, in the Star Wars Day/Cinco de Mayo/Kentucky Derby/Game of Thrones/Avengers craziness we still managed to get together. At a cidery, no less! At least this time we didn't have to contend with hundreds of golden retrievers.

Meeting face-to-face goes back to when the 'zine first started fifteen (!) years ago. We fight it out in person, each promoting our favorite stories submitted for the issue. There were an unusual number of finalists this time. We feel blessed to have so many writers share their art with us. Thank you for sending us your stories!

By now, hopefully, everyone who made it into hold-for-voting will have heard back from us with either a 'Yay!' or a 'Nay!' We're all writers so we know it is annoying/depressing to receive a rejection. If you received a reject from us: Sorry! But you can take heart that your story is publishable. Yay authors need to send back the contract and paypal info to get the editing process going.

I'm hesitant to say it, because something could go wrong, but it looks like we will be publishing six spec fic stories in the marvelous May 31, 2019 issue!

So, stay tuned right here for info from featured authors in the coming weeks.
Woo hoo!

30 April 2019

hard at work!

We, the Electric Spec Editors, are hard at work on the next issue. The good news is we have lots of awesome stories to choose from. The bad news is we have lots of awesome stories to choose from.

I better get back to it.

Next week I'll let you know what happened at the production meeting...

23 April 2019

show and tell

All the editors are hip-deep in slush, getting ready for the marvelous May 31, 2019 issue of Electric Spec. None of us like to do it, but we do have to reject stories. To avoid this, I have a tip...

As kids we are asked to "tell a story." In creative writing classes, student-authors are often told to "show, don't tell." And, experienced authors know "there are no real writing rules." If all this seems contradictory to you, it's because it is!

When I'm reading slush, however, I look for authors who show and tell. Moreover, I look for authors who show and tell on the first page. This usually means some kind of scene-setting (telling) and some kind of dialogue (showing). The telling could be describing characters. The showing could be in-the-moment protagonist thoughts/reactions. This could be _your_idea_here_. I don't care what the showing and telling are, but the combo usually leads to effective storytelling.

In addition, savvy writers know the writerly trick: use telling in the first sentence. Think of some of the most famous first lines, e.g. "It was the best of times, it was the worst of times..." or "I am an invisible man..." I'm sure you can think of other examples.

Send us your showing and telling stories for the August issue!

Soon, we'll start discussing the marvelous May issue!

16 April 2019

As you know, Bob

We are hard at work on the marvelous May 31, 2019 issue of Electric Spec. (The submission deadline was yesterday, April 15. But you can submit now for the August 2019 issue.) We are going through the slush pile.

I recently read a story that had quite a bit of 'As you know, Bob...' dialogue. This is a crutch whereby the author is telling the reader something in the story that the characters already know. It reads as very unnatural and stilted. For example, "As you know, the lizard king hatches from an egg, so we are going to look for the egg cache." Don't do this. It's a variety of info-dump.

It's so easy to avoid! Just make one or more of your characters more ignorant. :) For example, "Where are the lizard eggs?"

A good way to test for this is to read only your dialogue out loud. Does it sound like a conversation? Does it make sense? Does it impart needed information? If not, consider trimming it.

We'll start bragging on the new issue is about two weeks...

09 April 2019

Politics of all kinds

The submisison deadline for the marvelous May 31, 2019 issue of Electric Spec is coming up soon: April 15, 2019. Get those stories in!

I was reading slush and an author inadvertently (I assume it was inadvertent) offended me with politics. As I'm using the word, politics can cover a myriad of topics from Democrats and Republicans in the USA, other political entities in other countries, to different religions, to various companies (Coke versus Pepsi, anyone?). Authors don't necessarily know an editor's affiliations. Thus, authors run the risk of offending them when they write a story with a negative slant to one 'political' party. Bottom line: I rejected that story.

What's a poor writer to do? Use his/her imagination! We are talking about fiction here, folks. I have no problem reading a negative story about the Remocrats or the Depublicans, for example.

Of course, writing is a creative endeavour, so if your story demands 'political' negativity, go for it. Just don't try to sell it here.

Good luck with your stories, positive or negative, political or apolitical!

02 April 2019

Earn Your Death

The submission deadline for the marvelous May 31, 2019 issue of Electric Spec is right around the corner: April 15, 2019! Get those stories in to be considered for this issue.

We've started going through the massive slush pile. (Thank you for sending us your stories!) I've got a tip...

Earn Your Death. Often authors kill off their protagonists and other characters in their stories. And why not? It's dramatic. Unfortunately, if it's not earned, it has less of an emotional impact. How do you earn your death? By making the reader emotionally invested in the character that dies. How do you get the reader emotinoally invested? There are many ways including:

  • use very specific details
  • show other characters caring about the character
  • show the character as an underdog, e.g. a victim of a tragedy or bullying
  • show the character act heroic, e.g. save the cat<--this is a writerly trick wherein the character saves a creature even less powerful than him/herself.
I look forward to reading a lot of stories in which a character I care about dies. :)

26 March 2019

Three Act Structure

I'm taking a writing class now and we've been extensively discussing the three act structure. You know the one: Act 1 with exposition, an inciting incident, an act 1 climax leading into act 2, rising action and conflict/confrontation leading into act 3, and a climax and resolution/denouement. This structure is very common in commercial movies and novels. In fact, you can even use this structure within single chapters. (If you're not familiar, you can find lots of info about it on the internet.)

It also works great for short stories!

For all the people who love the three act structure, however, there are also many who dislike it. So, give it try--if you want! If you don't want to, don't. :)

Send us your stories with or without a three act structure!

19 March 2019

spec fic and family

As a writer, I'm trying to plot out a big new spec fic project. Among other things, I have to figure out who the protagonist's family members are and what their roles are. This made me realize speculative fiction has a long history of not including (bio) family members. Why?

I'm sure opinions differ on why this is, but here's my two cents:

  • History.
    • Back in the mists of time, speculative fiction was created for young people. Even today, the stereotype of spec fic readers is young people. Young people are less concerned with family than some other groups.
    • Much early spec fiction was of a shorter length and there's simply no room for a huge cast of characters. (Of course, there are exceptions to this rule, e.g. epic fantasy.)
  • Ideas. Speculative fiction is a literature of ideas be it a quest, fighting a monster, or inventing a new gadget. Experimenting with ideas, imagining what-ifs doesn't require relatives.
  • Individualism. Readers want to see unique protagonists act to solve their own immediate problems.

Found or chosen families are huge in spec fic, on the other hand. You need people to join you on your quests, etc.

So, going back to my idea from last week: trends. Is this anti-family paradigm on the decline? I think ...not.
What do you think?

I was reminded of the common phenomenon of long-long mothers and/or fathers coming back from the dead or whatever. <--This is common.

Send us your spec fic--with or without family.

12 March 2019

Fiction Trends

We've been doing Electric Spec long enough to be cognizant of fiction trends. Today, I'm going to discuss two separate issues: format and content.

In terms of format, fiction is shorter. Flash fiction is becoming more and more popular. I think this is technology-driven as we read on our phones, etc. Some authors are even able to write a story within the confines of twitter! Impressive! Closely related to this, fiction starts in media res, in the middle of things, even more than ever. Fiction has shorter sentences and paragraphs, as well--all related to technology changes. Consequently, as editors, we do look for stories that start quickly.
Another huge format issue is audio. Audio is gaining more and more of the fiction market. (We don't have any plans at Electric Spec to get into audio.)
Something that hasn't happened much yet but has been promised is: multi-media and/or interactive fiction. I do believe in the future, we will absorb our fiction differently. :)

In terms of content, there have been four main trends I've noticed in recent years:

  • Genre mashups. I believe this is driven by the success of indie publishing. No longer are authors constrained by the rules of big publishers. So, readers have gotten more and more used to mashups, until they're requesting them. At Electric Spec we love genre mashups!
  • Dystopia/grimdark fiction. Of course, dystopian fiction has been around a long time, but starting about two years ago we really started seeing more of it. (I'll leave the cause(s) of this pessimism to your imagination.) This type of fiction is very pessimistic.
  • Solar punk/hope punk fiction. Solar punk is basically fiction that's climate-friendly with green technology. Often it has African and/or Asian aesthetics, as well. The African/Asian influences are a result of Black Panther's massive success, in my opinion. Yay! Usually solar punk is also positive and optimistic. Some people now refer to optimistic fiction as hope punk. I believe it is a direct reaction to all the negatives of dystopia/grimdark fiction. Of course, back in the 'golden age' of science fiction was almost always optimistic. We love solar punk and hope punk!
  • Kick-ass women protagonists. I think this is a direct reaction to the Me-Too movement. Writers and readers want to write/read stories of female empowerment rather than victimization. This will only increase with Captain Marvel's success. Electric Spec loves kick-ass women stories!
Whether you embrace the trends or buck them, good luck with your fiction!

05 March 2019

Huzzah!

We're still enjoying the fabulous February 28, 2019 issue ofElectric Spec! Huzzah! Huzzah! Huzzah!
How about that nice cover art, huh?

What's your fave story? The Strongest Man in the Village? Guinevere? Riverbed? When He Stopped Crying? The Blessing of Song?

We enjoyed them all and hope you did, too!

28 February 2019

Fabulous February Issue Live!

We're Live! Check out the fabulous February 28, 2019 issue of Electric Spec!

Thank you authors! Thank you artists!

Thank you editors!

And, most of all, thank you readers!

27 February 2019

from Author Mueller

We're excited to feature the fantasy "Guinevere" by Amelia Dee Mueller. She tells us a little about her writing process.


Guinevere was the first short story I ever wrote. Before it, I’d already pumped out two pretty awful novels that I love to my deepest core but that will never see the light of day, but something about writing a short story was very intimidating to me. I’d wanted to tell Guinevere’s story for a long time, but I never thought a short story would give me the room to do it. She’s a legend, literally, and there’s no way I could cover all of her in only a couple thousand words. But I couldn’t come up with enough of a story to take up a novel’s worth. So her story sat on the back burner in my mind, waiting to be written.

Luckily something came a long that gave me the push I needed: a deadline and peer pressure. I was taking my first creative writing class at the University of North Texas and needed something to turn in. The only story I had ready was Guinevere's, and everyone in my workshop was turning in such wonderful works and I knew anything that I came up with last minute wouldn’t hold up against theirs. I get competitive in workshops, which is exactly what you’re not supposed to do, but I can’t help it. I wanted to write the best story of the course, and the best in me was the story I’d been sitting on for almost a year.

I forced myself to sit down and outline it as a short story, and then I stayed up all night pounding out a first draft that I hated, as we all do with our first drafts. I revised. I rewrote. I made it better. I turned in something I wasn’t proud of. I got good feedback from talented classmates. I revised. I rewrote. Rinse and repeat.

I could go into the grueling submission process I went through after that, but it would look pretty similar. Writing is about creativity and inspiration and character and all of that, but all of that is worthless without discipline. I needed outside forces to get me started on that path, but after I found it I was able to discipline myself.

Writing is hard work, but for us that commit to it, it’s work worth doing. Even the hard parts. Guinevere taught me that.


Thanks, Amelia! Very interesting!
Be sure to read "Guinevere" and the rest of our stories tomorrow, in the fabulous February 28, 2019 issue of Electric Spec!

26 February 2019

from Author DiMaggio

We're excited to feature the literary horror story "Riverbed" by Rachel DiMaggio in our next issue. Here's what she tells us about her process.

Dry Spells: Block or Boon?

I’ve often heard the advice to write every day. I’ve tried that many times, and it seems to result in very few worthwhile pages. When I’m in “writing as creative practice” mode rather than “first draft, go go go!” mode, I don’t force myself to write every single day. Instead, I try to write on a semi-regular basis for two reasons: to be ready for a story that is almost ready to bloom, and to explore concepts and ideas in search of stories that haven’t formed yet. I experience it as tending a wild and unpredictable garden. Sometimes the soil needs to rest. Sometimes it needs to be nourished with the writing, music-making, and art of others. Sometimes I just need to ignore it and let the briars and wild flowers take it over until there is so much life and color that I have to get back into the work.

Even so, there are a few tricks I use to get through writing blocks. Having a small space that you associated with writing is really helpful, whether that’s a desk, a library study carrel, or a home office. I’m very lucky to have a dedicated room for my writing, and when I go there I know that it’s creativity time. It’s also the space where I do yoga and meditate. I also primarily use this room for all the peripheral work associated with promoting and selling my writing. Having some writing rituals or objects, such as lighting a candle, using a writing-only notebook, or staking claim to a corner of the coffee shop has also worked for me!

I've recently been working on staying creative by doing art and craft projects that are completely outside of writing. Hand embroidery allows my mind to run down whatever paths present themselves, while providing a sense of satisfaction from producing something tangible. Plot points and character motivations tend to untangle themselves when I am not staring into a Word file, but at something else. The vigilante part of my mind that shoots down rogue ideas left and right tends to check out when I’m involved in a non-writing project. That’s when the cool stuff sneaks in.


Thanks, Rachel! Be sure to check out her story this week in the February 28, 2019 issue of Electric Spec!

25 February 2019

Author Davidson in BHotY

We heard some good news from Author Bill Davidson. His story "A Brief Moment of Rage" will be featured in the Best Horror of the Year Volume 11 later this year. Congratulations, Bill!

Be sure to check out his new SF story "The Blessing of Song" in Electric Spec on February 28, 2019!

21 February 2019

from Author Stone

In the upcoming fabulous February issue of Electric Spec we're excited to feature the fantasy "The Strongest Man in the Village" by Lucy Stone. She gives us some thoughts on writing...

Writing is very difficult, and I probably shouldn't be doing it. I have a job and a three-year-old. They're both very demanding, but have their lovely moments. The three-year-old has more lovely moments than the job, but he also has more excruciating moments than the job, so it kind of evens out.

I can't give up the job, because it pays my mortgage, and I can't give up the three-year-old, because he’s my little guy and I love him to the stars and back (which is a longer trip than to the moon). Writing would seem to be the expendable thing. Except it isn’t.

I used to write when my son was sleeping, but he doesn't nap in the daytime anymore, so I write in the evenings and on into the night, even when I know I have to get up early for work the next day, because I don’t love my job--or even my health--the way I love this.

So what is it? Why do I find it so easy to write about the negatives of writing, but not the positives?

I think it’s because the positives are as fundamental as breathing, so I don’t think about them much. My favourite is probably spending time with my characters in my head--listening to their various gripes and jokes and morose predictions--which I realize is something I did before I knew how to write, and still do now in the long moments when I don’t have a pen in my hand.

But there's also:

1) Day-tripping in other perspectives and other worlds, which you can wrap around you like a shawl when it’s cold and horrible outside.

2) Building up worlds in which you have the intoxicating power of control, and then realizing that you don’t.

3) Thinking, when you manage to pin down the slimmest, clumsiest shadow of a thought, that somebody else might recognize it, and say "Yes, that’s it--I’ve thought that too!"

4) Challenging yourself to think: what would this feel like? What would this look like? as though every scene is an intricate puzzle with no right or wrong answer.

5) Telling stories to please yourself, when the books you buy seem to miss the mark.

6) Re-writing other people’s stories the way you think they should have gone.

It's all the fun of reading, with the added bonus that you can congratulate yourself on having come up with it all.

That's probably where I should stop, because that’s the contradiction about writing I can never quite resolve: it’s losing yourself while at the same time pandering to yourself. Some people call it escapism, but everything about it is inescapably you.

That's quite a nice break for a mother, of course, because when you’re looking after a little one, you’re expected to be a Mother and not a person. I've written for most of my life, but never so feverishly as in the months after my son was born.

Anyway. I'll keep at it. I used to think I was doing it for the praise, but that has tailed off, and I’m still scribbling, so I guess I am doing it for love.


Interesting, Lucy! Thanks!

Check out all the stories on February 28, 2019!

19 February 2019

from Author Lowd

We're excited to feature the fantasy "When He Stopped Crying" by Mary E. Lowd in our fabulous February issue of Electric Spec.

Some days, there just don't seem to be any words. The blank document sits in front of you, inviolable. An empty snowfield that you can't imagine trekking across, because the bright sun and bitter cold would wear you down before your trail of footprints made it halfway across. Every word seems wrong; before you get halfway through a sentence, you delete it.

What does this have to do with my story, "When He Stopped Crying"? I wrote it on one of those days, when the blinding whiteness of the page seemed an insurmountable obstacle. A feeling that returned to me, only a little bit ago, when I was trying to think about what I have to say about this particular story. Because at some level, "When He Stopped Crying" says everything I wanted to say about itself, right there on the page: it's about being so tired that you're not sure what's real anymore, and it's also about how strange it is that a tiny creature like a baby can rule every aspect of your life, like some kind of mystical goblin emperor. There's nothing else to it.

However, I remember staring at the blank page that day, and feeling like I had no words inside of me. And yet, I had to find some, because I was at a writing date with a bunch of other writers. I could hear their keyboards tip-tapping, and I knew there was another forty minutes until we would take a break and check in. It would have been weird to simply pack up and leave early, but I couldn't take the pressure of listening to those keys tappity-tapping away for forty minutes without finding a way to join in. So, I succumbed to the peer pressure, and I put some words down on the page, even though I was sure they were somehow the wrong words and would lead nowhere. Eventually though, as I kept typing, they started to make sense, and now that story's in Electric Spec.

Sometimes, it's better to run into that snowfield without a plan, and leave footprints everywhere, than to simply stare at it until you get too cold, and it's time to go home. At least, one way you get to spend some time playing in the snow.


Thanks, Mary! Be sure to check out her story on February 28, 2019!

12 February 2019

from Author Davidson

We're excited to feature the SF tale "The Blessing Song" by Bill Davidson in our fabulous February issue of Electric Spec.

One of the most striking features of short stories is that they offer the reader incredible value, with so much packed into a few thousand words. I like to think that The Blessing of Song is a good example of that- there’s a lot in there!

The Blessing of Song is a space opera, one with actual arias. It came out of a simple idea that didn’t stay simple- an exploration ship dispatched on a hundred-year voyage to a distant planet, eventually all but forgotten as life goes on back on Earth .

Thrown back on their own ingenuity and hiding in orbit for generations, the crew of the Columbus change both physically and mentally, developing their own moral code and bizarre version of sanity. Probably no crazier than anything we accept as normal.

They survive, naked and filthy, on the decaying ruin of Columbus, but have a devious plan to live on the arc planet of Alifee, accepted by the Alifeeans.

When Earth finally shows up in the form of the Trek, a powerful warship, set for invasion of the world they have come to think of as theirs and the destruction of the Alifeeans, they are horrified. A moral dilemma is presented, one upon which the future of mankind may rest, but the reader is not asked to view Earthlings as the heroes of the story. The crew of the Trek plan to repeat the same barbaric acts that have seen indigenous peoples destroyed on Earth and (in the story) brought the planet to ruin.

Any loyalty the Columbus crew felt towards Earth evaporated generations ago. Earth is seen as alien, warlike and hostile. Both crews are strikingly ignorant of Earth, unsure, for instance, whether birds are venomous.

It might not be obvious at first read, but the story also offers a possible view of visitors to our own planet. Fallible and even incompetent, some of the efforts of the Columbus crew come to disaster and they are spotted and even captured, stories multiplying about them. But, they have quietly infiltrated themselves into Alifee’s systems, seeding it with technology that they control.

A final feature of the story is the dialogue of the crew of the Columbus, which I hope the reader will enjoy- I had fun writing it. I wanted rich and colorful speech patterns, musical and amusing but with martial overtones, and based it on the British naval language of the Napoleonic era. The wonderful Patrick O’Brian, who wrote the ‘Master and Commander’ series, does that so much better than me.


Thanks, Bill! Be sure to check out his story on February 28, 2019!

05 February 2019

production meeting notes

We, the Electric Spec Editors, recently had the Production Meeting for our fabulous February 28, 2019 issue!
Final stories were chosen with difficulty--because there were so many good options. Final art was chosen with difficulty (ditto many good options). Most authors in hold-for-voting heard back from us Sunday Feb 3. A few have yet to hear, but will soon.
For the first time, more than one editor had the same number-one story and really wanted to edit it. I had to step in to avert violence, or at least, very strong words and spilled food. :)

The hold-for-voting zeitgeist for this issue appeared to be some kind of London Fog. We had more than one spooky, London-based, and/or fog-filled story. I find this whole zeitgeist thing to be fascinating! Don't you?

In surreal news, we had to navigate through hundreds of golden retrievers to get to our meeting. I kid you not!

Next time: more specifics about the upcoming issue!

29 January 2019

subjectivity

We, the Electric Spec Editors, are working hard on the fabulous February 2019 issue. I believe slush reading is completed. This means everyone that submitted before the Jan 15, 2019 deadline should have received an initial email by now. This initial email would be essentially 'No, Thanks,' or, 'Stay tuned.' If you submitted before the deadline, and haven't heard back from us, your story might be lost in cyberspace (sorry!).
The editors are busy ranking the finalists in anticipation of our Production Meeting this weekend. At the Production Meeting we'll make all the final decisions. Which stories will we publish? Which art will we use for the cover? What will we put in Editors Corner? Thus, next week, I'll blog about the new issue! Yay!

In the meantime...
I've been struck recently by how subjective art--including short stories--appreciation is. I received a couple reviews of a piece that were polar opposites. One reviewer thought it was wonderful. One reviewer thought it was horrible.
I think it comes down to if the reader can empathize with the protagonists. Does the reader see him/herself in the characters? Sometimes, an author and a reader are very different and it doesn't happen. That's okay.

I guess my point is, if we don't publish your story, that doesn't mean other editors won't love it. It doesn't mean many readers won't love it. Good luck placing it elsewhere!

22 January 2019

the lens of personality

We, the editors, are working hard on the fabulous February issue of Electric Spec. The submission deadline for stories has passed. That means we are hip deep in slush. We have about one more week for the associate editors and editors to get through their slush piles, so if you've submitted, keep an eye out for an email. Then, we have about a week for the editors to peruse the finalists in the hold-for-voting pile. Our production meeting is scheduled for the first weekend of February. Thus, all authors should hear back from us soon after that.
(We are currently accepting submissions for the marvelous May 2019 issue.)

From reading slush I have a few tips...
It's probably not a good idea to open your story with a page of descriptions. It's probably not a good idea for said descriptions to read like a laundry list, e.g. She had brown hair, brown eyes, tan skin, purple pants, etc.
Every description needs to be expressed through the lens of your character's personality. I don't care what the description is. I don't care who the character is. I do care if the description is unrelated to the character.
Here's a description from a master's page one: I'm blond and blue-eyed and twenty-five, and my legs are strong and my bosom is substantial, and I have a waspy waistline. This is a bit laundry-listy but it has so much personality, it works.

Incidentally, the first line of this book is: I'd been waiting for the vampire for years when he walked into the bar. Wow!
This is an excellent telling first line. Among other things, it's chock-full of personality.
And, yes, this is from Dead Until Dark by Charlaine Harris.

Stay tuned for more info on the fabulous February issue!

15 January 2019

Telling

Today is the submission deadline for the fabulous February 28, 2019 issue of Electric Spec! Get those stories in by midnight U.S. Mountain Standard Time!

I had an epiphany recently, related to the fiction in our slush pile...
As you probably know, the Electric Spec editors are also authors. This week I've been working on a story for a contest. In the contest rules, the editors give examples of the types of dramatic first lines they desired. I gradually realized they were all 'telling.' The editors didn't use the word 'telling' but that's what they were.
Something about this seemed familiar...

Sure enough, in 2006, I wrote a blog entry Short Story First Lines with a bunch of first lines from award-winning short stories. (Not all the links therein still work. Try American Book Review's Best Novel First Lines, for example, instead.)
A lot of these first lines are 'telling,' as well. Eureka!

Therefore, I can say with confidence: consider telling in your first line!
Of course, here at Electric Spec, we think you should have some showing in your story, as well--but that's another blog post.

Good luck with your submissions!

08 January 2019

epistolary slush

The deadline for the first 2019 issue of Electric Spec is fast approaching: January 15! Get those stories in.

We are working on the slush pile for the issue. Surprisingly, I've read more than one epistolary story this year. An epistolary story is a narrative told via a series of documents. In the old days, these would be letters. Later, newspaper or magazine clippings, book excerpts and/or some combination of all of these, became popular.
Horror has a lovely epistolary tradition including Carrie by Stephen King and Dracula by Bram Stoker.

Nowadays, anything goes. The story could be told via blog posts, texts, tweets, (descriptions of) streaming videos, or whatever else you can imagine. I love the creativity behind these ideas. And many of the high-tech versions lend themselves well to science fiction.

However, I do think it's difficult to evoke an emotional response in a reader via documents. It's particularly difficult with experienced speculative fiction readers (like editors!). Furthermore, many of these epistolary stories utilize surprise endings. Sadly, it's difficult to surprise editors.

So, bottom line: please do send us your epistolary stories.
But make sure they're excellent!

01 January 2019

Beginnings

Welcome to the fourteenth year of Electric Spec! Wow, time flies! As the new year begins many of my writer friends are working on their New Years Resolutions including writing more, submitting more, or creating an effective writing schedule. If you are doing the same: good luck!

A deadline is looming. January 15, 2019 is the submission deadline for the fabulous February 28, 2019 issue of Electric Spec.

We've been working on the slush for the new issue and I'm struck by how crucial story beginnings are. We get hundreds of submissions for each issue, so sometimes editors only read the first page of a story. As a writer I know this isn't fair, but it's pretty common.
Authors need to capture the editor's attention quickly. This can be via a great author voice, snappy dialogue, personable characters, an intriguing plot setup, a unique world, or a host of other methods.
Market does play a part here. Our editors like and dislike certain things. The easiest way to see what we like is to read back issues of the ezine--and lucky for you, they're free!

Resolve to get those stories in! :)

And, oh yeah, Happy New Year!

18 December 2018

Happy Holidays!

From all of us here at Electric Spec to all of you:

See you in 2019!

11 December 2018

so many choices

We're still reveling in the new November 2018 issue of Electric Spec! What's your favorite story? "Undertow" by Mark Bilsborough? "Mission on Nemistat" by Lisa Timpf? "Clinging" by Joe Baumann? "Ugly Earthling" by Kate Sheeran Swed? "Grounded" by Nikki Baird?
So many choices! I can't decide. :)
Bonus question: which author(s) has appeared in Electric Spec before?

And how about that editor interview? Gremlin Editor uncovered a lot of intriguing info!
Bonus question: which editor(s) did not participate? I wonder why...
Feel free to ask a question in the comments for a future interview.

04 December 2018

Yay!

Hopefully, you've noticed by now, the new issue of Electric Spec is out! Huzzah!

nov 2018 cover

Thank you to all the authors, the cover artist, the tech support folks and all the editors! Yay!

And thank you readers!

27 November 2018

from Author Timpf

One of the great stories we're looking forward to is the science fiction tale "Mission on Nemistat" by Lisa Timpf. She says...

One piece of advice often given to writers is to think about stories they have enjoyed in the past. When I think back the books I most enjoyed as a child growing up in the 1960's, Thornton Burgess's stories about the furred and feathered creatures that lived in the Green Forest and the Smiling Pond rank right up there. I credit Burgess's stories with helping me develop empathy for animals and a deep appreciation of the natural world.

As a teenager reader, I started to enjoy science fiction books, particularly those of Andre Norton and Robert A. Heinlein. Norton and Heinlein remain among my favorite science fiction authors, joined more recently by John Scalzi and Kim Stanley Robinson.

I first started writing and sending out fiction stories after I retired from full-time work in 2014. Many, though by no means all, of my stories have leveraged two of my most-enjoyed reading experiences—science fiction tales and animal stories. "Mission on Nemistat" is my seventh published science fiction story with an animal protagonist.

The inspiration for "Mission on Nemistat" came from thinking about the question of faith--specifically, faith in what we devote ourselves to do, whatever that may be. As one of the characters, Ninja, suggests, doubt isn't necessarily a bad thing if it helps us find the way to a more reflective and deeper commitment to the causes, occupations, and organizations to which we devote ourselves.

I think many of us (if not all) have doubts at some point in time, whether those doubts are about the value of our contributions, the merits of the tasks we do in our jobs, or the causes we commit ourselves to. Hopefully, we can find our way from doubt to a degree of certainty, as our protagonist Star manages to do. To do so can be liberating and energizing, though we must also realize that doubt is seldom banished forever. That's just the way it is.

Perhaps you've found, as I have, that sometimes, it's enough to say, "for now, it's all good." May we all find that peace, from time to time, as we go about our daily lives.


Thanks, Lisa! Very Interesting!

20 November 2018

from Author Swed

We're working on the notable November 30, 2018 issue of Electric Spec! One of the stories we're exited to feature is "Ugly Earthlings" by Kate Sheeran Swed. Here's what she has to say about the story:


On Absurdity and Character Journey in "Ugly Earthling"
By Kate Sheeran Swed

"Ugly Earthling" is my love letter to absurdity.

The process of writing short fiction is a joy. Shorts give me the opportunity to strut my weird, and to play with styles that would quickly become wearisome in the writing of a novel--or a reading of it, for that matter. I stand forever in awe of authors like Douglas Adams, whose long form works so effectively embrace absurdity in both style and content. It is not easy to pull off.

Still, the absurdity of "Ugly Earthling" posed a challenge when it came to crafting a satisfactory ending to the piece. As far out as it may be (rather literally, I suppose), my main character, Esmeralda, does have a goal in this story. It's reflected in the very first line. While there’s certainly room for character goals to shift and grow, I couldn’t very well have Esmeralda reacting to the events of the story by seeking out revenge, for example.

The prose style of a story like this might allow for a lot of weirdness, but that doesn't mean a character can randomly make decisions that run contrary to what they hope to achieve. Not unless they've got a convincing reason to do so. This story taught me quite a lot in the writing, quite a bit of which I managed through trial and error.

Squid chefs are one thing. Disappointing character journeys are quite another.


That's great. :) Thanks, Kate.

13 November 2018

from Author Baumann

We're working hard behind the scenes on the notable November 30, 2018 issue of Electric Spec! We're pleased to present "Clinging," a unique fantasy, by Author Joe Baumann. He tells us:

I owe three inspirational shout-outs for this story, two to writers I admire and wish I knew personally and one to an artist about whom I feel the same (who is, sadly, deceased, and thus far less likely to ever see this): first is Julia Elliott, whose sublime short story collection The Wilds features a woman who appears to have tree roots blasting out of her head on its cover. That image stuck with me as I was reading her incredible stories, and led me to the idea of writing about people who grow tree roots.

Second is Ramona Ausubel, whose story "Tributaries," in which people grow extra arms every time they fall in love, inspired the grief part--the "how" of that should be fairly obvious.

Third is a thanks to Pablo Picasso, who--according to the postcard I bought at his museum in Barcelona (the only souvenir I bought on that trip)--once said, "Bad artists borrow. Good artists steal." Without that oomph pushing me along, I probably would have thought I was borrowing too much from Elliott and Ausubel--so I gladly took what was theirs and made it mine (please don't sue, if you see this).


Thanks, Joe! Very interesting!

06 November 2018

tales from the Production meeting

We recently had the Electric Spec Production Meeting. It went well. It was difficult, but we picked five stories and some cover art. This means all authors in hold-for-voting should hear back from us early this week--if they haven't already. We assigned editing tasks. For your information, usually editors pick their favorite stories to edit. So, this means authors get an editor that is very enthusiastic about their work. :)

We will have a story from Editor Nikki in Editor's Corner Fiction. And, in a first, we will interview all the editors in the Editor's Corner Interview section. That should be interesting!

We pondered updating the website, but don't have time right now. We pondered putting together some kind of e-book anthology collection of Electric Spec...and decided to revisit the idea in the future.

We had an interesting discussion about how the zeitgeist of our modern culture affects writers. Do we get more dire, depressing stories these days? Maybe so.
But do we want to read dire, depressing stories these days? Maybe not.
Something to think about...

Hopefully, next time, we'll start hearing from authors!

30 October 2018

Happy Halloween!

Next time: a report from the Electric Spec Production Meeting.

28 October 2018

Rocketpack Adventures

There's a new anthology of short stories related to rockets, jetpacks and related fun stuff.

     
     Rocketpack Adventures Anthology available October 29, 2018!

Check it out!

23 October 2018

the challenge of being spooky

We're working hard behind-the-scenes of Electric Spec. One task is finishing up stories in the slush pile. I've read a variety of tales over these last few weeks which tried to be spooky or macabre and/or in the horror genre. It can be challenging to make such stories work.

One major issue is you must connect with the reader on an emotional level. To scare the reader, you have to make the reader care about the characters. Thus, usually, the opening of such a story should make the reader empathize with the point-of-view character. (In a flash piece this can be very difficult.) I think this is especially important in horror fiction if you want to scare the reader, make them uneasy. In such cases, first, you have to make them easy. :)

Another issue is there is a long, rich history of horror fiction in our culture. Please be aware of it. If an author expects a surprise reveal that the protagonist is actually a vampire/ghoul/ghost/werewolf/axe-murderer to work, think again.

All that being said, we enjoy macabre fiction. Show us something fresh!

Early Happy Halloween!

15 October 2018

the lens of character

The Oct 15 deadline for the notable November issue of Electric Spec has just passed. Doh! Thanks for submitting if you made it in.

The editors are working their way through slush. Some do a pretty good job keeping up with it, some tend to procrastinate. If you submitted, you should hear back in the next two weeks for an initial thumbs up or down.

I've been reading a lot of slush. Some authors authors do a great job of telling their story through the lens of character. Some do not. Most modern story-telling is told via a very close point-of-view, be it third person or first person. In this case, everything in the story needs to be told through the subjective lens of your pov character. This includes language, metaphors, similes. This includes vocabulary and dialogue. This includes descriptions of other people, places and things.

If an author doesn't carefully implement this, the author's subjective lens is the default. This can work, if it's consistent. A haphazard mish-mash of pov, however, does not work.
When the lens of character is successfully implemented, the story is a joy to read...

09 October 2018

Reading fiction is beneficial.

Reading fiction is beneficial.
  • Reading fiction facilitates empathy and understanding
  • Reading fiction opens your mind to new ideas and people
  • Reading fiction faciliates uncertainty and creativity
  • Reading fiction reduces stress
  • Reading fiction facilites sleeping
  • Reading fiction makes you happier
  • Fiction simulates relationships and other challenges, enabling readers to deal with them more effectively
  • Fiction readers build more language skills
  • Fiction readers have less mental decline later in life
Writing fiction has these same benefits!
Don't forget the next submission deadline is October 15, 2018.

Send us your stories!

02 October 2018

Hello Goodbye

We're hard at work on the neat November 2018 issue of Electric Spec. At this stage this involves reading the stories people are kind enough to submit to us. (Thank you!)

I read a story recently that had extended 'Hello' and 'Goodbye' scenes. These scenes seemed very realistic in terms of dialogue. Unfortunately.
I challenge anyone reading this to go to a crowded spot and listen to people talking. You'll hear a lot of Hey's, Um's, So's, and similar words. Talking in the real world is a way to communicate and emotionally connect with other people but, generally, it's not efficient. Sometimes the actual words don't even matter because just showing up matters, participating matters, nonverbal communication matters.

Dialogue in story world should not be realistic. It should be fictionalized. Dialogue in a story should convey plot information, help build the fictional world, and it should characterize the speaker. It should be efficient. Words in story world do matter, because the words on the page are the only way we can communicate and connect with the reader. Every word is important.

The submission deadline for the November issue is fast approaching: October 15, 2018.

Send us your stories laden with unrealistic dialogue! :)

25 September 2018

Happy Ending?

We're pretty deep into the slush for the notable November issue of Electric Spec. I've been reading stories and was reminded of some feedback I got from a creative writing professor once. Basically, he told me to consider not including a happy ending in my story.

What is a happy ending, anyway? There's not an accepted definition. This is especially true when you consider different temporal eras, cultures, countries. Some would say as long as the protagonist is alive at the end of the story, it's a happy ending.

I think the whole happy ending issue exemplifies the art versus entertainment dichotomy in fiction. In art, anything can happen. In entertainment, people want to be entertained; often this means they want and expect a happy ending. Fiction falls somewhere along this spectrum. I would say literary fiction is closer to the art end of the scale. Genre fiction, including speculative fiction, tends to fall closer to the entertainment end of the scale.

Where do the Electric Spec Editors fall in terms of their preferences? There are certain conventions in a particular culture and we editors are subject to them along with everyone else. As convention says all characters must be fully fleshed out now, more ambiguous endings are considered more sophisticated, better.

But you're in luck. To decipher what we really think (rather than what we claim) you can check out thirteen years of endings for yourself at Electric Spec.

What's your preference?

18 September 2018

Avoid Cliche

We are starting to work on the next issue of Electric Spec--which means reading slush. Last time, I said stories should grab editors. This time, I'm saying stories should surprise editors. I didn't entitle this 'Surprise Me' because authors do need to lay the groundwork for their story endings. The end of the story should be the perfect complement to the beginning of the story. That being said, we see a lot of the same type of story endings...

Avoid these story cliches:

  • the mysterious protagonist is actually an alien, robot, AI, elf, ghost, monster, insert_your_favorite_creature_here
    and closely related: the seemingly normal protagonist is actually an evil murderer/torturer
  • the mysterious seemingly-not-human protagonist is actually a human
    and the closely-related: mysterious planet is actually Earth
  • nonhumans act exactly the same as humans.
  • the protagonist discovers he/she/it is the special chosen one
  • brave knight saving the damsel in distress and/or killing the dragon/beast
  • the powerful magic-object/wizard/AI/etc. saves the day
  • scientists/science are/is evil
I'm sure you can come up with some yourself.
Subverting cliches, on the other hand, can work great...

Good luck avoiding cliches!

11 September 2018

Grab Me

While we are still reveling in the awesome August 2018 issue of Electric Spec, we are also starting to think about the notable November 2018 issue...

How does an author get their work published? By grabbing the editor. Why is this relevant? Because editors want the stories to grab readers. They are myriad ways to grab an editor, but in general it does need to be done on the first page of a manuscript.

Here are some grab-worthy sentences you might recognize:

  • Penelope was fading fast, but I agreed to meet her nonetheless.
  • After my installation in Gloria, I am silent.
  • He returns on a Thursday after the full moon.
  • But there were no hummingbirds.
  • "Will you put that bloody thing down and talk to me?"
These pique one's curiosity. How was Penelope fading? And why meet her? How the heck does someone/thing get installed in a person? Why be silent? Where does he return from? And who is he? What's with the hummingbirds? What is the bloody thing and why does it interfere with conversation?
The methods differ significantly but the result is the same: I'm grabbed.

Good luck with your grabbing!

04 September 2018

Awesome August Issue!

We're still enjoying the awesome August 2018 issue of Electric Spec. If you haven't checked it out yet, here's what you're missing:

Perhaps the greatest gift of speculative fiction is that you never stop encountering startling and creative new perspectives. In this issue, we were amazed by the imaginative paths our writers took to tell their stories--including riveting explorations of relativity and quantum uncertainty, a moving story from a machine's perspective, an unexpectedly chilling choice for a menacing monster.

  • "Hummingbird" by Kathryn Yelinek: One woman will learn to fear the buzzing of tiny wings...
  • "Twist" by Michael J. Nicholson: In a mad race to beat the world record for Rubik's cube, one competitor is about to take it a twist too far.
  • "Brother" by Subodhana Wijeyeratne: When a brother returns from deployment in space, we find relativity can be hell on relatives.
  • "There Is a Beauty in This Condition" by Neil James Hudson: What would you do if someone you loved was literally fading away?
  • "G10ria" by Michael Milne: An AI healing module implanted in a dying woman shows us a new perspective on the human experience.
  • In Editor's Corner editor Nikki Baird shares her discussion with editor Angie Hodapp about how to create an anthology.
  • Also in our Editor's Corner, editor Grayson Towler shares "Honor Dog," a story of a young boy's dangerous quest to preserve his father's legacy--and save the life of his best friend.
Which story is your favorite?

31 August 2018

We're Live!

We're Live! Check out the awesome August 31, 2018 issue of Electric Spec!

Thank you authors! Thank you artists!

Thank you editors!

And, most of all, thank you readers!

28 August 2018

from Author Hudson

We're proud to present "There Is A Beauty In This Condition" by Neil James Hudson in our awesome August 31, 2018 issue of Electric Spec. Here's what the author had to say about his story...

You can't step in the same river twice. New things arise and old things disappear. People fade away, and our memories fade with them. And as we age, we feel ourselves fading. Of course we should fight it, but it always ends the same. I've always kept diaries as a way of keeping it at bay; it makes me feel as if somehow the days can be preserved, the people kept real, and the past live on in the present. It doesn't, but I can't help hoping that the story of my life will be preserved after I've faded, as a kind of verbal corpse.

In this story, Penelope is the river that the narrator tries to step in twice. He knows it's not the same river, but he doesn't realise he's not the same man.


Very interesting, Neil! Thanks!

Check out "There Is A Beauty In This Condition" and all the others on August 31!

21 August 2018

from Author Wijeyeratne

As part of our awesome August 31, 2018 issue of Electric Spec we're pleased to present Brother by Subodhana Wijeyeratne. Here's what Subodhana has to say about it:

I've always been interested in incorporating the South Asian cultural context into my science fiction. Coming from a Sri Lankan family, even though I was born and raised in the West, I've always been keenly aware of the amazing depth and diversity of the subcontinent's religion, history, and art. The challenge for me was to bring this into my writing without making it appear tokenistic or modish. I already had a crack at this once with My Lady, The Lily, a short story I based on a Sri Lankan legend, which appears in my collection "Tales from the Stone Lotus." But I'd never done a SF piece in a similar register.

In the end, it was Sri Lankan legend to the rescue, again. Though based in the near future, Brother actually makes reference to Sri Lankan history too. The two brothers bear the name of the famously feuding monarchs Kasyapa and Mogallana. Having usurped his father, Kasyapa fled to a giant rock in the jungle and build a palace on its back, a structure he called 'Sigiriya' -- Lion's Rock. After a decade of tyranny, he was deposed by Mogallana, but not before he'd turned the rock into a great pleasure palace carved in the shape of a lion and adorned with images of heavenly maidens, Apsaras. The rock is still there in Sri Lanka, choked with tourists. Brother in some ways is my ode to that tale, and to brotherly relations the world over -- that curious mix of competition, love, hate, and tenderness that characterizes the bond between male siblings.



Thanks, Subodhana! Very interesting!
Be sure to check out Brother and all the other stories on August 31!

14 August 2018

from Author Nicholson

As part of our awesome August 31, 2018 issue of Electric Spec we're proud to present Twist by Michael J. Nicholson.

On Lightning Strikes and Mountain Climbs

As far as pop-culture goes, I am a child of the 80s. So when my son received a Rubik's cube for his birthday this year, I promptly sat down and learned how to solve it. It took roughly 24 hours until I had it down pat and the movements were almost second nature.

During this process, the concept of "solving" the cube by twisting reality, rather than the cube itself, occurred to me. Within about 5 minutes I had the story, pretty much fully formed, sitting in my head. About an hour and a half later I had Twist in a Word document.

Now, at this point you're probably thinking something along the lines of "screw this guy!". Bear with me. This isn't me bragging about how easy it is to write stories. If it were that easy I'm pretty sure I wouldn't be toiling away full-time developing IT systems for large corporations. But it isn't, so I am, and right now the writing takes third place behind family and work.

While the experience I had writing Twist has happened before, with other stories, it's not even close to the norm. Twist was a lighting strike. The usual process is more like scaling the north face of Everest, solo, with no oxygen. Or Equipment. Blindfolded.

I have stories I have wrestled into submission under many hours, days, weeks or months. I have a couple of stories that I really like, except for the fact that there is something indefinable wrong with them. These stories sit in folders on my Dropbox for years before I realise how I can make them into something that people might actually want to read. Or perhaps I will never feel that way about them.

It is this indefinable quality that makes us like a story. It's something bigger than the plot, bigger than the characters or the dialogue. It transcends good or bad proofreading and copyediting. It's there (or not there) regardless of how clever a twist (see what I did there) you finish with. It is of course all these things as well, but good fiction--fiction that grabs you and won't let you stop reading--can lack some of these elements and still be good. Bad fiction, on the other hand, can have everything you think should make it good, and still fail to engage the reader.

Twist is not an overly serious story. It was fun to write, and I hope it will be fun to read. My hope is that Twist has that "something", that strange, unmeasurable quantum-like quality that only exists when you, dear reader, take the time to engage with the story. It could not exist without you.



Thanks, Michael! Very interesting!
Check out Twist and all the other stories on August 31!

13 August 2018

Cover Reveal

We are working hard on the awesome August 31, 2018 issue of Electric Spec! I thought I'd take this opportunity to reveal the awesome cover by Ron Sanders:

He calls this piece Rhea.
We've actually featured Ron's artwork several times before.
Read more about him on the Artists Page.

07 August 2018

behind-the-scenes Production Meeting

We have really geared up for the awesome August 31, 2018 issue of Electric Spec. Most folks who made it into hold-for-voting should have received a final decision email by now. We're starting to edit stories and create the issue itself.

We recently had the Production Meeting. It's odd...often we notice an overall theme of submissions. This time, the tone of the stories was quite dark. We also had more than one story featuring spiders that made the finals. Interestingly, there was very little high fantasy. (Consider sending us some.) We discussed the finalist stories. One editor admitted that the amount of editing a story needed had an impact on whether he/she ranked it highly or not.

Overall, we were very impressed with the quality of the stories and were sad we couldn't publish all of the finalists. If your story was in hold-for-voting but ultimately not selected, do submit elsewhere. To assist you with this, consider the following websites with lists of markets:

Good Luck!

Next time I'll start bragging about upcoming stories!

31 July 2018

behind-the-scenes rankings

We are working hard behind-the-scenes on the awesome August 2018 issue of Electric Spec. I believe at this point every story that made it in before the issue deadline has been read and all authors have been sent a first email. For many this is a Thanks, but no thanks.. For a select few it's a Thanks, we're going to hold this for voting. In general, we end up with twenty-ish stories each quarter in hold-for-voting. Keep in mind we get hundreds of submissions! And I'm not quite sure why, but we don't seem to get any bad subs. <--This is a bit of mystery to me.

Please note the submission period for this issue was April 16 through July 15, 2018. If you sent us a story before this and you didn't hear anything back--something went awry. Please resubmit. If you sent us a story after July 15, it is being considered for the notable November 2018 issue. Stay tuned for more info later in the year.

Which brings us to rankings. I'm not sure how other 'zines do it, but at Electric Spec all the editors read all the hold-for-voting stories and rank them from number one (best) to number whatever (depends on how many stories made it into hold-for-voting). I try to be very objective when picking stories to go into the hold-for-voting pile. However, when it comes to rankings, I tend to be very subjective. I look for that wow factor. This can be an amazing world, voice, plot, you-name-it. Interestingly, sometimes the other editors agree with these subjective rankings and sometimes they do not.

I compile all the individual rankings into one big ranking list. The smallest number of points possible is 3--from three number one picks. I don't think we've ever had that. The greatest number of points possible would be 3 times the number of stories in hold-for-voting, so, typically sixty-ish. Stories at the top of the rankings list are all discussed and often the top ranked stories are in. Stories in the middle may or may not get discussed. Stories at the bottom are generally rejected.

What would such a discussion entail? We do try to be objective. Does the story have a complete plot, with a good setup and resolution? Does the story have characters that change? Is the story original, or does in contain tropes or cliches we've seen before? You get the idea...

Next time: I'll give a report on our Production Meeting.

24 July 2018

awesome world-building

As you may know, we're working hard behind the scenes on the awesome August 2018 issue of Electric Spec. We have been reading a lot of slush...
I've read some stories with absolutely awesome world-building. I've read some stories in which the world seemed to be ordinary contemporary Earth. Guess which of these is more likely to get selected for our issue?

I believe every work of fiction involves world-building. The key is to make your world internally consistent and believable. I've said before there are no rules of writing, but one could approach world-building in the following manner:

  • Begin at the beginning. Ideally when you start your story (or at the beginning of your second draft) you know what your story is about. Pick the most important world-building element of the story and really develop it.
  • Look at all the other elements of your story. Are they consistent with this nascent world? For example, look at language including curses, metaphors and similes.
  • If you enjoy research, ask questions about your world. For example, the Science Fiction and Fantasy Writers of America has a handy list of questions here. These include pretty much anything and everything you can imagine.
  • Once you've developed all this, don't info-dump.
If you've got a good world-building tip, feel free to comment.

Good luck with your world-building!

17 July 2018

experimental fiction

The submission deadline for the awesome August 2018 issue of Electric Spec has passed--but we're taking subs for the notable November 2018 issue. :)
We've started working hard behind the scenes, reading a lot of slush. FYI-Some editors read slush all along as it comes in, some editors tend to read their pieces in the month before production starts, i.e. in this case, July, i.e. now. So, keep an eye on your inbox if you haven't heard anything from us yet.

I did read a couple very experimental pieces of fiction this time. What is experimental fiction? There are many definitions. One definition might involve the subjects/topics of the fiction not depicting reality. Experimental fiction can radically challenge the predominant norms of realism. One could say it's fiction that seeks to unsettle the reader, make them feel liberated or uncomfortable, or something else usual. I would say all this is speculative fiction.

In the cases I'm referring to, experimental fiction is fiction that does not obey the traditional rules of prose such as sentences and paragraphs. Language may not conform to standard rules of syntax, meaning, punctuation. There might be unusual typography. Possibly it does not even contain a narrative.
In my opinion, there is absolutely a place for this kind of experimental fiction in human artistic expression. I love creativity! It is very likely it is entirely appropriate for the realm of speculative fiction.
However, if the editor can't tell what the heck is going on... It's a pass.

Anyone care to comment on experimental fiction that they loved? That they hated?

10 July 2018

research -- love it or hate it

We are working hard on the slush pile. Thanks for sending us your stories!
The submission deadline for the awesome August 2018 issue is July 15, 2018!

I was recently interviewed about my research process. As some of you may know, my day job is scientist. So, while I do write sometimes-technical science fiction, I rarely do any research. This is because I get my fill of scientific research every week for 40+ hours.

At the opposite extreme, I recently interacted with an author who was building a huge fantasy mythology based on science. He'd been working on this world-building for a long time. I find this very impressive but...
I have had writer friends in the past who have spent all their writing time on research and then never managed to write anything. Caveat scriptor!

How about you? Do you do research? Do you love it? Hate it?
Whatever the case: good luck!

03 July 2018

make stuff happen

We are slowly working our way through the Electric Spec slush. Never fear, if you submitted, from us, you will hear!

I read a story the other day which started off strong. The first para was interesting... I was excited to read more. Cut to 4 pages later and we were basically in the exact same situation. Hhm. Nothing was happening. I did keep reading. Eventually, I got to the end and I thought Is this really the end? I still had a lot of unresolved questions. Basically, this author set up a lot of neat stuff but never followed through. Nothing actually happened. Don't do this.

Thus, my advice to you is: make stuff happen in your story. This is a little market-dependent. Our market likes happening stuff. Your results may vary with other markets.

Of course, the 'make stuff happen' mantra works in other aspects of a writing career. Write stories! Write novels! Submit to editors! Publish! Make a website! Build your brand! And on, and on...

Good luck making all kinds of stuff happen!

26 June 2018

story endings

We are starting to really get into the work for the awesome August 2018 issue of Electric Spec.
I've discussed story beginnings multiple times, but I haven't discussed story endings as often... I did discuss it here.
The point is story endings are important.

The most important thing about a story ending is it needs to address the problem you introduced on page one (you introduced a problem on page one, didn't you?). I'm a little embarrassed to admit sometimes when I'm writing a story I end up solving a problem that wasn't introduced on page one. But the magic of rewriting enables me to then change the problem on page one. :) Violà! My story solution matches my story problem.

Another important element of the story ending is the emotional payoff. Take a moment and show the protagonist reacting to the conclusion. Is he/she/it relieved? happy? sad? injured? Whatever it is, what does the protag think/feel about it? Show it!

Good luck with your story endings!

19 June 2018

summer is for ...reading

The (northern hemisphere) summer solstice is almost upon us. Summer is officially here! Woo hoo! I still have fond memories of summer vacation from school. I recall going to the library a lot and reading, reading, reading. It was pretty awesome.

Perhaps inspired by those memories I try to do some extra reading in the summer. Especially fun is rereading some of my favorite long series. Right now I'm rereading Butcher's Dresden files--and enjoying every minute of it. How about you? Do you have any favorite series? Last summer I reread all Harris' Southern Vampire series books. They were great!

Keeping in the vein (no pun intended) of free fiction, we have thirteen years of Electric Spec fiction available on the site. So many fun free spec fic stories! Check them out!

Good luck with your reading this summer!

12 June 2018

great first page

We've finally stopped basking in the glow of the marvelous May issue of Electric Spec and have begun thinking about the upcoming awesome August issue. We've gotten back into the slush pile. Thank you for sending us your art! I'm constantly amazed that so many talented people send us their works of art. Since we get so many, though, that means we can't publish them all.

How do you get your story in our 'zine? You create a great first page. Sadly, and honestly, you usually get only one short page to entice us. What's a writer to do?

  • Do obey submission rules, including file format, word-length. Do not have excessive grammar/spelling problems. Generally, not doing this will not get you an automatic reject but it makes editors grumpy, so we're predisposed to reject.
  • Carefully consider if you want to do something less common like using present tense. You can do it but does it serve your art or is it just annoying?
  • Don't doing anything cliched like waking up, driving in a car, characters looking at themselves in the mirror, etc.
  • Do create a unique realistic voice--this is the number one thing that draws me into a story.
  • Do create an intriguing premise. Often this is where your speculative element comes in. What is amazing about your story?
  • Do create a fully-fleshed out world. Even on planet Earth everyone's world is different. Show us the world of your characters.
  • Speaking of showing, do show us something. A full first page of telling is a tough sell.
Is all this difficult to do on page one? Yes!
If you're struggling, consider reading the first pages of some published Electric Spec stories and analyzing what those authors did.

Good luck!

05 June 2018

marvelous May issue!

We're still enjoying the marvelous May 2018 issue of Electric Spec. If you haven't checked it out yet, here's what you're missing:

Every quarter a theme seems to emerge from the collective unconscious of the writers who submit stories to Electric Spec. This quarter's theme appeared to be the combination of science and magic. We offer two such stories, along with something for everyone else, including time travel, a post-apocalyptic future, and a bar worth fighting for.

  • "Tech Support" by Toni Johnson: One Arcanexus Level One Help Desk customer service representative gives new meaning to 'on the job training'.
  • "The Blood Portal" by Mary E. Lowd: When magic and space travel intersect, sometimes what you need finds you, instead of the other way around.
  • "Sigmund Seventeen" by Chris Barnham: When a moment is lost, a connection broken, how many tries does it take to get it back?
  • "The Perchant" by Bill Davidson: Sometimes, in order to regain your history, you have to forget everything you know.
  • "The Butcher of Swiffle Prime" by Josh Taylor: Sometimes, all you want is a strong drink and a friendly face -- even if you have to name-drop to get it.
  • And don't forget our Editor's Corner where associate editor Minta Monroe shares her short story "The Hobnailed Sole."
Which story is your favorite?

31 May 2018

We're Live! Huzzah!

We're live! The new issue of Electric Spec is out! Huzzah!

may 2018 cover

Thank you to all the authors, the cover artist, the tech support folks and all the editors! Yay!

And thank you readers!

29 May 2018

from Author Barnham

Woo hoo! It's almost time for the marvelous May 2018 issue of Electric Spec! We will be featuring "Sigmund Seventeen" from Chris Barnham. Here's what he has to say about the story:

One of the things that always interests me about writing fiction, is the way that you make stuff up and sometimes the characters and the ideas take on a life of their own. You think you’ve written something the way it should be, only to find that you have to go back and explore it some more.

I wrote a story about a young man called Siggy, who meets a woman called Ellie. They fall in love, and she shares with him a fantastic secret: she has stumbled upon a mechanism for travelling between different versions of reality, between worlds that are subtly or dramatically different from our own, depending on how far you go along a mysterious path called the Way.

That story -- called Once There Was a Way* - ends sadly. Siggy has a wanderlust, and showing him the Way is like giving him the keys to the sweetshop. He can’t resist using it without Ellie, only to get lost in parallel worlds, forever searching for the version of reality he left behind, the one with his lover in it.

I always thought the concept of the Way lent itself to a series of stories, and sure enough I wrote others. One -- called Hard Times in Nuovo Genova -- is due to be published this summer by the magazine Intergalactic Medicine Show. What I didn’t realise at first was that the story of Siggy and Ellie hadn’t been fully told. I left Siggy wandering the Multiverse, searching in vain for the Ellie he left behind. But what about Ellie?

That thought led to my story, Sigmund Seventeen, the sad tale of what Ellie did after she lost Sigmund. (Warning: Spoilers!) What both stories show is a truth that lies at the heart of much science fiction: whatever the powers and possibilities that become available to us, through technology or otherwise, our fate is often determined by the flaws that lie within us. In Once There Was a Way, Sigmund loses Ellie because he always wants to look around the next corner and suspects the grass is greener, and so fails to see that what he already has. In Sigmund Seventeen, Ellie risks wasting the endless possibilities available to her in a doomed search to replace the man who got away.

Both these stories, indeed all my stories set on the magical path called the Way, are at heart about this truth: what we get out of life is largely determined by what we are able to bring to it. There’s no magical or technological fix that can make us what we are not.

*If you want to read the sister story, Once There Was a Way, it is included in the short story anthology Flicker, out now from FillesVertes Publishing.


Very interesting! Thanks, Chris.

Check out all the stories in 2 days!!!